Reflexiones acerca de la escritura sobre cine: un ensayo sobre Fata Morgana de Werner Herzog.
- Published in:
- Imagofagia, 2021, n. 23, p. 435
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- Publication type:
- Article
Works matching Werner Herzog
Results: 214
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AUTORSCHAFT IM FILM – DAS BEISPIEL WERNER HERZOG.
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- ANAFORA, 2023, v. 10, n. 2, p. 373, doi. 10.29162/ANAFORA.v10i2.8
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- Article
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Identidade, resistência e simbolismo no filme Onde sonham as formigas verdes (1984), de Werner Herzog.
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- Doc On-Line: Revista Digital de Cinema Documentário, 2021, n. 29, p. 5, doi. 10.25768/21.04.02.29.01
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- Article
4
Werner Herzog, documentales de viaje: Fata Morgana, La Soufrière, A la espera de una catástrofe inevitable, Wodaabe, Pastores del sol, Jag Mandir.
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- Cuadernos del Centro de Estudios de Diseño y Comunicación, 2017, v. 17, n. 62, p. 17
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- Article
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EL INDIVIDUO INQUIETANTE EN LA PELÍCULA AGUIRRE, LA CÓLERA DE DIOS, DE WERNER HERZOG.
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- Revista de Filosofía (00348236), 2007, v. 63, p. 73, doi. 10.4067/s0718-43602007000100005
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- Article
6
La pesadilla americana, o la revelación de lo extraño en tres documentales de Werner Herzog.
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- Comunicación y Sociedad (0188-252X), 2018, n. 32, p. 81, doi. 10.32870/cys.v0i32.6940
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- Article
7
Krajobraz poza czasem... Pejzaż azjatyckiej dżungli w filmach i prozie Wernera Herzoga.
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- Annales Universitatis Paedagogicae Cracoviensis: Studia de Arte et Educatione, 2023, v. 18, n. 377, p. 111, doi. 10.24917/20813325.18.7
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8
Bruce Chatwin e Werner Herzog, livro e filme: vidas entrelaçadas.
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- Revista Soletras, 2016, n. 32, p. 67
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- Article
9
SYMBOLIKA W FILMIE NOSFERATU WAMPIR WERNERA HERZOGA.
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- Ogrody Nauk i Sztuk, 2021, v. 11, n. 11, p. 170, doi. 10.15503/onis2021.170.177
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10
O romance O vice-rei de Uidá, de Bruce Chatwin, e o filme Cobra verde, de Werner Herzog: um estudo da transposição midiática.
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- Alceu: Revista de Comunicação, Cultura e Política, 2018, v. 19, n. 36, p. 36
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- Article
11
On Blank's screen: Les Blank's Werner Herzog Eats His Shoe and the gravity of the director's subject.
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- Studies in Documentary Film, 2010, v. 4, n. 2, p. 119, doi. 10.1386/sdf.4.2.119_1
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12
The Art of Attention in Documentary Film and Werner Herzog.
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- Film-Philosophy, 2018, v. 22, n. 1, p. 60, doi. 10.3366/film.2018.0062
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- Article
13
Werner Herzog's Burgeoning Voice in The Great Ecstasy of the Woodcarver Steiner.
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- Film Matters, 2019, v. 10, n. 2, p. 7, doi. 10.1386/fm_00002_1
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- Article
14
Two views of an inevitable catastrophe that did not take place: Werner Herzog and Daniel Maximin on Guadeloupe, 1976.
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- Journal of Postcolonial Writing, 2019, v. 55, n. 5, p. 670, doi. 10.1080/17449855.2019.1642235
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- Article
15
Zamknięci w nieskończonej otchłani. Przestrzeń kosmiczna (i jej poetyka) w filmach dokumentalnych Wernera Herzoga.
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- Bialostockie Studia Literaturoznawcze, 2022, n. 21, p. 117, doi. 10.15290/bsl.2022.21.07
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- Article
16
Zamknięci w nieskończonej otchłani. Przestrzeń kosmiczna (i jej poetyka) w filmach dokumentalnych Wernera Herzoga.
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- Bialostockie Studia Literaturoznawcze, 2022, n. 20, p. 117, doi. 10.15290/bsl.2022.21.07
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- Article
17
Playing with the Fire of Creation – Werner Herzog.
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- Concept (2248-3756), 2020, v. 21, n. 2, p. 192
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- Article
18
Inner and deeper: Motifs of fiction in Werner Herzog's films.
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- CINEJ Cinema Journal, 2019, v. 7, n. 2, p. 101, doi. 10.5195/cinej.2019.224
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- Article
19
WIELKIE UCIECZKI: Wolność i przestrzeń w „Niepokonanych” Petera Weira i „Operacji Świt” Wernera Herzoga.
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- Ethos (0860-8024), 2023, v. 36, n. 141, p. 145, doi. 10.12887/36-2023-1-141-10
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20
Translating the Impossible into Image Funambulism and Science Fiction in the Cinema of Werner Herzog.
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- BETWEEN, 2019, v. 9, n. 17, p. 1, doi. 10.13125/2039-6597/3657
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- Article
21
"But the Image Wants Danger": Georges Bataille, Werner Herzog, and Poetical Response to Paleoart.
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- Time & Mind: The Journal of Archaeology, Consciousness & Culture, 2012, v. 5, n. 1, p. 33, doi. 10.2752/175169712X13182754067386
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- Article
22
CINEMA RETURNS TO THE SOURCE Werner Herzog's Cave of Forgotten Dreams.
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- 2013
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- Film/TV Criticism and Review
23
The Prehistoricity of Cinema: Werner Herzog's Cave of Forgotten Dreams.
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- Film-Philosophy, 2023, v. 27, n. 2, p. 282, doi. 10.3366/film.2023.0230
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24
Deep Truth and the Mythic Veil: Werner Herzog's New Mythology in Land of Silence and Darkness.
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- Film-Philosophy, 2018, v. 22, n. 1, p. 39, doi. 10.3366/film.2018.0061
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- Article
25
Whiteout: Animal Traces in Werner Herzog's Grizzly Man and Encounters at the End of the World.
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- Humanities (2076-0787), 2017, v. 6, n. 4, p. 89, doi. 10.3390/h6040089
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26
REWATCHING AGUIRRE, THE WRATH OF GOD: ATHLETICISM, CINE-TRANCE AND THE LEGACY OF WERNER HERZOG'S ANTI-ETHNOGRAPHIC 'COSMIC' ETHNOGRAPHY.
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- Todas as Artes: revista luso-brasileira de artes e cultura, 2022, v. 5, n. 2, p. 32, doi. 10.21747/21843805/tav5n2a2
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27
Where reality is: A performance da autenticidade no cinema documentário de Werner Herzog.
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- Doc On-Line: Revista Digital de Cinema Documentário, 2018, n. 24, p. 332
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- Article
28
Mito y catástrofe. Personajes y paisajes en Werner Herzog y su eco en el cine latinoamericano.
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- Comunicación y Sociedad (0188-252X), 2018, n. 32, p. 55, doi. 10.32870/cys.v0i32.6952
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- Article
29
"Cold Pastoral": Werner Herzog's Version of Empson.
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- MLN, 2008, v. 123, n. 5, p. 1141, doi. 10.1353/mln.0.0080
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30
Contacting the Other: Traces of Migrational Colonialism and the Imperial Agent in Werner Herzog's Fitzcarraldo.
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- Film & History (03603695), 1994, v. 24, n. 3/4, p. 66, doi. 10.1353/flm.1994.a395810
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31
Werner Herzog's Adaptation of History in Aguirre, The Wrath of God.
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- Film & History (03603695), 1985, v. 15, n. 4, p. 74, doi. 10.1353/flm.1985.a402266
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- Article
32
An Anguished Self-Subjection: Man and Animal in Werner Herzog's Grizzly Man.
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- 2013
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- Publication type:
- Film/TV Criticism and Review
33
Mutuas conquistas: Occidente y naturaleza en el cine de Werner Herzog y Terrence Malick.
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- 2009
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- Publication type:
- Film/TV Criticism and Review
34
Overlapping Truths: The Conversation Between the Dogma 95 Documents and Werner Herzog's “Minnesota Declaration”.
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- 2016
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- Publication type:
- Essay
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Werner Herzog's Hearts of Darkness: Fitzcarraldo, Scream of Stone and Beyond.
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- Quarterly Review of Film & Video, 2003, v. 20, n. 1, p. 23, doi. 10.1080/10509208.2003.10555038
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- Article
36
Werner Herzog: Cave of Forgotten Dreams.
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- 2011
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- Publication type:
- Arts/Entertainment Review
37
Werner Herzog and Preposterous War.
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- 2013
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- Publication type:
- Film/TV Criticism and Review
38
The Coroner and the Real: Death, Media, and "Deep Truth" in Werner Herzog's The Enigma of Kaspar Hauser and Grizzly Man.
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- JCMS: Journal of Cinema & Media Studies, 2022, v. 61, n. 3, p. 82, doi. 10.1353/cj.2022.0025
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- Article
39
Werner Herzog's Rescue Dawn.
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- 2008
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- Publication type:
- Film/TV Criticism and Review
40
Cultural continuity and national emasculation: Werner Herzog's and Dariush Mehrjui's cinematic adaptations of Georg Büchner's Woyzeck.
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- Journal of Adaptation in Film & Performance, 2018, v. 11, n. 1, p. 27, doi. 10.1386/jafp.11.1.27_1
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41
Woyzeck in focus: Werner Herzog and his critics.
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- Literature Film Quarterly, 1996, v. 24, n. 3, p. 226
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42
Faces of Dehumanization: Werner Herzog's Reading of Büchner's Woyzeck.
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- 1981
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- Publication type:
- Literary Criticism
43
Kaspar Hauser Doubly Portrayed: Peter Handke's Kaspar and Werner Herzog's Every Man for Himself and God Against All.
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- Literature Film Quarterly, 1979, v. 7, n. 2, p. 235
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44
Werner Herzog's Erran Absurde.
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- Literature Film Quarterly, 1979, v. 7, n. 2, p. 223
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45
Philosophy of Prehistoric Painting and Cinema: Werner Herzog's Cave of Forgotten Dreams.
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- Journal of Comparative Literature & Aesthetics, 2019, v. 42, n. 1, p. 44
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46
Memory, Authenticity, and (the Absence of) Ruins: Resonances between Werner Herzog and John Akomfrah.
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- Black Camera: The New Series, 2015, v. 6, n. 2, p. 94, doi. 10.2979/blackcamera.6.2.94
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47
Found-footage science fiction: Five films by Craig Baldwin, Jonathan Weiss, Werner Herzog and Patrick Keiller.
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- Science Fiction Film & Television, 2008, v. 1, n. 2, p. 193, doi. 10.3828/sfftv.1.2.1
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48
Germany's Lost Son, Germany's Dark Dream: Werner Herzog, Ecstasy, and Einfühlung.
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- 2014
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- Publication type:
- Film/TV Criticism and Review
49
Whose Dreaming? Intercultural appropriation, representations of Aboriginality; and the process of film-making in Werner Herzog's Where the Green Ants Dream (1983).
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- Studies in Australasian Cinema, 2007, v. 1, n. 2, p. 175, doi. 10.1386/sac.1.2.175_1
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Scenarios III: WERNER HERZOG, (trans. KRISHNA WINSTON), 2019Minneapolis, University of Minnesota Presspp. 222, illus., $22.95 (paper).
- Published in:
- 2021
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- Publication type:
- Book Review