The Third Man.
- Published in:
- 2006
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching Welles, Orson, 1915-1985
Results: 162
1
2
Making History: Cinematic Time and the Powers of Retrospection in Citizen Kane and Nixon.
- Published in:
- Journal of Narrative Theory, 2008, v. 38, n. 2, p. 177, doi. 10.1353/jnt.0.0010
- By:
- Publication type:
- Article
3
Secrecy and Betrayal.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
4
Secrecy and Betrayal.
- Published in:
- 2012
- By:
- Publication type:
- Essay
5
A Treacherous Subject.
- Published in:
- CR: The New Centennial Review, 2012, v. 12, n. 2, p. 1, doi. 10.1353/ncr.2012.0060
- By:
- Publication type:
- Article
6
Citizen Kane, Collecting, and the American Character: What, Why, and How Charlie Collects.
- Published in:
- Journal of American Culture, 2020, v. 43, n. 1, p. 18, doi. 10.1111/jacc.13114
- By:
- Publication type:
- Article
7
Foreword.
- Published in:
- Irish Archives, 2018, v. 25, p. 5
- By:
- Publication type:
- Article
8
"I'm Learning to Smoke Now": The Evolution of Cigarettes in Orson Welles's The Lady from Shanghai.
- Published in:
- Film Matters, 2022, v. 13, n. 1, p. 68, doi. 10.1386/fm_00205_1
- By:
- Publication type:
- Article
9
Dealing with the post-war menace: Creating transnational film memories in the shadow of the Holocaust.
- Published in:
- Journal of European Popular Culture, 2023, v. 14, n. 2, p. 143, doi. 10.1386/jepc_00060_1
- By:
- Publication type:
- Article
10
RADIO PLAY: THE KOLKATA STORY.
- Published in:
- Global Media Journal: Indian Edition, 2013, v. 4, n. 2, p. 1
- By:
- Publication type:
- Article
11
El cinematógrafo como teoría.
- Published in:
- Catoblepas, 2024, n. 207, p. 14
- By:
- Publication type:
- Article
12
VINOUS TEMPORALITIES.
- Published in:
- Petits Propos Culinaires, 2019, n. 113, p. 56, doi. 10.1558/ppc.27926
- By:
- Publication type:
- Article
13
Representing Invisible Politics of Shakespearian Plays in Orson Welles' Chimes at Midnight.
- Published in:
- KnE Social Sciences, 2022, p. 240, doi. 10.18502/kss.v7i7.10666
- By:
- Publication type:
- Article
14
ORSON WELLES, CINEASTA DE LA SIMULACIÓN.
- Published in:
- Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, 2022, n. 37, p. 165, doi. 10.26754/ojs_tropelias/tropelias.2022376252
- By:
- Publication type:
- Article
15
Film Finances and the Trial (1963): Alexander Salkind, Orson Welles, and European Co- Production in the 1960s.
- Published in:
- Historical Journal of Film, Radio & Television, 2021, v. 41, n. 4, p. 788, doi. 10.1080/01439685.2021.1916149
- By:
- Publication type:
- Article
16
Orson Welles in Focus: Texts and Contexts.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
17
Channeling anti-fascism: Macleish, Welles and the disorienting power of the announcer.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 2, p. 319, doi. 10.1080/01439685.2015.1027560
- By:
- Publication type:
- Article
18
Bazin's Modernism.
- Published in:
- Paragraph, 2013, v. 36, n. 1, p. 10, doi. 10.3366/para.2013.0075
- By:
- Publication type:
- Article
19
Campanas a medianoche: un desafío estético para Antonio Buero Vallejo.
- Published in:
- RILCE. Revista de Filología Hispánica, 2015, v. 31, n. 1, p. 120
- By:
- Publication type:
- Article
20
THE THIRD MAN: BACKGROUND AND CONTEXT (Film).
- Published in:
- Australian Screen Education, 2004, n. 34, p. 93
- By:
- Publication type:
- Article
21
"The Uses of Cinema:" SSAAANZ 2018 Conference Review.
- Published in:
- 2019
- By:
- Publication type:
- Proceeding
22
"Far From Toy Trains".
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
23
The Visual Pleasure of Patriarchal Cinema: Welles' Touch of Evil.
- Published in:
- 1990
- By:
- Publication type:
- Film/TV Criticism and Review
24
The Politics of Genre in Welles' The Stranger.
- Published in:
- Film Criticism, 1986, v. 11, n. 1/2, p. 31
- By:
- Publication type:
- Article
25
Tangled Networks and Wrong Numbers.
- Published in:
- Film Criticism, 1986, v. 10, n. 3, p. 36
- By:
- Publication type:
- Article
26
The Politics of Genre in Welles' The Stranger.
- Published in:
- Film Criticism, 1984, v. 9, n. 2, p. 2
- By:
- Publication type:
- Article
27
The Inaccessibility of "The Lady from Shanghai".
- Published in:
- Film Criticism, 1981, v. 5, n. 3, p. 21
- By:
- Publication type:
- Article
28
Art and Nature in Welles' Xanadu.
- Published in:
- Film Criticism, 1981, v. 5, n. 3, p. 12
- By:
- Publication type:
- Article
29
Welles/Faistaff/Shakespeare/Welles: The Narrative Structure of "Chimes at Midnight".
- Published in:
- 1978
- By:
- Publication type:
- Film/TV Criticism and Review
30
F... pour faux: Hubert Aquin à l'écran.
- Published in:
- 2014
- By:
- Publication type:
- Essay
31
Big Sur and a Memorable Cup of Tea.
- Published in:
- Nexus: The International Henry Miller Journal, 2016, v. 11, p. 51
- By:
- Publication type:
- Article
32
FILM REVIEW: CITIZEN MURDOCH?
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
33
FOUR FISHERMEN, ORSON WELLES, AND THE MAKING OF THE BRAZILIAN NORTHEAST.
- Published in:
- Past & Present, 2017, v. 234, n. 1, p. 173, doi. 10.1093/pastj/gtw052
- By:
- Publication type:
- Article
34
A Director's Retirement Plan.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
35
Coppola's Conrad: Apocalypse Now and Questions of Value.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
36
MY LUNCHES WITH ORSON: CONVERSATIONS BETWEEN HENRY JAGLOM AND ORSON WELLES.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
37
Writing sound in the screenplay: Traditions and innovations.
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 61, doi. 10.1386/ts_00027_1
- By:
- Publication type:
- Article
38
POET AS FILM EDITOR: AN INTERVIEW WITH ROBERTO PERPIGNANI.
- Published in:
- 2017
- By:
- Publication type:
- Interview
39
The Lady from Shanghai (1947).
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
40
Bowled Over.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
41
Orson Welles: Destined for Destruction?
- Published in:
- Film & History (03603695), 1995, v. 25, n. 1/2, p. 74
- By:
- Publication type:
- Article
42
Rosebud and Poets' Fascination with Citizen Kane.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
43
"I know thee not, old man:" Falstaff on Television.
- Published in:
- Literature Film Quarterly, 2019, v. 47, n. 2, p. 2
- By:
- Publication type:
- Article
44
Intermediality in Orson Welles's Shakespearean Collage: Competing Narrative IVIodes and Media in Chimes at Midnight.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
45
"BLACK" SPACES: OTHELLO AND THE CINEMATIC LANGUAGE OF OTHERING.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
46
Where is the Bawdy? Falstaffian Politics in Gus Van Sant's "My Own Private Idaho."
- Published in:
- 2013
- By:
- Publication type:
- Essay
47
Orson Welles's "Macbeth": Allegory of Anticommunism.
- Published in:
- Literature Film Quarterly, 2013, v. 41, n. 2, p. 116
- By:
- Publication type:
- Article
48
Adaptation as Re-reading, Line by Line.
- Published in:
- 2013
- By:
- Publication type:
- Editorial
49
The Medium of Trial: Orson Welles Takes on Kafka and Cinema.
- Published in:
- 2013
- By:
- Publication type:
- Essay
50
... = I: Conrad, Welles, and Narrative Form.
- Published in:
- Literature Film Quarterly, 2013, v. 41, n. 1, p. 29
- By:
- Publication type:
- Article