"OS SONS DO ESTRANHAMENTO: O CASO DE O VOO SOBRE O OCEANO DE BERTOLD BRECHT".
- Published in:
- KARPA: Journal of Theatricalities & Visual Culture, 2013, n. 6, p. 1
- By:
- Publication type:
- Article
Works matching Weill, Kurt, 1900-1950
Results: 35
1
2
How Nordic Neue Sachlichkeit, Kulturradikalisme, Transformed Modernism into a Vernacular Avant-Garde.
- Published in:
- Avant-Garde Critical Studies, 2019, v. 36, p. 487, doi. 10.1163/9789004388291_028
- By:
- Publication type:
- Article
3
Splitting the Atom of Kitsch: Reflections on Weill, Eisler and the Musical Theatre.
- Published in:
- Communications from the International Brecht Society, 2014, v. 43/44, p. 71
- By:
- Publication type:
- Article
4
MISSED OPPORTUNITIES FOR AN AMERICAN SCHWEYK: KURT WEILL, GROUP THEATRE, AND THE FAILURE OF JOHNNY JOHNSON.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
5
LOVEMUSIK.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
6
Brecht and his Composer / Eisler and his Librettist.
- Published in:
- Communications from the International Brecht Society, 2005, v. 34, p. 67
- By:
- Publication type:
- Article
7
Kurt Weill as Modernist.
- Published in:
- Modernism/Modernity, 2000, v. 7, n. 2, p. 273, doi. 10.1353/mod.2000.0025
- By:
- Publication type:
- Article
8
Recordings in review.
- Published in:
- Yale Review, 1997, v. 85, n. 4, p. 176
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- Publication type:
- Article
9
"My Kingdom for a Hit' Kurt Weill's London Exile and The 'Problem' of A Kingdom for a Cow.
- Published in:
- New England Theatre Journal, 2021, v. 32, p. 87
- By:
- Publication type:
- Article
10
Brecht's Broadway Debut: The Faithful Failure of 3-Penny Opera (1933).
- Published in:
- New England Theatre Journal, 2016, v. 27, p. 1
- By:
- Publication type:
- Article
11
Colliding Diasporas: Kurt Weill's Ulysses Africanus and Black-Jewish Relations during the Great Depression.
- Published in:
- Musical Quarterly, 2016, v. 99, n. 3/4, p. 321, doi. 10.1093/musqtl/gdx010
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- Publication type:
- Article
12
Odysseus Almost Makes It to Broadway: The Ulysses Africanus of Kurt Weill and Maxwell Anderson.
- Published in:
- International Journal of the Classical Tradition, 2007, v. 13, n. 4, p. 550, doi. 10.1007/BF02923025
- By:
- Publication type:
- Article
13
Nothing to Rely On Nature and Humanity in the City of Mahagonny.
- Published in:
- 1997
- By:
- Publication type:
- Book Review
14
Minstrelsy as White Americana: Kurt Weill's "Notes on the Minstrel Show".
- Published in:
- Performing Arts Resources, 2011, v. 28, p. 280
- By:
- Publication type:
- Article
15
Vom Abwaschmädchen zur Seeräuberkapitänin. Musik als Mittel politisch-ideologischer Vermittlung in der Musikphilosophie Ernst Blochs.
- Published in:
- Conflict & Communication, 2021, v. 20, n. 2, p. 1
- By:
- Publication type:
- Article
16
DIE DREIGROSCHENOPER (THE THREE-PENNY OPERA)/THE MASQUE OF THE RED DEATH.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
17
Recordings.
- Published in:
- 1995
- By:
- Publication type:
- Music Review
18
Artistic Value and Sentimental Value: A Reply to Robert Stecker.
- Published in:
- Journal of Aesthetics & Art Criticism, 2013, v. 71, n. 3, p. 282, doi. 10.1111/jaac.12024
- By:
- Publication type:
- Article
19
Kurt Weill's The River Is Blue: “Film-Opera” and Politics in 1930s Hollywood.
- Published in:
- Journal of the Society for American Music, 2017, v. 11, n. 3, p. 313, doi. 10.1017/S1752196317000232
- By:
- Publication type:
- Article
20
Weill's Musical Theatre: Stages of Reform.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
21
Towards a History of Operatic Psychoanalysis.
- Published in:
- Psychoanalysis & History, 2010, v. 12, n. 2, p. 173, doi. 10.3366/pah.2010.0004
- By:
- Publication type:
- Article
22
Editorial.
- Published in:
- Studies in Musical Theatre, 2016, v. 10, n. 2, p. 159, doi. 10.1386/smt.10.2.159_2
- By:
- Publication type:
- Article
23
'Next you're Franklin Shepard Inc.?': Composing the Broadway musical, a study of Kurt Weill's working practices.
- Published in:
- Studies in Musical Theatre, 2016, v. 10, n. 2, p. 163, doi. 10.1386/smt.10.2.163_1
- By:
- Publication type:
- Article
24
Lady in the Dark as Musical Talking Cure.
- Published in:
- Opera Quarterly, 2015, v. 31, n. 1/2, p. 134, doi. 10.1093/oq/kbv004
- By:
- Publication type:
- Article
25
Prompting Voice in Opera.
- Published in:
- Opera Quarterly, 2011, v. 27, n. 4, p. 460, doi. 10.1093/oq/kbs033
- By:
- Publication type:
- Article
26
A Musical Drama as Cultural Catalyst: The Byways of Kurt Weill's Der Weg der Verheißung.
- Published in:
- 2003
- By:
- Publication type:
- Literary Criticism
27
GLENDA FRANK in New York.
- Published in:
- 2007
- Publication type:
- Arts/Entertainment Review
28
Kiddush.
- Published in:
- 2024
- By:
- Publication type:
- Music Review
29
Happy End: ein Stück mit Musik in drei Akten by Kurt Weill (review).
- Published in:
- Notes, 2023, v. 79, n. 3, p. 1, doi. 10.1353/not.2023.0020
- By:
- Publication type:
- Article
30
Rise and Fall of the City of Mahagonny/Aufstieg und Fall der Stadt Mahagonny.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
31
Kurt Weill.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
32
THE FIREBRAND OF NEW YORK: KURT WEILL AND HIS 'BROADWAY OPERETTA.'.
- Published in:
- Music & Letters, 2004, v. 85, n. 2, p. 239, doi. 10.1093/ml/85.2.239
- By:
- Publication type:
- Article
33
Seduced by Poetry, Sickened by Mass Spectacle: Julia Franck's Gendered Portrait of Weimar Berlin in Die Mittagsfrau (2007).
- Published in:
- Feminist German Studies, 2020, v. 36, n. 2, p. 51, doi. 10.5250/femigermstud.36.2.0051
- By:
- Publication type:
- Article
34
Dismantling the Gesamtkunstwerk: Weill, Neher and Brecht in Collaboration.
- Published in:
- Studies in Theatre & Performance, 2002, v. 22, n. 1, p. 30, doi. 10.1386/stap.22.1.30
- By:
- Publication type:
- Article
35
Kurt Weill's America.
- Published in:
- 2022
- By:
- Publication type:
- Book Review