From Public Relations to Art: Exhibiting Frances Benjamin Johnston's Hampton Institute Photographs.
- Published in:
- History of Photography, 2008, v. 32, n. 2, p. 152, doi. 10.1080/03087290801895746
- By:
- Publication type:
- Article
Works matching Weems, Carrie Mae, 1953-
Results: 29
1
2
Somebody's – Or Nothing: Visual Evidence, Blackness and the Limits of Legal Seeing.
- Published in:
- History of Photography, 2021, v. 45, n. 3/4, p. 363, doi. 10.1080/03087298.2022.2138166
- By:
- Publication type:
- Article
3
TRANSLATING BLACK POWER AND BEAUTY--CARRIE MAE WEEMS.
- Published in:
- Callaloo, 2012, v. 35, n. 4, p. 992, doi. 10.1353/cal.2013.0030
- By:
- Publication type:
- Article
4
REFLECTIONS ON CARRIE MAE WEEMS'S RESIST COVID | TAKE 6!.
- Published in:
- Issues in Science & Technology, 2022, v. 38, n. 4, p. 56
- By:
- Publication type:
- Article
5
“I longed to cherish mirrored reflections”: Mirroring and Black Female Subjectivity in Carrie Mae Weems's Art against Shame.
- Published in:
- Hypatia, 2018, v. 33, n. 3, p. 500, doi. 10.1111/hypa.12391
- By:
- Publication type:
- Article
6
The Poetics of Carrie Mae Weems's Documentary Portraits Past and Present.
- Published in:
- Afterimage, 2019, v. 46, n. 4, p. 57, doi. 10.1525/aft.2019.464005
- By:
- Publication type:
- Article
7
Carrie Mae Weems: Three Decades of Photography and Video/Carrie Mae Weems: The Museum Series.
- Published in:
- 2014
- By:
- Publication type:
- Art Exhibition Review
8
BEARING RACE.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
9
DOUBLE TAKE.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
10
The Quiet Landscapes of Carrie Mae Weems's The Louisiana Project.
- Published in:
- Rutgers Art Review: The Journal of Graduate Research in Art History, 2023, v. 39, p. 31
- By:
- Publication type:
- Article
11
A Distant View: Revisiting Christina's World in Carrie Mae Weems's Louisiana Project.
- Published in:
- Image & Narrative, 2024, v. 25, n. 2, p. 102
- By:
- Publication type:
- Article
12
Lorna Simpson's Fabricated Truths.
- Published in:
- Art Journal, 2018, v. 77, n. 1, p. 30, doi. 10.1080/00043249.2018.1456248
- By:
- Publication type:
- Article
13
Black & White: Two Portrait Stories.
- Published in:
- Journal of American Culture, 2008, v. 31, n. 1, p. 66, doi. 10.1111/j.1542-734X.2008.00664.x
- By:
- Publication type:
- Article
14
Fotoğraf ve Resim İlişkisi Bağlamında Carrie Mae Weems’in“Mutfak Masası Serisi” Üzerine.
- Published in:
- Electronic Turkish Studies, 2020, v. 15, n. 5, p. 2191, doi. 10.7827/TurkishStudies.44270
- By:
- Publication type:
- Article
15
Modern Painting, the Black Woman, and Beauty Ideologies: Carrie Mae Weems’ Photographic Series Not Manet’s Type.
- Published in:
- Journal of Pan African Studies, 2018, v. 11, n. 6, p. 260
- By:
- Publication type:
- Article
16
In the Shadow of the Castle: (Trans)Nationalism, African American Tourism, and Gorée Island.
- Published in:
- Research in African Literatures, 2009, v. 40, n. 4, p. 122, doi. 10.2979/RAL.2009.40.4.122
- By:
- Publication type:
- Article
17
Something That Must Be Faced: Carrie Mae Weems and the Architecture of Colonization in the Louisiana Project.
- Published in:
- Southern Cultures, 2021, v. 27, n. 2, p. N.PAG, doi. 10.1353/scu.2021.0029
- By:
- Publication type:
- Article
18
B(I)ack Talk: African American Women's Confrontational Art.
- Published in:
- Exposure (00988863), 2000, v. 33, n. 1/2, p. 53
- By:
- Publication type:
- Article
19
THE ARTIST-ACTIVIST: HISTORY AND HEALING THROUGH ART.
- Published in:
- Black History Bulletin, 2016, v. 79, n. 1, p. 27, doi. 10.1353/bhb.2016.0011
- By:
- Publication type:
- Article
20
Closing the Distance or, The (Im)possible Politics of The Yield in Carrie Mae Weems' Not Manet's Type.
- Published in:
- Black Scholar, 2020, v. 50, n. 2, p. 66, doi. 10.1080/00064246.2020.1727193
- By:
- Publication type:
- Article
21
Untitled (5).
- Published in:
- 2019
- Publication type:
- Art Reproduction
22
Notes on 'Mistaken Identities'.
- Published in:
- 1993
- By:
- Publication type:
- Art Exhibition Review
23
Black and White Landscapes: Topographies of Disorientation in the Works of Carrie Mae Weems and Claudia Rankine.
- Published in:
- Journal of American Studies, 2020, v. 54, n. 3, p. 517, doi. 10.1017/S002187581900094X
- By:
- Publication type:
- Article
24
CARRIE MAE WEEMS.
- Published in:
- 2016
- By:
- Publication type:
- Art Exhibition Review
25
From Here I Saw What Happened and I Cried: Carrie Mae Weems' Challenge to the Harvard Archive.
- Published in:
- 2012
- By:
- Publication type:
- Essay
26
Waking Up and Dreaming the Future Reflections on the Art of James Baldwin and Carrie- Mae Weems and the Impossibility of Teacher Education.
- Published in:
- JCT: Journal of Curriculum Theorizing, 2020, v. 35, n. 4, p. 3
- By:
- Publication type:
- Article
27
The Zealy Daguerre otypes: Power and Possession.
- Published in:
- Harvard Political Review, 2017, v. 44, n. 4, p. 35
- By:
- Publication type:
- Article
28
Carrie Mae Weems: Rethinking Historic Appropriations.
- Published in:
- Nka: Journal of Contemporary African Art, 2019, v. 2019, n. 44, p. 38, doi. 10.1215/10757163-7547430
- By:
- Publication type:
- Article
29
Carrie Mae Weems: Three Decades of Photography and Video.
- Published in:
- 2014
- By:
- Publication type:
- Book Review