Vision: Jojo Rabbit.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching Waititi, Taika, 1975-
Results: 31
1
2
Idyllic Self in Africa (2000), by Ken Taylor and in Boy (2010), by Taika Waititi: a literary-cinematographic dialogue.
- Published in:
- Acta Scientiarum: Language & Culture, 2019, v. 41, n. 2, p. 1, doi. 10.4025/actascilangcult.v41i2.45306
- By:
- Publication type:
- Article
3
History at the end of the world: decolonial revisionism in Taika Waititi's Thor: Ragnarok.
- Published in:
- Review of Communication, 2022, v. 22, n. 2, p. 127, doi. 10.1080/15358593.2022.2059391
- By:
- Publication type:
- Article
4
JOJO RABBIT DE LO IRREPRESENTABLE AL RÉGIMEN ESTÉTICO DE RANCIÈRE.
- Published in:
- Revista de Psicologia GEPU, 2022, v. 13, n. 1, p. 125
- By:
- Publication type:
- Article
5
Animal Instincts : EAGLE VS SHARK.
- Published in:
- 2007
- By:
- Publication type:
- Film/TV Criticism and Review
6
SUNDANCE 2010: BACK TO ROOTS, REBELLION, AND NEW FRONTIER WITH REVIEWS OF NATIVE AND INDIGENOUS FILM.
- Published in:
- Multicultural Review, 2010, v. 19, n. 3, p. 26
- By:
- Publication type:
- Article
7
Eye of the Taika: New Zealand Comedy and the Films of Taika Waititi, Matthew Bannister (2021).
- Published in:
- Journal of New Zealand & Pacific Studies, 2023, v. 11, n. 2, p. 224, doi. 10.1386/nzps_00160_5
- By:
- Publication type:
- Article
8
Contested terrains of identity and home: Coming of age, belonging and Māori-Pākehā relations in Taika Waititi's Hunt for the Wilderpeople (2016).
- Published in:
- Journal of New Zealand & Pacific Studies, 2018, v. 6, n. 2, p. 151, doi. 10.1386/nzps.6.2.151_1
- By:
- Publication type:
- Article
9
'I thought I was like you, but I'm not': Identity, masculinity and make-believe in Taika Waititi's Boy (2010).
- Published in:
- Journal of New Zealand & Pacific Studies, 2016, v. 4, n. 2, p. 153, doi. 10.1386/nzps.4.2.153_1
- By:
- Publication type:
- Article
10
In the Absence of Adults: Generations and Formation in Hunt for the Wilderpeople.
- Published in:
- Journal of Philosophy of Education, 2019, v. 53, n. 2, p. 407, doi. 10.1111/1467-9752.12350
- By:
- Publication type:
- Article
11
Carnivalesque subversion and the narrative gaze of children: Taika Waititi's Boy (2010), Hunt for the Wilderpeople (2016), and Jojo Rabbit (2019).
- Published in:
- Studies in Australasian Cinema, 2022, v. 16, n. 1, p. 2, doi. 10.1080/17503175.2022.2050591
- By:
- Publication type:
- Article
12
Hidden gods - Religion, spirituality and recent New Zealand cinema.
- Published in:
- Studies in Australasian Cinema, 2012, v. 6, n. 1, p. 11, doi. 10.1386/sac.6.1.11_1
- By:
- Publication type:
- Article
13
Children, Affect, and National Feelings: Shame in Taika Waititi's Boy (2010).
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
14
Jo Jo Rabbit.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
15
Thor: Ragnarok: Another Generic, Listless Superhero Adventure.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
16
Do You Hear Me? A Critical Review of the Voice of Racism Anti-racism Education Campaign from Aotearoa New Zealand.
- Published in:
- New Zealand Journal of Educational Studies, 2022, v. 57, n. 2, p. 543, doi. 10.1007/s40841-022-00239-2
- By:
- Publication type:
- Article
17
Jojo Rabbit (2019).
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
18
A few cheap tears.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
19
LITERARY COUSINS OF RESERVATION DOGS: A COMPARATIVE ANALYSIS OF WORKS BY LOUISE ERDRICH AND SHERMAN ALEXIE.
- Published in:
- Media Research / Zeszyty Prasoznawcze, 2022, v. 65, n. 4, p. 53, doi. 10.4467/22996362PZ.22.038.16496
- By:
- Publication type:
- Article
20
Jojo Rabbit (2019). Directed by Taika Waititi.
- Published in:
- Psychological Perspectives, 2021, v. 64, n. 1, p. 152, doi. 10.1080/00332925.2021.1909392
- By:
- Publication type:
- Article
21
Give Nothing to Racism.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
22
FOURTH CINEMA GENRE MASH-UP: Coming-of-Age Drama and Sketch Comedy in Reservation Dogs.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2023, n. 92, p. 27, doi. 10.7560/VLT9204
- By:
- Publication type:
- Article
23
On the Right Trek.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
24
SCREEN BUSINESS POLICY CAUGHT IN THE CULTURE WARS.
- Published in:
- Metro, 2016, n. 188, p. 124
- By:
- Publication type:
- Article
25
Bloody Good Comedy: What We Do in the Shadows.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
26
CALL AND RESPONSE: Taika Waititi's Boy.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
27
Anti-hero Jr: Eagle vs Shark and Indie Cinemas' Regress to the Permachild.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
28
New Zealanders' interpretations of a satirical public service announcement.
- Published in:
- New Zealand Studies in Applied Linguistics, 2023, v. 29, n. 1, p. 23, doi. 10.59690/fe91450
- By:
- Publication type:
- Article
29
What We Do in the Shadows.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
30
Eagle vs Shark.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
31
'The Skux Life Chose Me': A Discussion of some psychoanalytic concepts relating to the rugged terrain of foster care relationships depicted in Taika Waititi's film Hunt for the Wilderpeople.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review