Works matching Tom Stoppard

Results: 213

Tom Stoppard'ın Rosencrantz ve Guildenstern Öldüler ve Travestiler Oyunlarında Postmodern Söylem.

Published in:

Selcuk University Social Sciences Institute / Selçuk Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2017, n. 37, p. 231

By:

GÜNENÇ, Mesut

Publication type:

Article

Hermione Lee, Tom Stoppard: A Life.

Published in:

2022

By:

Demastes, William W.

Publication type:

Book Review

斯托帕德广播剧《暗面》中伦理主题的声景表达.

Published in:

Interdisciplinary Studies of Literature, 2022, v. 6, n. 1, p. 143

By:

陈敏

Publication type:

Article

Tom Stoppard’ın “Rosencrantz ve Guildenstern Öldüler” Adlı Eserinde Zaman, Hafıza ve Kimlik Sorunsalı.

Published in:

Gaziantep University Journal of Social Sciences, 2021, v. 20, n. 3, p. 1270, doi. 10.21547/jss.867784

By:

KURTULUŞ, Gül

Publication type:

Article

“STARK RAVING SANE”: A DECONSTRUCTIONIST READING OF TOM STOPPARD’S ROSENCRANTZ AND GUILDENSTERN ARE DEAD .

Published in:

ANAFORA, 2021, v. 8, n. 1, p. 187, doi. 10.29162/ANAFORA.v8i1.10

By:

MOOSAVINIA, Sayyed Rahim;
RAEISI, Fatameh

Publication type:

Article

Tom Stoppard's Big Picture: The Chaos that is Our World.

Published in:

Interdisciplinary Science Reviews, 2014, v. 39, n. 3, p. 204, doi. 10.1179/0308018814Z.00000000084

By:

Demastes, William W.

Publication type:

Article

TOM STOPPARD'S METATHEATRE.

Published in:

BAS - British & American Studies, 2020, v. 26, p. 87

By:

ROGOBETE, ROXANA

Publication type:

Article

All Wilde on the Western Front: Alan Bennett, Tom Stoppard, and the Theatre of War.

Published in:

2011

By:

Feldman, Alex

Publication type:

Literary Criticism

POSTMODERN ELEMENTS IN TOM STOPPARD'S THE REAL INSPECTOR HOUND AND FERHAN ŞENSOY'S FİŞNE PAHÇESU: A COMPARISON.

Published in:

Inönü University International Journal of Social Sciences / İnönü Üniversitesi Uluslararası Sosyal Bilimler Dergisi (INIJOSS), 2023, v. 12, n. 2, p. 257, doi. 10.54282/inijoss.1358464

By:

KOÇAK, Kenan;
CİHAN DEMİR, Hanife Zeynep

Publication type:

Article

Hauntology of Responsibility: Tom Stoppard's Darkside.

Published in:

Avant, 2017, v. 8, n. 2, p. 157, doi. 10.26913/80202017.0112.0012

By:

Adamczewski, Tymon

Publication type:

Article

Poet as poem: The intermedial staging of A. E. Housman in Tom Stoppard's The Invention of Love.

Published in:

Orbis Litterarum, 2024, v. 79, n. 4, p. 336, doi. 10.1111/oli.12425

By:

Yang, Huayu;
Wang, Bowen

Publication type:

Article

Tom Stoppard's Science Plays: Metaphor and Experiment.

Published in:

World & Word / Świat & Słowo, 2021, v. 36, n. 1, p. 77, doi. 10.5604/01.3001.0014.7963

By:

Kačer, Tomáš

Publication type:

Article

British Jewish Writing in the Post-2016 Era: Tom Stoppard, Linda Grant and Howard Jacobson.

Published in:

Humanities (2076-0787), 2020, v. 9, n. 4, p. 116, doi. 10.3390/h9040116

By:

Vice, Sue

Publication type:

Article

Tom Stoppard: Reader's Reports on His Early Work.

Published in:

Interdisciplinary Studies of Literature, 2023, v. 7, n. 4, p. 640

By:

Baker, William

Publication type:

Article

Diatextual Exchanges and Appropriation Mechanisms in the Absurdist Tragicomedies of Tom Stoppard and Sanchis Sinisterra.

Published in:

Selçuk University Journal of Faculty of Letters, 2025, n. 53, p. 85, doi. 10.21497/sefad.1541526

By:

Arroita, Jorge

Publication type:

Article

Tom Stoppard: European Phantom Pain and the Theatre of Faux Biography.

Published in:

Humanities (2076-0787), 2021, v. 10, n. 2, p. 80, doi. 10.3390/h10020080

By:

Voigts, Eckart

Publication type:

Article

THE LITERARY EVOCATION OF LOEB'S THEORY OF UNIVERSE IN TOM STOPPARD'S ROSENCRANTZ AND GUILDENSTERN ARE DEAD.

Published in:

International Journal of Language Academy: IJLA, 2022, v. 10, n. 4, p. 177, doi. 10.29228/ijla.64936

By:

EKLER, Onur;
ALİ, Razan Sayed

Publication type:

Article

The little in a non-Euclidean world: On the artistic space in Tom Stoppard's film and play "Rosencrantz and Guildenstern are dead".

Published in:

Sign Systems Studies, 2005, v. 33, n. 2, p. 343

By:

Zaslavskii, Oleg B.

Publication type:

Article

The little in a non-Euclidean world: On the artistic space in Tom Stoppard's film and play "Rosencrantz and Guildenstern are dead".

Published in:

2005

By:

Zaslavskii, Oleg B.

Publication type:

Literary Criticism

Writing the Life of "Tom Stoppard."

Published in:

2004

By:

Nadel, Ira B.

Publication type:

Essay

“Who the Hell Are You?”: Gender Performativity in Tom Stoppard’s Hapgood.

Published in:

Acta Neophilologica, 2023, v. 56, n. 1/2, p. 53, doi. 10.4312/an.56.1-2.53-65

By:

Ayyildiz, Nilay Erdem

Publication type:

Article

Secret Guilt of an Artist: The Real Inspector Hound and Tom Stoppard’s Political Voice.

Published in:

Sic: A Journal of Literature, Culture & Literary Translation, 2015, v. 6, n. 1, p. 1, doi. 10.15291/sic/1.6.lc.7

By:

Drzakowski, Kevin

Publication type:

Article

Persistence of Baroque Trauerspiel in Tom Stoppard's Rosencrantz and Guildenstern Are Dead as a Postmodern Literature: Rejection of Metanarrative.

Published in:

Journal of Language Teaching & Research, 2017, v. 8, n. 2, p. 322, doi. 10.17507/jltr.0802.14

By:

Mostafalou, Abouzar;
Moradi, Hossein

Publication type:

Article

The Mathematical Heart of Tom Stoppard.

Published in:

Modern Drama, 2024, v. 67, n. 1, p. 50, doi. 10.3138/md-67-1-1319

By:

Abbott, Stephen

Publication type:

Article

Tom Stoppard and the Darkside of Drama, Theatre, and Philosophy.

Published in:

Modern Drama, 2020, v. 63, n. 1, p. 63, doi. 10.3138/md.1063

By:

Ezell, Brice

Publication type:

Article

The Mote in God's i: Fourier, Fractals, and Imaginary Numbers in Tom Stoppard's Arcadia.

Published in:

Modern Drama, 2019, v. 62, n. 2, p. 191, doi. 10.3138/md.0936r

By:

Colangelo, Jeremy

Publication type:

Article

Re-presenting representations: the landscape garden as a sight/site of difference in Tom Stoppard's Arcadia.

Published in:

Word & Image, 1999, v. 15, n. 1, p. 97, doi. 10.1080/02666286.1999.10443977

By:

Müller-Muth, Anja

Publication type:

Article

Talking to Tom Stoppard: An Interview: April 6, 2004.

Published in:

2004

By:

Rose, Charlie

Publication type:

Interview

STRATEGIES OF CHANGE IN TOM STOPPARD'S ADAPTATION OF SHAKESPEARE'S HAMLET.

Published in:

Literary Endeavour, 2019, v. 10, n. 2, p. 41

By:

Salhi, Lotfi

Publication type:

Article

Tom Stoppard: Rosencrantz and Guildenstern are Dead, Jumpers and Travesties (Book).

Published in:

1991

By:

Van Kempen, Marc

Publication type:

Book Review

Giggling at the Arts: Tom Stoppard and James Saunders.

Published in:

1986

By:

Sammells, Neil

Publication type:

Literary Criticism

Tom Stoppard: serious artist or siren?

Published in:

1978

By:

Roberts, Philip

Publication type:

Literary Criticism

How Do We Know That We Know What We Know in Tom Stoppard's Jumpers?

Published in:

1986

By:

Kreps, Barbara

Publication type:

Literary Criticism

'Oh, Phooey to Death!': Boethian Consolation in Tom Stoppard's Arcadia.

Published in:

2000

By:

Alwes, Derek B.

Publication type:

Literary Criticism

"There is No Proof": Fermat's Last Theorem and Historical Reconstruction in Tom Stoppard's Arcadia.

Published in:

Journal of Contemporary Drama in English, 2019, v. 7, n. 2, p. 228, doi. 10.1515/jcde-2019-0024

By:

Puckett, Torre

Publication type:

Article

Fear and Loathing in Prague: Tom Stoppard's Cahoot's Macbeth.

Published in:

Comparative Drama, 2018, v. 52, n. 1/2, p. 123, doi. 10.1353/cdr.2018.0005

By:

Vareschi, Carlo

Publication type:

Article

Tom Stoppard's Plays as Playful Intertextuality.

Published in:

Labyrinth: An International Refereed Journal of Postmodern Studies, 2012, v. 3, n. 4, p. 61

By:

Tochhawng, Nelly Vanlalliani

Publication type:

Article

SAPPHO, CATULLUS, VERA LYNN, PINK FLOYD, AND TOM STOPPARD.

Published in:

Yale Review, 2010, v. 98, n. 2, p. 128, doi. 10.1353/tyr.2010.0061

By:

HUNTER, JEFFERSON

Publication type:

Article

TOM STOPPARD'S FICTION: FINDING HIS FORM.

Published in:

2014

By:

JERNIGAN, DANIEL K.

Publication type:

Literary Criticism

"It will make us friends": Cultural Reconciliation in Tom Stoppard's "Indian Ink."

Published in:

2004

By:

Russell, Richard Rankin

Publication type:

Literary Criticism

Tom Stoppard's Leopoldstadt and Its Discontents.

Published in:

2023

By:

Schneider, Martin

Publication type:

Literary Criticism

'TWO SIDES OF THE SAME COIN, OR THE SAME SIDE OF TWO COINS' AN ANALYSIS OF TOM STOPPARD'S ROSENCRANTZ AND GUILDENSTERN ARE DEAD.

Published in:

1981

By:

Draudt, Manfred

Publication type:

Literary Criticism

CATASTROPHE THEORY IN TOM STOPPARD'S PROFESSIONAL FOUL.

Published in:

1984

By:

Cobley, Evelyn

Publication type:

Literary Criticism

AN INTERVIEW WITH TOM STOPPARD.

Published in:

1981

By:

Hardin, Nancy Shields

Publication type:

Interview

"This is not science. This is story-telling": The Place of the Individual and the Community in A.S Byatt's Possession and Tom Stoppard's Arcadia.

Published in:

Clio (0884-2043), 2004, v. 33, n. 3, p. 265

By:

Martyniuk, Irene

Publication type:

Article

Tom Stoppard's Leopoldstadt.

Published in:

Style, 2020, v. 54, n. 4, p. 473, doi. 10.5325/style.54.4.0473

By:

Baker, William

Publication type:

Article

Tom Stoppard: A Bibliographic History.

Published in:

2011

By:

Fleming, John

Publication type:

Book Review

Portrait of an Artist as Proto-Chaotician: Tom Stoppard Working His Way to Arcadia.

Published in:

2011

By:

Demastes, William W.

Publication type:

Essay

On the Road to Nowhere: Tom Stoppard's Russian intellectuals take a wrong turn with Hegel, just as Edmund Wilson once did with Marx.

Published in:

2008

By:

Diggins, John Patrick

Publication type:

Arts/Entertainment Review

Tom Stoppard: A Bibliographical History.

Published in:

2013

By:

Ross, John C.

Publication type:

Book Review