Works matching Thomas Bernhard
Results: 283
Hayata Tutunma Sanatı Olarak Thomas Bernhard'ın Eski Ustalar'ı.
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- Monograf, 2019, n. 12, p. 126
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- Article
MASCHINENMENSCH UND GEISTESMENSCH IM DRAMA THOMAS BERNHARDS DER IGNORANT UND DER WAHNSINNIGE.
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- ANAFORA, 2019, v. 6, n. 1, p. 207, doi. 10.29162/ANAFORA.v6i1.8
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THOMAS BERNHARD'IN “DAS KALKWERK” ADLI ROMANINDA “ARAŞTIRMA” MOTİFİNİN İNCELENMESİ.
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- Electronic Turkish Studies, 2017, v. 12, n. 5, p. 205, doi. 10.7827/TurkishStudies.11440
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"Yo soy el límite". Identidad y disfunción del lenguaje en Amras, de Thomas Bernhard.
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- Revista de Filología Alemana, 2017, v. 25, p. 77, doi. 10.5209/RFAL.56368
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THOMAS BERNHARD I FOTOGRAFIA. WOKÓŁ WYMAZYWANIA I NIE TYLKO.
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- Arts & Cultural Studies Review / Przegląd Kulturoznawczy, 2020, n. 1, p. 122, doi. 10.4467/20843860PK.20.008.11936
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Thomas Bernhards Heldenplatz oder Beängstigender Lärm um nichts.
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- Acta Universitatis Wratislaviensis. Germanica Wratislaviensia, 2023, v. 148, p. 9, doi. 10.19195/0435-5865.148.1
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LECTURA DE EL SÓTANO DE THOMAS BERNHARD DESDE LA ANTROPOLOGÍA.
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- Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, 2021, p. 906
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Alte und neue Medialität an der Schwelle zur digitalen Wende. Das mediale Echo Thomas Bernhards und die Selbstinszenierung Elfriede Jelineks.
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- Brünner Beiträge zur Germanistik und Nordistik, 2018, v. 32, n. 2, p. 111, doi. 10.5817/BBGN2018-2-10
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A Canadian icon in a ‘cretinous provincial dump' – Glenn Gould and Thomas Bernhard's novel The Loser.
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- British Journal of Canadian Studies, 2015, v. 28, n. 1, p. 71, doi. 10.3828/bjcs.2015.4
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Proces socjalizacji w Autobiografiach Thomasa Bernharda.
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- Teksty Drugie, 2023, n. 4, p. 292, doi. 10.18318/td.2023.4.16
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O pożytkach z gniewnych ekspresji bólu. Przywrócona podmiotowość i perwersyjne pragnienie przynależności w kontekście opowiadań Thomasa Bernharda.
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- Wielogłos, 2019, v. 42, n. 4, p. 81, doi. 10.4467/2084395XWI.19.026.11608
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The Teller from the Tale: Monologues, Dialogues and Protocols in Thomas Bernhard's Major Novels.
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- Oxford German Studies, 2015, v. 44, n. 4, p. 416, doi. 10.1179/0078719115Z.00000000095
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Tamamlanmış Hiçbir Şey Yaşayamaz: Varoluşçu Felsefe Perspektifinden Thomas Bernhard'ın Romanlarında İntihar Olgusu.
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- Beytulhikme: An International Journal of Philosophy, 2023, v. 13, n. 4, p. 137, doi. 10.29228/beytulhikme.70880
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Granica drzew. O leśnych doświadczeniach granicznych w opowiadaniu An der Baumgrenze Thomasa Bernharda.
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- Czytanie Literatury, 2017, n. 6, p. 127, doi. 10.18778/2299-7458.06.06
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Świat jako kloaka i udawanie sensu. Paliatywy w świecie prozy Thomasa Bernharda.
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- Teksty Drugie, 2017, n. 2, p. 375, doi. 10.18318/td.2017.2.21
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Einige Bemerkungen zu Übersetzungen ausgewählter Romane von Thomas Bernhard aus den 80er Jahren.
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- Brünner Beiträge zur Germanistik und Nordistik, 2018, v. 32, n. 1, p. 83, doi. 10.5817/BBGN2018-1-8
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Autopsies on the body of nature: Dark ecology in Thomas Bernhard's Verstörung.
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- Orbis Litterarum, 2023, v. 78, n. 4, p. 286, doi. 10.1111/oli.12386
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Hacia una estética de la nominalización: la prosa temprana de Thomas Bernhard.
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- Revista de Filología Alemana, 2020, v. 28, p. 75, doi. 10.5209/rfal.70049
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Die emotionalen Entbehrungen einer trostlosen Kindheit. Am Beispiel des Romans 'Ein Kind' von Thomas Bernhard.
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- Acta Facultatis Philosophicae Universitatis Ostraviensis. Studia Germanistica, 2010, n. 6, p. 283
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MAITRES ANCIENS DE NICOLAS MAHLER (D'APRÈS THOMAS BERNHARD) : L'ART À L'ÉPREUVE DE LA CARICATURE.
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- Studia Universitatis Babes-Bolyai, Philologia, 2017, v. 62, n. 3, p. 57, doi. 10.24193/subbphilo.2017.3.05
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'NACH UND NACH MÜSSEN WIR ALLES ABLEHNEN': HYPERBOLISCHE NEGATIVITÄT BEI THOMAS BERNHARD.
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- German Life & Letters, 2021, v. 74, n. 1, p. 30, doi. 10.1111/glal.12290
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Hearing the Silences in Thomas Bernhard's Ja: Difference, Narrative, and Lyotard's Concept of the Differend.
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- 2010
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- Literary Criticism
"Ich wollt immer nur ein anstandiger Mensch sein": The Jewish Presence in the Works of Felix Mitterer, Hilde Spiel and Thomas Bernhard.
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- 1994
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- Literary Criticism
Subjektverhandlungen zwischen Bildungsroman und Ätiologie in Thomas Bernhards Das Kalkwerk.
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- Internationales Archiv für Sozialgeschichte der deutschen Literatur, 2016, v. 41, n. 2, p. 376, doi. 10.1515/iasl-2016-0021
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Éthique et esthétique de la contradiction chez Thomas Bernhard.
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- Alkemie, 2011, n. 7, p. 121
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Thomas Bernhard's Virtues.
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- Review of Contemporary Fiction, 2011, v. 31, n. 1, p. 53
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Three-Part Inventions: The Novels of Thomas Bernhard.
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- 2009
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- Book Review
Thomas Bernhard.
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- Review of Contemporary Fiction, 2001, v. 21, n. 2, p. 41
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Experiencia, lenguaje y comunicación en Thomas Bernhard.
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- 2009
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- Book Review
VERACITY, MENDACITY, ABSURDITY: FORM AND ITS FUNCTION IN THOMAS BERNHARD'S DER STIMMENIMITATOR.
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- 1996
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- Literary Criticism
Mastery and Mock Dialectic in Thomas Bernhard's Correction.
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- Concentric: Literacy & Cultural Studies, 2010, v. 36, n. 2, p. 103
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The Unconscionable Critic: Thomas Bernhard's Holzfällen.
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- 2011
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- Literary Criticism
Lines of Sight: Perspective in Thomas Bernhard's Korrektur.
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- 2010
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- Literary Criticism
Three-Part Inventions: The Novels of Thomas Bernhard.
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- 2009
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- Book Review
Existenzmöglichkeiten: Versuch über die Auflösung des sensomotorischen Schemas in Thomas Bernhards Amras.
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- 2009
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- Literary Criticism
Der Sturz in die Tiefe: Paradoxes in Thomas Bernhards Kurztext "Ernst".
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- 2007
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- Literary Criticism
"Die Teufelskunst unserer Zeit"? Photographic Negotiations in Thomas Bernhard's Auslöschung.
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- 2002
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- Book Review
"Die Teufelskunst unserer Zeit"? Photographic Negotiations in Thomas Bernhard's Auslöschung.
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- Modern Austrian Literature, 2002, v. 35, n. 1/2, p. 79
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Heimat, Death, and the Other in Thomas Bernhard's Frost and Verstörung.
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- 1996
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- Literary Criticism
"The most sharp-witted fool": The Genius, Glenn Gould, and Schopenhauer in Thomas Bernhard's Prose.
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- Seminar -- A Journal of Germanic Studies, 2003, v. 39, n. 2, p. 135
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Plays of Domination and Submissions in Thomas Bernhard's Ritter, Dene, Voss (1986) and Werner Schwab's Die Präsidentinnen (1990).
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- 2003
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- Literary Criticism
Dialectic at a Standstill: The Discourse of Victimhood in Thomas Bernhard's Heldenplatz.
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- German Quarterly, 2002, v. 75, n. 4, p. 408, doi. 10.2307/3252211
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Thomas Bernhards Trilogie der Künste/ Nach dem Ende (Book).
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- 2002
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- Book Review
Playing It Safe: Historicizing Thomas Bernhard's Jews.
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- 1994
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- Publication type:
- Literary Criticism
Thomas Bernhard, Glenn Gould, and the Art of the Fugue: Contrapuntal Variations in Der Untergeher.
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- 1991
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- Publication type:
- Literary Criticism
Thomas Bernhard: Literary Cryogenics or Art on Ice.
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- 1988
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- Literary Criticism
The Reception of Thomas Bernhard in the United States.
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- 1988
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- Literary Criticism
Visual Art as Narrative Structure- Thomas Bernhard's Alte Meister.
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- 1988
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- Literary Criticism
On Paralysis and Transcendence in Thomas Bernhard.
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- 1988
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- Literary Criticism
Reading the Photographs in Thomas Bernhard's Novel Auslöschung.
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- 1988
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- Literary Criticism