Men in Love with Artificial Women: E. T. A. Hoffmann's "The Sandman," Ira Levin's The Stepford Wives, and their Film Adaptations.Published in:2016By:Uvanović, ŽeljkoPublication type:Literary Criticism
LES MONDES DYSTOPIQUES DE JEAN-PIERRE ANDREVON. L’EXEMPLE DE L’ŒIL DERRIÈRE L’ÉPAULE.Published in:Annales Neophilologiarum, 2018, v. 12, p. 77, doi. 10.18276/an.2018.12-06By:GADOMSKA, KATARZYNAPublication type:Article
STEPFORD U.S.A.: SECOND-WAVE FEMINISM, DOMESTIC LABOR, AND THE REPRESENTATION OF NATIONAL TIME.Published in:2008By:Elliott, JanePublication type:Essay
The Stepford Wives, Or: The Horrors of Domesticity.Published in:2025By:Pötzsch, JanellePublication type:Literary Criticism
The Stepford Wives, Or: The Horrors of Domesticity.Published in:Critique, 2024, v. 65, n. 3, p. 526, doi. 10.1080/00111619.2023.2210758By:Pötzsch, JanellePublication type:Article
The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.Published in:2018By:Neill, NataliePublication type:Literary Criticism
Commerce, AI, and the Woman Question: In the Shadow of Alice W. Fuller's 'A Wife Manufactured to Order'.Published in:Journal of Gender Studies, 2021, v. 30, n. 3, p. 371, doi. 10.1080/09589236.2020.1860739By:Ue, TomPublication type:Article