"You Have Been Framed": The Function of Ekphrasis for the Representation of Women in John Banville's Trilogy ("The Book of Evidence," "Ghosts," "Athena").Published in:2004By:Müller, AnjaPublication type:Literary Criticism
Commodified aura from Freddie Montgomery's perspective in John Banville's The Book of Evidence.Published in:Word & Image, 2020, v. 36, n. 4, p. 343, doi. 10.1080/02666286.2020.1758891By:Wells, JohnPublication type:Article
The Aesthetics of the Flesh in John Banville's The Book of Evidence, Eclipse and Shroud.Published in:Nordic Irish Studies, 2010, v. 9, p. 49By:Wrethed, JaokimPublication type:Article
Portrait of the Other as a Woman with Gloves: Ethical Perspectives in John Banville's The Book of Evidence.Published in:2002By:D'Hoker, ElkePublication type:Book Review
John Banville's Imagines in 'The Book of Evidence'Published in:2000By:Canon-Roger, FrançoisePublication type:Book Review
The Failure of Imagination and its Redemption: John Banville's The Book of Evidence.Published in:2024By:Uçar, Asya SakinePublication type:Literary Criticism
The loss of identity in John Banville's: The Book of Evidence.Published in:English Studies in Albania, 2017, v. 8, n. 2, p. 119By:YANKOVA-GEORGIEVA, YanaPublication type:Article
The Madness of Freddie Montgomery of John Banville's The Book of Evidence (1989).Published in:Forum for World Literature Studies, 2017, v. 9, n. 4, p. 687By:Jones, PatriciaPublication type:Article
"A Stage-Hand, Perhaps": Life as a Stage Play in John Banville's the Book of Evidence.Published in:2020By:Pietrzak, WitPublication type:Literary Criticism
Chiasm, Epoché, and Synergy: The Metaphorical Style in John Banville's Art Trilogy.Published in:2008By:Wrethed, JoakimPublication type:Literary Criticism