THE SENSE OF AN ENDING: Jan Kadar's Distortion of Stephen Crane's The Blue Hotel.Published in:Literature Film Quarterly, 1988, v. 16, n. 4, p. 265By:Keenan, RichardPublication type:Article
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What the Veriscope Saw: Stephen Crane, the Prizefight Film, and Unreliable Spectatorship.Published in:Modernism/Modernity, 2018, v. 25, n. 1, p. 161, doi. 10.1353/mod.2018.0007By:Solan, YairPublication type:Article