PERFORMING NAHUM TATE'S KING LEAR: COMING HITHER BY GOING HENCE.
- Published in:
- Quarterly Journal of Speech, 1968, v. 54, n. 4, p. 398, doi. 10.1080/00335636809382916
- By:
- Publication type:
- Article
Works matching Tate, Nahum, 1652-1715
Results: 20
1
2
SAMUEL JOHNSON AND NAHUM TATE: ADAPTATION OR ANALOGUE?
- Published in:
- Notes & Queries, 1985, v. 32, n. 2, p. 221, doi. 10.1093/nq/32-2-221
- By:
- Publication type:
- Article
3
SAMUEL EL JOHNSON AND NAHUM TATE: ADAPTATION OR ANALOGUE?
- Published in:
- Notes & Queries, 1985, v. 32, n. 1, p. 221, doi. 10.1093/nq/32-2-221
- By:
- Publication type:
- Article
4
Which Genial Day? More on the court origin of Purcell's Dido and Aeneas, with a shortlist of dates for its possible performance before King Charles II.
- Published in:
- Early Music, 2015, v. 43, n. 2, p. 199, doi. 10.1093/em/cav005
- By:
- Publication type:
- Article
5
Deus ex machina: a royal witness to the court origin of Purcell’s Dido and Aeneas.
- Published in:
- Early Music, 2012, v. 40, n. 2, p. 265, doi. 10.1093/em/cas047
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- Publication type:
- Article
6
Audience and actor response to a staged reading of Nahum Tate's The History of King Lear (directed by Joe Curdy) at the Shakespeare Institute, Stratford-upon-Avon, 27 January 2008.
- Published in:
- Shakespeare (1745-0918), 2008, v. 4, n. 3, p. 318, doi. 10.1080/17450910802295260
- By:
- Publication type:
- Article
7
"Nothing can come of nothing": Systems of Exchange in Tate's King Lear.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
8
Nahum Tate's The History of King Richard the Second (1681). Politics and Censorship during the Exclusion Crisis.
- Published in:
- Restoration & 18th Century Theatre Research, 2009, v. 24, n. 1, p. 17
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- Publication type:
- Article
9
Rhetorical Bodies in Nahum Tate's King Lear and Ingratitude of a Common-Wealth.
- Published in:
- 2016
- By:
- Publication type:
- Literary Criticism
10
Nahum Tate's Revision of Shakespeare's King Lears.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 2000, v. 40, n. 3, p. 435, doi. 10.2307/1556255
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- Publication type:
- Article
11
Politicising Praise: Panegyric and the Accession of Queen Anne.
- Published in:
- 2014
- By:
- Publication type:
- Essay
12
The Half-Life of Tate in King Lear.
- Published in:
- 1985
- By:
- Publication type:
- Literary Criticism
13
Reading from the Margin: Examining Nahum Tate's vs. Shakespeare's King Lear as Cultural Products.
- Published in:
- k@ta, 2010, v. 12, n. 2, p. 192
- By:
- Publication type:
- Article
14
To Die or Not to Die, that is the Question: Borrowing and Adapting the King Lear Legend in the Anonymous The True Chronicle History of King Leir and Shakespeare's King Lear.
- Published in:
- Ben Jonson Journal, 2014, v. 21, n. 1, p. 53, doi. 10.3366/bjj.2014.0096
- By:
- Publication type:
- Article
15
Milton and `while shepherds watched'.
- Published in:
- 1999
- By:
- Publication type:
- Poetry Review
16
Nahum Tate's `On their Majesties Pictures' as a source for Dryden's `To Sir Godfrey Kneller'.
- Published in:
- 1993
- By:
- Publication type:
- Literary Criticism
17
'A PRESENT FOR THE LADIES': OVID, MONTAIGNE, AND THE REDEMPTION OF PURCELL'S DIDO.
- Published in:
- Music & Letters, 2003, v. 84, n. 2, p. 189, doi. 10.1093/ml/84.2.189
- By:
- Publication type:
- Article
18
The King's Two Bodies: Text and Genre in King Lear.
- Published in:
- 1996
- By:
- Publication type:
- Literary Criticism
19
A Thousand Years of English Political Poetry: A Limited Selection.
- Published in:
- Neophilologus, 2012, v. 96, n. 2, p. 315, doi. 10.1007/s11061-011-9279-8
- By:
- Publication type:
- Article
20
SHAKESPEARE REFINISHED: THE AUDIENCE AS NAHUM TATE.
- Published in:
- Litteraria Pragensia: Studies in Literature & Culture, 2016, v. 26, n. 52, p. 16
- By:
- Publication type:
- Article