Using the Master's Tools: The Role of Signifyin(g) in Django Unchained.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching Tarantino, Quentin, 1963-
Results: 123
1
2
LOOKING BACK AT 1969: QUENTIN TARANTINO'S TWO VERSIONS OF ONCE UPON A TIME...IN HOLLYWOOD.
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
3
Cinema Unchained: The Films of Quentin Tarantino.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
4
Inglourious Basterds: Satirizing the spectator and revealing the 'Nazi' within.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
5
Of Basterds and the Greatest Generation: The Limits of Sentimentalism and the Post-Classical War Film.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
6
Film Review: Slavery, Emancipation, and the Great White Benefactor: A Review of Lincoln and Django Unchained.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
7
Quenin Tarantino: Sadist or Sage?
- Published in:
- Journal of Social Philosophy, 1998, v. 29, n. 2, p. 109, doi. 10.1111/j.1467-9833.1998.tb00111.x
- By:
- Publication type:
- Article
8
The Triumph of Trauma: Tarantino Style.
- Published in:
- Film Matters, 2021, v. 12, n. 2, p. 111, doi. 10.1386/fm_00158_7
- By:
- Publication type:
- Article
9
The Ultraviolent, Interrelated Tarantino Universe.
- Published in:
- Film Matters, 2017, v. 8, n. 1, p. 95, doi. 10.1386/fm.8.1.95_1
- By:
- Publication type:
- Article
10
"The Good, the Bad and the Strudel": How Quentin Tarantino's Inglourious Basterds (2009) Manipulates Its Audience with Violence.
- Published in:
- Film Matters, 2016, v. 7, n. 3, p. 17, doi. 10.1386/fm.7.3.17_1
- By:
- Publication type:
- Article
11
The Auteur Theory: Tarantino's Blood.
- Published in:
- Film Matters, 2014, v. 5, n. 1, p. 77, doi. 10.1386/fm.5.1.77_1
- By:
- Publication type:
- Article
12
Django Unchained.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
"Cut to the Rhythm of Performance": Technology and Expressive Coherence in Inglourious Basterds.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
14
Seeing in the Dark: Film and the Slave Past.
- Published in:
- American Studies (00263079), 2020, v. 59, n. 1, p. 71, doi. 10.1353/ams.2020.0003
- By:
- Publication type:
- Article
15
Loyalty, women and 'business': ideological hyper-values in Quentin Tarantino's Pulp fiction.
- Published in:
- Acta Academica, 2013, v. 45, n. 4, p. 84, doi. 10.38140/aa.v45i4.1419
- By:
- Publication type:
- Article
16
Kino im Spannungsfeld von historischer Authentizität, Stereotypen und künstlerischer Freiheit: Zur Figur des SS-Standartenführers Hans Landa in Quentin Tarantinos Werk »Inglourious Basterds«.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
17
Pulp Fiction and the Rhetoric of Charity.
- Published in:
- 2016
- By:
- Publication type:
- Essay
18
TARANTINO. LA VENGANZA O LA JUSTICIA.
- Published in:
- Revista Internacional de Pensamiento Político, 2023, v. 18, p. 305, doi. 10.46661/rev.int.pensampolit..8531
- By:
- Publication type:
- Article
19
Django Unchained.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
20
Heroes and Heroin: From True Romance to Pulp Fiction.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2000, v. 33, n. 4, p. 39, doi. 10.1111/j.0022-3840.2000.3304_39.x
- By:
- Publication type:
- Article
21
BRING BAGELS, OR, JUMP CUTS.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
22
NOT QUITE THE END OF THE LINE: THE PRISONER-OF-WAR FILM FROM DAVID LEAN TO THE PRESENT.
- Published in:
- Dalhousie Review, 2017, v. 97, n. 2, p. 248
- By:
- Publication type:
- Article
23
1990: Los Angeles.
- Published in:
- 2015
- By:
- Publication type:
- Excerpt
24
Django Unchained: Directed by Quentin Tarantino.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
25
Había una vez... en Hollywood.
- Published in:
- Xipe Totek, 2019, v. 28, n. 112, p. 348, doi. 10.31391/24940r95
- By:
- Publication type:
- Article
26
Using Counterfactual History to Enhance Students' Historical Understanding.
- Published in:
- Social Studies, 2011, v. 102, n. 3, p. 117, doi. 10.1080/00377996.2010.525547
- By:
- Publication type:
- Article
27
"You Ain't Gonna Get Away Wit' This, Django": Fantasy, Fiction and Subversion in Quentin Tarantino's, Django Unchained.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
28
Who Gets to Shoot Hitler? Quentin Tarantino's Inglourious Basterds and the Directorial Contest Over the Gaze of the Victor and the Victim.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
29
The Making of a Western-Negro-Superhero-Savior: Django's Blue Velvet Fauntleroy Suit.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
30
Purely Coincidental.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
31
Childhood Living.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism
32
Translating film titles.
- Published in:
- Babel: International Journal of Translation / Revue Internationale de la Traduction / Revista Internacional de Traducción, 2014, v. 60, n. 2, p. 193, doi. 10.1075/babel.60.2.04rui
- By:
- Publication type:
- Article
33
Cinema | Diptych: Grindhouse | Death Proof.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
34
An Analysis of Quentin Tarantino's Once Upon a Time in... Hollywood as a Novelization.
- Published in:
- Journal of Artistic Creation & Literary Research, 2023, v. 11, n. 1, p. 1
- By:
- Publication type:
- Article
35
Should We Punch Nazis? Or, Grotesque Ethics & Ethical Grotesques: Brutalised Bodies, Evental Sites, and Quentin Tarantino's Inglourious Basterds.
- Published in:
- Cultural Critique, 2020, n. 107, p. 99, doi. 10.1353/cul.2020.0015
- By:
- Publication type:
- Article
36
HISTORIOPLASTIC METAFICTION: TARANTINO, NOLAN, AND THE "RETURN TO HEGEL".
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
37
WHAT IS A CINEMA OF JEWISH VENGEANCE?: TARANTINO'S INGLORIOUS BASTERDS.
- Published in:
- 2010
- By:
- Publication type:
- Essay
38
Violence as the Best Revenge: Fantasies of Dead Nazis.
- Published in:
- Dissent (0012-3846), 2010, v. 57, n. 1, p. 103, doi. 10.1353/dss.0.0115
- By:
- Publication type:
- Article
39
Baudrillard, Hyperreality, and the Evil in Othello and The Hateful Eight.
- Published in:
- CINEJ Cinema Journal, 2021, v. 9, n. 1, p. 345, doi. 10.5195/cinej.2021.354
- By:
- Publication type:
- Article
40
Struggling with dogmatism.
- Published in:
- Short Film Studies, 2017, v. 7, n. 1, p. 121, doi. 10.1386/sfs.7.1.121_1
- By:
- Publication type:
- Article
41
Inglourious Basterds.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
42
"Taking This from This and That from That": Examining RZA and Quentin Tarantino's Use of Pastiche.
- Published in:
- M/C Journal, 2013, v. 16, n. 4, p. 1, doi. 10.5204/mcj.669
- By:
- Publication type:
- Article
43
Revisionist Spectacle? Theatrical Remediation in Alejandro G. Iñárritu's Birdman and Quentin Tarantino's The Hateful Eight.
- Published in:
- Iowa Journal of Cultural Studies, 2018, v. 18, n. 1, p. 3
- By:
- Publication type:
- Article
44
Race on the QT: Blackness and the Films of Quentin Tarantino.
- Published in:
- 2015
- Publication type:
- Book Review
45
CRIMINAL AND ENEMY IN THE POLITICAL IMAGINATION.
- Published in:
- Yale Review, 2011, v. 99, n. 1, p. 148, doi. 10.1353/tyr.2011.0010
- By:
- Publication type:
- Article
46
Certain Tendencies in Criticism of Shakespeare on Film.
- Published in:
- Shakespeare Studies (Rosemont Publishing & Printing Corporation), 2010, v. 38, p. 88
- By:
- Publication type:
- Article
47
Audio-describing visual filmic allusions.
- Published in:
- Perspectives: Studies in Translatology, 2017, v. 25, n. 2, p. 323, doi. 10.1080/0907676X.2016.1213303
- By:
- Publication type:
- Article
48
Estudio de la transtextualidad en el cine de Quentin Tarantino.
- Published in:
- Revista la Palabra, 2021, n. 40, p. 1, doi. 10.19053/01218530.n40.2021.12542
- By:
- Publication type:
- Article
49
NUEVAS FORMAS AUDIOVISUALES DE LA REPRESENTACIÓN DEL HOLOCAUSTO: Lenguajes postmodernos para la construcción de la memoria.
- Published in:
- Revista Prisma Social, 2011, n. 6, p. 1
- By:
- Publication type:
- Article
50
The bitter taste of payback: the pathologising effect of TV ‘revengendas’.
- Published in:
- Griffith Law Review, 2015, v. 24, n. 3, p. 500, doi. 10.1080/10383441.2015.1134305
- By:
- Publication type:
- Article