PROCESOS CREATIVOS ENTRE LITERATURA Y MÚSICA: LA HIPERTEXTUALIDAD E INTERTEXTUALIDAD EN EL ARPA Y LA SOMBRA DE LEO BROUWER.
- Published in:
- Leitmotiv, 2018, n. 6, p. 22
- By:
- Publication type:
- Article
Works matching Takemitsu, Toru, 1930-1996
Results: 17
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2
Sneezing Toward the Sun: The Human Voice in the Musique concrète of Toru Takemitsu.
- Published in:
- Contemporary Music Review, 2018, v. 37, n. 1/2, p. 20, doi. 10.1080/07494467.2018.1453334
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- Publication type:
- Article
3
Sōgetsu Art Center's Invitation Letters to International Composers.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2018, v. 54, n. 1, p. 59, doi. 10.4312/mz.54.1.59-73
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- Publication type:
- Article
4
The Collaboration behind Takemitsu's Film Music for Otoshiana (1962).
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2023, v. 54, n. 1, p. 87, doi. 10.21857/y7v64tv7ly
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- Publication type:
- Article
5
Exception to Tōru Takemitsu's Oeuvre: Theater Piece Blue Aurora.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2021, v. 52, n. 1, p. 133
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- Publication type:
- Article
6
Roger Reynolds and Toru Takemitsu: A conversation.
- Published in:
- Musical Quarterly, 1996, v. 80, n. 1, p. 61, doi. 10.1093/mq/80.1.61
- Publication type:
- Article
7
Structural Segmentation of Toru Takemitsu's Piece, Itinerant, by Advanced Level Music Graduate Students.
- Published in:
- i-Perception, 2017, v. 8, n. 3, p. 1, doi. 10.1177/2041669517705387
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- Publication type:
- Article
8
When East Meets West: Takemitsu's Itinerant for Flute Solo.
- Published in:
- Flutist Quarterly, 2006, v. 31, n. 2, p. 32
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- Publication type:
- Article
9
Hearing Transcendence: Distorted Iconism in Tōru Takemitsu's Film Music.
- Published in:
- Signs & Society, 2014, p. S215, doi. 10.1086/674697
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- Publication type:
- Article
10
Hearing Transcendence: Distorted Iconism in Tōru Takemitsu's Film Music.
- Published in:
- Signs & Society, 2014, v. 2, p. S215, doi. 10.1086/674697
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- Publication type:
- Article
11
R. Murray Schafer - Part II.
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- 2012
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- Interview
12
Dreams, Gardens, Mirrors: Layers of Narrative in Takemitsu's Quotation of Dream.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 4, p. 428, doi. 10.1080/07494467.2014.977031
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- Publication type:
- Article
13
Takemitsu and the Lydian Chromatic Concept of George Russell.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 73, doi. 10.1080/07494460216666
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- Publication type:
- Article
14
Hearing "Japanese", hearing Takemitsu.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 35, doi. 10.1080/07494460216667
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- Publication type:
- Article
15
Traversing distances: pitch organization, gesture and imagery in the late works of Tōru Takemitsu.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 17, doi. 10.1080/07494460216671
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- Publication type:
- Article
16
Notes on the film music of Takemitsu Tōru.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 5, doi. 10.1080/07494460216670
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- Publication type:
- Article
17
Introduction: Tōru Takemitsu as I remember him.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 1
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- Publication type:
- Article