Entre la tradición y la vanguardia, un análisis del documental Antonio Gaudí (1984): Teshigahara Hiroshi y Takemitsu Tōru.
- Published in:
- Mirai. Estudios Japoneses, 2021, v. 5, p. 185, doi. 10.5209/mira.74362
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- Article
Works matching Tōru Takemitsu
Results: 18
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Exception to Tōru Takemitsu's Oeuvre: Theater Piece Blue Aurora.
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- International Review of the Aesthetics & Sociology of Music, 2021, v. 52, n. 1, p. 133
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- Article
3
Traversing distances: pitch organization, gesture and imagery in the late works of Tōru Takemitsu.
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- Contemporary Music Review, 2002, v. 21, n. 4, p. 17, doi. 10.1080/07494460216671
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- Article
4
Corporeal Musical Structure: A Gestural-Kinesthetic Approach to Tōru Takemitsu's Rain Tree Sketch II.
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- Music Theory Online, 2021, v. 27, n. 4, p. 1, doi. 10.30535/mto.27.4.6
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- Article
5
Hearing Transcendence: Distorted Iconism in Tōru Takemitsu's Film Music.
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- Signs & Society, 2014, v. 2, p. S215, doi. 10.1086/674697
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- Article
6
Sōgetsu Art Center's Invitation Letters to International Composers.
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- Musicological Annual / Muzikoloski Zbornik, 2018, v. 54, n. 1, p. 59, doi. 10.4312/mz.54.1.59-73
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- Article
7
Hearing Transcendence: Distorted Iconism in Tōru Takemitsu's Film Music.
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- Signs & Society, 2014, p. S215, doi. 10.1086/674697
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- Publication type:
- Article
8
SINGING TREES. NOTE SU TŌRU TAKEMITSU .
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- Rivista di Estetica, 2022, n. 80, p. 96, doi. 10.4000/estetica.14330
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- Article
9
1 + 1 = 1: Measuring Time's Distance in Tōru Takemitsu's Nostalghia: In Memory of Andrei Tarkovskij.
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- Music & the Moving Image, 2016, v. 9, n. 3, p. 3, doi. 10.5406/musimoviimag.9.3.0003
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- Article
10
Notes on the film music of Takemitsu Tōru.
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- Contemporary Music Review, 2002, v. 21, n. 4, p. 5, doi. 10.1080/07494460216670
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- Article
11
Introduction: Tōru Takemitsu as I remember him.
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- Contemporary Music Review, 2002, v. 21, n. 4, p. 1
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- Article
12
The Collaboration behind Takemitsu's Film Music for Otoshiana (1962).
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- International Review of the Aesthetics & Sociology of Music, 2023, v. 54, n. 1, p. 87, doi. 10.21857/y7v64tv7ly
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13
Dreams, Gardens, Mirrors: Layers of Narrative in Takemitsu's Quotation of Dream.
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- Contemporary Music Review, 2014, v. 33, n. 4, p. 428, doi. 10.1080/07494467.2014.977031
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- Article
14
My perception of time in traditional Japanese music.
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- Contemporary Music Review, 1987, v. 1, n. 2, p. 9, doi. 10.1080/07494468400640211
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- Article
15
Integration and opposition of Western and Japanese traditional instruments in Takemitsu's November Steps.
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- PER MUSI: Revista Academica de Musica, 2022, n. 42, p. 1, doi. 10.35699/2317-6377.2022.36944
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- Article
16
Materiality of Sonic Imagery: On Analysis of Contemporary Chinese Compositions.
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- Music Theory Spectrum, 2023, v. 45, n. 1, p. 151, doi. 10.1093/mts/mtac025
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- Article
17
From Exoticism to Interculturalism: Counterframing the East–West Binary.
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- Music Theory Spectrum, 2021, v. 43, n. 2, p. 330, doi. 10.1093/mts/mtab001
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18
Hearing "Japanese", hearing Takemitsu.
- Published in:
- Contemporary Music Review, 2002, v. 21, n. 4, p. 35, doi. 10.1080/07494460216667
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- Article