Certain Kinds of Dances Used among Them: An Initial Inquiry into Colonial Spanish Encounters with the Areytos of the Taíno in Puerto Rico.Published in:Theatre Symposium, 2017, v. 25, p. 29, doi. 10.1353/tsy.2017.0002By:Wallace, E. BertPublication type:Article
La Cruz en Calderón de la Barca.Published in:Excerpta et Dissertationibus in Sacra Theologia, 2018, v. 67, p. 345By:ROBLEDILLO AMEZCUA, GabrielPublication type:Article
Lope de Vega's "Comedias de Tema Religioso." Re-Creations and Representations.Published in:2006By:Connor, CatherinePublication type:Book Review
SACRAMENTAL INSTRUMENTALITY: REPRESENTATION, DEMONSTRATION, AND THE CALDERONIAN AUTO.Published in:Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 479, doi. 10.1353/boc.2006.0016By:Slater, JohnPublication type:Article
THE DRAMATIZATION OF THE ARTE NUEVO: REVISITING LO FINGIDO VERDADERO.Published in:Bulletin of the Comediantes, 2006, v. 58, n. 2, p. 340, doi. 10.1353/boc.2006.0009By:Grubbs, Anthony JohnPublication type:Article
The Verges Dance of Death Procession: Twenty-First Century Catalonia Reenacts Golden Age Religious Drama.Published in:2011By:Horowitz, ArthurPublication type:Essay
Rebel with a cause? From traitor prince to exemplary martyr: Sor Juana Ines de la Cruz's representation of San Hermenegildo.Published in:European Review of History, 2009, v. 16, n. 6, p. 893, doi. 10.1080/13507480903368152By:Fuller, AmyPublication type:Article
Calderón y las quimeras de la culpa: Alegoria, seducción y resistencia en cinco autos sacramentales (Book).Published in:1998By:Soufas, Teresa S.Publication type:Book Review