Plagiarism or Russian Symbolist Intertextuality? Hawthorne's 'the Snow Image' and Sologub's 'snegurochka'.Published in:Slavonica, 2006, v. 12, n. 2, p. 107, doi. 10.1179/174581406X137003By:Merrill, JasonPublication type:Article
NARRATORIAL STRUCTURE AND SEMANTIC AUTHORITY IN THE SHORT STORIES OF FEDOR SOLOGUB.Published in:Slavonica, 2002, v. 8, n. 1, p. 7, doi. 10.1179/sla.2002.8.1.7By:Keys, Roger JohnPublication type:Article
FERTILE FIELDS AND POISONED GARDENS: SOLOGUB'S DEBT TO HOFFMANN, PUSHKIN, AND HAWTHORNE.Published in:1974By:Brodsky, Patricia PollockPublication type:Literary Criticism
Sologub, Nabokov, and the Limits of Decadent Aesthetics.Published in:2004By:Bethea, David M.Publication type:Literary Criticism
Shade and statue: A comparative analysis of Fedor Sologub and Innokentii Annenskii.Published in:1994By:Venclova, TomasPublication type:Literary Criticism
GHOSTS OF DOSTOEVSKIAN GUILT IN SOLOGUB'S BAD DREAMS.Published in:2012By:Menefee, JessePublication type:Literary Criticism
Sexuality in The Tale of the Golden Cockerel and the Tradition of Russian Anti-Utopianism.Published in:2009By:Lalo, AlexeiPublication type:Essay
„Я” и тело в творчестве русских симболистов.Published in:Slavia Orientalis, 2010, v. 59, n. 3, p. 335By:Cymborska-Leboda, MariaPublication type:Article
THE LABYRINTH AND ARIADNA: WOMAN IN THE POETRY OF FEDOR SOLOGUB.Published in:Artistic Text: Understanding, Analysis, Interpretation / Meninis tekstas, 2006, v. 5, p. 214Publication type:Article