Liberation, Degeneration, and Transcendence(?): The Promise and Paradox of the “New Woman” in Edna Ferber’s Dawn O’Hara, The Girl Who Laughed and Dorothy Parker’s “Big Blonde”.
- Published in:
- Women's Studies, 2016, v. 45, n. 3, p. 230, doi. 10.1080/00497878.2016.1149028
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- Article