Temáticas posthumanistas en la ciencia ficción temprana de Clifford D. Simak (1932-1950).Published in:Revista Internacional de Humanidades, 2020, v. 7, n. 1, p. 23, doi. 10.18848/2474-5022/CGP/v07i01/23-36By:Fernández-Caro, JesúsPublication type:Article
CLIFFORD D. SIMAK'S USE OF THE MIDWEST IN SCIENCE FICTION.Published in:MidAmerica, 1995, v. 22, p. 108By:DeMARR, MARY JEANPublication type:Article
Post-dog tales about human extinction.Published in:World Literature Studies, 2021, v. 13, n. 1, p. 18, doi. 10.31577/WLS.2021.13.1.2By:SÝKORA, PETERPublication type:Article
Collier Nucleus Science Fiction Classics and Collier Nucleus Fantasy Classics.Published in:1992Publication type:Book Review
Null-A Aesthetics: Science-Fiction Separation in Jean-Luc Godard’s Adieu au langage and A.E. van Vogt’s Null-A Three.Published in:2018By:Willems, BrianPublication type:Literary Criticism
Talking (for, with) Dogs: Science Fiction Breaks a Species Barrier.Published in:2010By:Gordon, JoanPublication type:Literary Criticism
"Aesop" and the Ambiguity of Clifford Simak's City.Published in:1979By:Ower, JohnPublication type:Literary Criticism
Change, SF, and Marxism: Open or Closed Universes?Published in:1974By:Scholes, RobertPublication type:Book Review
The 'Invisible Alien' in the Science of Clifford Simak.Published in:1989By:Lomax, WilliamPublication type:Book Review