THOMAS DEMAND, JEFF WALL AND SHERRIE LEVINE: DEFORMING ‘PICTURES’.
- Published in:
- Art History, 2009, v. 32, n. 5, p. 954, doi. 10.1111/j.1467-8365.2009.00713.x
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- Publication type:
- Article
Works matching Sherrie Levine
Results: 38
1
2
We need to talk about Sherrie Levine.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
3
Sherrie Levine's Art History.
- Published in:
- October, 2002, n. 101, p. 96, doi. 10.1162/016228702320275463
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- Publication type:
- Article
4
On Wanting to Write This as Rose Selavy: Reflections on Sherrie Levine and Peircian Semiotic.
- Published in:
- Journal of Speculative Philosophy, 2009, v. 23, n. 1, p. 28, doi. 10.1353/jsp.0.0061
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- Publication type:
- Article
5
The Politics of Equivocation: Sherrie Levine, Duchamp's "Compensation Portrait", and Surrealism in the USA 1942-45.
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- Oxford Art Journal, 2003, v. 26, n. 1, p. 45, doi. 10.1093/oxartj/26.1.45
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- Publication type:
- Article
6
Reuse Value: Spolia and Appropriation in Art and Architecture from Constantine to Sherrie Levine.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
POST-YAPISALCI ARGÜMANLAR EKSENİNDE MÜELLİF VE SANAT NESNESİ.
- Published in:
- Trakya University Journal of Social Science, 2014, v. 16, n. 1, p. 115
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- Publication type:
- Article
8
For Douglas Crimp.
- Published in:
- October, 2020, n. 171, p. 150, doi. 10.1162/octo_a_00384
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- Publication type:
- Article
9
pathos: Trois Contes.
- Published in:
- October, 2002, n. 101, p. 84, doi. 10.1162/016228702320275454
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- Publication type:
- Article
10
Copias de copias: la apropiación de la apropiación en Arte Contemporáneo.
- Published in:
- Observar, 2017, v. 2, n. 11, p. 203, doi. 10.1344/observar.2017.11.2.6
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- Article
11
POSTMODERNİZM VE FOTOĞRAF.
- Published in:
- Electronic Journal of Social Sciences, 2013, v. 12, n. 46, p. 255
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- Publication type:
- Article
12
Command CV:A Legend by Default.
- Published in:
- Afterimage, 2002, v. 29, n. 4, p. 6, doi. 10.1525/aft.2002.29.4.6
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- Publication type:
- Article
13
Revolution and After.
- Published in:
- 2016
- By:
- Publication type:
- Essay
14
Chemical.
- Published in:
- 2016
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- Publication type:
- Image
15
LIVING WITH CONTRADICTIONS: CRITICAL PRACTICES IN THE AGE OF SUPPLY-SIDE AESTHETICS.
- Published in:
- Screen, 1987, v. 28, n. 3, p. 2, doi. 10.1093/screen/28.3.2
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- Publication type:
- Article
16
WINNING THE GAME WHEN THE RULES HAVE BEEN CHANGED: ART PHOTOGRAPHY AND POSTMODERNISM.
- Published in:
- Screen, 1984, v. 25, n. 6, p. 88, doi. 10.1093/screen/25.6.88
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- Publication type:
- Article
17
Appropriation: Back Then, In Between, and Today.
- Published in:
- Art Bulletin, 2012, v. 94, n. 2, p. 175
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- Publication type:
- Article
18
Using Hip Hop Music to Enhance Critical Discussions on Postmodern Art.
- Published in:
- Art Education, 2015, v. 68, n. 5, p. 34, doi. 10.1080/00043125.2015.11519337
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- Publication type:
- Article
19
Reframing Pictures : Reading the Art of Appropriation.
- Published in:
- 2016
- By:
- Publication type:
- Essay
20
Prime Objects and Body Doubles.
- Published in:
- Art Journal, 2009, v. 68, n. 4, p. 99, doi. 10.1080/00043249.2009.10791365
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- Publication type:
- Article
21
Artists' Writings: Twice-Told Tales.
- Published in:
- Art Journal, 1989, v. 48, n. 3, p. 253, doi. 10.1080/00043249.1989.10792634
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- Publication type:
- Article
22
Aesthetics as critical inquiry.
- Published in:
- Art Education, 1998, v. 51, n. 5, p. 49, doi. 10.2307/3193719
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- Publication type:
- Article
23
weston & the post-modernists.
- Published in:
- Image, 2005, v. 43, n. 1, p. 16
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- Publication type:
- Article
24
Report from London.
- Published in:
- Afterimage, 1997, v. 24, n. 4, p. 4, doi. 10.1525/aft.1997.24.4.4
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- Publication type:
- Article
25
Tako rzecze artysta.
- Published in:
- Film Quarterly / Kwartalnik Filmowy, 2018, n. 104, p. 228, doi. 10.36744/kf.1872
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- Publication type:
- Article
26
Pictures of You.
- Published in:
- October, 2020, n. 171, p. 155, doi. 10.1162/octo_a_00386
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- Publication type:
- Article
27
I, etcetera.
- Published in:
- October, 2018, n. 166, p. 45, doi. 10.1162/octo_a_00332
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- Publication type:
- Article
28
Baffles, Binds and Blind Alleys.
- Published in:
- 2007
- By:
- Publication type:
- Interview
29
Mimesis.
- Published in:
- Art Bulletin, 2013, v. 95, n. 2, p. 191
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- Publication type:
- Article
30
Ontology and the Challenge of Literary Appropriation.
- Published in:
- Journal of Aesthetics & Art Criticism, 2013, v. 71, n. 2, p. 155, doi. 10.1111/jaac.12004
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- Publication type:
- Article
31
ÇAĞDAŞ GÖRSEL SANATTA YENİDEN ÜRETİM VE SINIRLARIN BELİRSİZLİĞİNİ BENJAMİN VE ADORNO’NUN İZİNDEN SÜRMEK.
- Published in:
- Journal of Art History / Sanat Tarihi Dergisi, 2020, v. 29, n. 2, p. 679, doi. 10.29135/std.701597
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- Publication type:
- Article
32
Towards the Reinvigoration of the 'Western Tableau': Some Notes on Jeff Wall and Duchamp.
- Published in:
- Oxford Art Journal, 2007, v. 30, n. 1, p. 81, doi. 10.1093/oxartj/kcl035
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- Publication type:
- Article
33
Demythologizing the Copy: An Interview with ELIZ.
- Published in:
- 1999
- By:
- Publication type:
- Interview
34
Robert Blanchon: AIDS and the Question of Conceptualism.
- Published in:
- Art Journal, 2024, v. 83, n. 1, p. 58, doi. 10.1080/00043249.2024.2317689
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- Publication type:
- Article
35
This Isn't Who It Would Be, If It Wasn't Who It Is.
- Published in:
- 2024
- By:
- Publication type:
- Exhibition Review
36
Artists Space.
- Published in:
- Brooklyn Rail, 2020, p. N.PAG
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- Publication type:
- Article
37
Know My Name: curated by Deborah Hart, Elspeth Pitt, and Yvette Del Pozzo, National Gallery of Australia, Canberra, 14 November 2020–26 January 2022.
- Published in:
- Journal of Australian Studies, 2022, v. 46, n. 2, p. 257, doi. 10.1080/14443058.2022.2050002
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- Publication type:
- Article
38
INFINITE REDUPLICATION.
- Published in:
- 2012
- By:
- Publication type:
- Book Review