Modernity in the Antipodes: Politics and Aesthetics in Christina Stead's Seven Poor Men of Sydney.Published in:Antipodes, 2020, v. 34, n. 2, p. 180, doi. 10.1353/apo.2020.0036By:GAWEN, NAISHPublication type:Article
Precise and Imprecise Geographies in Christina Stead's Seven Poor Men of Sydney.Published in:Cartographic Journal, 2009, v. 46, n. 4, p. 343, doi. 10.1179/000870409X12549997389583By:Edquist, HarrietPublication type:Article
Christina Stead's Poor Women of Sydney, Travelling into Our Times.Published in:2015By:FERRIER, CAROLEPublication type:Literary Criticism
Modernist voices and the desire for communication in Christina Stead's Seven Poor Men of Sydney.Published in:Journal of the Association for the Study of Australian Literature, 2015, v. 15, n. 1, p. 1By:GROTH, HELENPublication type:Article
Modernist/Provincial/Pacific: Christina Stead, Katherine Mansfield and the expatriate home ground.Published in:2013By:MORRISON, FIONAPublication type:Essay
The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead's Seven Poor Men of Sydney.Published in:2016By:Brayshaw, MegPublication type:Literary Criticism
'Lights all askew in the heavens': Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead's Seven Poor Men of Sydney.Published in:2016By:Matthews, SamPublication type:Literary Criticism
Searchlights and the search for history in Christina Stead's Seven Poor Men of Sydney.Published in:1991By:Bindella, Maria TeresaPublication type:Literary Criticism
New York Picaresque: The Cosmopolitanism of Christina Stead's Letty Fox: Her Luck.Published in:2018By:LENNAN, JOPublication type:Literary Criticism