The screenplay/film relationship bifurcated: Reading Carl Mayer's Sylvester (1924).
- Published in:
- Journal of Screenwriting, 2018, v. 9, n. 1, p. 25, doi. 10.1386/josc.9.1.25_1
- By:
- Publication type:
- Article
Works matching Screenplays
Results: 1755
1
2
Greenaway's books: Peter Greenaway's published screenplays.
- Published in:
- Journal of Screenwriting, 2011, v. 2, n. 2, p. 229, doi. 10.1386/josc.2.2.229_1
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- Publication type:
- Article
3
OLHARES SOBRE O ROTEIRO CINEMATOGRÁFICO BRASILEIRO NAS REVISTAS A SCENA MUDA, CINEARTE E O FAN.
- Published in:
- Esferas, 2021, n. 21, p. 92, doi. 10.31501/esf.v1i21.13104
- By:
- Publication type:
- Article
4
Filmish energy : A textual analysis of Tony Gilroy's screenplay, Michael Clayton (2006).
- Published in:
- Journal of Screenwriting, 2024, v. 15, n. 1, p. 35, doi. 10.1386/josc_00141_1
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- Publication type:
- Article
5
'I wasn't open to notes': S. Craig Zahler, Dragged Across Concrete (2018) and the 157-page screenplay.
- Published in:
- Journal of Screenwriting, 2022, v. 13, n. 1, p. 5, doi. 10.1386/josc_00080_1
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- Publication type:
- Article
6
Collaborative self-translation in the screenplays of The Godfather trilogy.
- Published in:
- Journal of Screenwriting, 2021, v. 12, n. 1, p. 39, doi. 10.1386/josc_00047_1
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- Publication type:
- Article
7
Die Filmprimadonna (The Film Primadonna, 1913): A case study of the fiction of a screenplay and the process of filmmaking in German early cinema.
- Published in:
- Journal of Screenwriting, 2019, v. 10, n. 3, p. 247, doi. 10.1386/josc_00002_1
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- Publication type:
- Article
8
The effect of censorship on Manoel de Oliveira's screenplays during the Salazar Dictatorship in Portugal (1933?74).
- Published in:
- Journal of Screenwriting, 2017, v. 8, n. 2, p. 147, doi. 10.1386/josc.8.2.147_1
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- Publication type:
- Article
9
Predicting box office from the screenplay: A text analytical approach.
- Published in:
- Journal of Screenwriting, 2016, v. 7, n. 2, p. 135, doi. 10.1386/josc.7.2.135_1
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- Publication type:
- Article
10
From 'What Can be Seen and Heard' to 'What Can be Sensed and Thought': Almodovar's moving textuality in the screenplay of Todo sobre mi madre/All about my Mother (1999).
- Published in:
- Journal of Screenwriting, 2015, v. 6, n. 1, p. 9, doi. 10.1386/josc.6.1.9_1
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- Publication type:
- Article
11
Communication and the various voices of the screenplay text.
- Published in:
- Journal of Screenwriting, 2012, v. 4, n. 1, p. 43, doi. 10.1386/josc.4.1.43_1
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- Publication type:
- Article
12
expensive words, cheap images: 'Scripting' the adapted screenplay.
- Published in:
- Journal of Screenwriting, 2012, v. 4, n. 1, p. 57, doi. 10.1386/josc.4.1.57_1
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- Publication type:
- Article
13
Development of a fundamental '19-Sequence Model' of screenplay and narrative film structure.
- Published in:
- Journal of Screenwriting, 2012, v. 3, n. 2, p. 215, doi. 10.1386/josc.3.2.215_1
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- Publication type:
- Article
14
Collaboration and control in the development of Janet Green's screenplay Victim.
- Published in:
- Journal of Screenwriting, 2010, v. 1, n. 2, p. 255, doi. 10.1386/josc.1.2.255/1
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- Publication type:
- Article
15
No room for the fun stuff: the question of the screenplay in American indie cinema.
- Published in:
- Journal of Screenwriting, 2010, v. 1, n. 1, p. 175, doi. 10.1386/josc.1.1.175/1
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- Publication type:
- Article
16
The screenplay collection of the Czech Národní filmový archiv. An unanchored cultural heritage and its history, 1940s–1990s.
- Published in:
- Studies in Eastern European Cinema, 2020, v. 11, n. 2, p. 173, doi. 10.1080/2040350X.2019.1708045
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- Publication type:
- Article
17
FILMOVÝ SCÉNÁŘ PERSPEKTIVOU VYBRANÝCH TEORETICKÝCH PŘÍSTUPŮ A PRACOVNÍCH METOD HUMANITNÍCH A INFORMAČNÍCH VĚD.
- Published in:
- ProInflow, 2020, v. 12, n. 2, p. 70, doi. 10.5817/ProIn2020-2-5
- By:
- Publication type:
- Article
18
The Monomyth or the Hero's Journey in William Faulkner's Screenplays: The Last Slaver and Drums Along the Mohawk.
- Published in:
- Theory & Practice in Language Studies (TPLS), 2022, v. 12, n. 12, p. 2527, doi. 10.17507/tpls.1212.07
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- Publication type:
- Article
19
The pricing of soft and hard information: economic lessons from screenplay sales.
- Published in:
- Journal of Cultural Economics, 2013, v. 37, n. 2, p. 271, doi. 10.1007/s10824-012-9183-5
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- Publication type:
- Article
20
Symbióza fikčních a non-fikčních postupů v nerealizovaných scénářích Karla Vachka.
- Published in:
- Iluminace, 2021, n. 2, p. 59
- By:
- Publication type:
- Article
21
Relating entertainment features in screenplays to movie performance: an empirical investigation.
- Published in:
- Journal of the Academy of Marketing Science, 2021, v. 49, n. 6, p. 1222, doi. 10.1007/s11747-021-00794-y
- By:
- Publication type:
- Article
22
Screenplays and Screenwriting as an Innovative Teaching Tool in Medical Ethics Education.
- Published in:
- Journal of Medical Humanities, 2021, v. 42, n. 4, p. 679, doi. 10.1007/s10912-019-09584-8
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- Publication type:
- Article
23
Writing sound in the screenplay: Traditions and innovations.
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 61, doi. 10.1386/ts_00027_1
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- Publication type:
- Article
24
Cinema Novo vs. Beatlemania: Discovering the use of sound and music in two unfilmed and unpublished Brazilian screenplays from the mid-1960s.
- Published in:
- Soundtrack, 2023, v. 15, n. 1, p. 29, doi. 10.1386/ts_00025_1
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- Publication type:
- Article
25
Evoking character perspective in screenplay directions: a multilingual approach to writing the 'big print'.
- Published in:
- New Writing: The International Journal for the Practice & Theory of Creative Writing, 2022, v. 19, n. 3, p. 351, doi. 10.1080/14790726.2021.1979591
- By:
- Publication type:
- Article
26
Screenwriting and the higher degree by research: writing a screenplay for a creative practice PhD.
- Published in:
- New Writing: The International Journal for the Practice & Theory of Creative Writing, 2016, v. 13, n. 1, p. 85, doi. 10.1080/14790726.2015.1135964
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- Publication type:
- Article
27
All’origine della sceneggiatura Verso una critica genetica del film L’eclisse (1962).
- Published in:
- Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2022, v. 64, n. 1, p. 594, doi. 10.18778/1505-9057.64.22
- By:
- Publication type:
- Article
28
A study on challenges in characterization of the innocents' characters in Aristotle's model screenplays.
- Published in:
- International Journal of Humanities, 2016, v. 22, n. 2, p. 95
- By:
- Publication type:
- Article
29
Thinking through the screenplay: The academy as a site for research-based script development.
- Published in:
- Journal of Writing in Creative Practice, 2016, v. 9, n. 1/2, p. 149, doi. 10.1386/jwcp.9.1-2.149_1
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- Publication type:
- Article
30
The paperless screenplay: Writing on, for and with Bthe SCREEN.
- Published in:
- Journal of Writing in Creative Practice, 2016, v. 9, n. 1/2, p. 33, doi. 10.1386/jwcp.9.1-2.33_1
- By:
- Publication type:
- Article
31
Petticoat Sailor to She Crossing: A Screenwriter’s Reflections on Novelizing a Screenplay.
- Published in:
- Adaptation, 2017, v. 10, n. 1, p. 114, doi. 10.1093/adaptation/apx002
- By:
- Publication type:
- Article
32
De guiones compartidos y otras ideas. Entrevista con Inés Bortagaray.
- Published in:
- Revista Fotocinema, 2019, n. 18, p. 307, doi. 10.24310/fotocinema.2019.v0i18.5533
- By:
- Publication type:
- Article
33
Bringing queerness to the surface: Truman Capote's November 1971 screenplay adaptation of F. Scott Fitzgerald's The Great Gatsby.
- Published in:
- Journal of Screenwriting, 2023, v. 14, n. 1, p. 7, doi. 10.1386/josc_00112_1
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- Publication type:
- Article
34
Once again into the cabinets of Dr. Caligari: Evil spaces and hidden sources of the Caligari screenplay.
- Published in:
- Journal of Screenwriting, 2019, v. 10, n. 3, p. 261, doi. 10.1386/josc_00003_1
- By:
- Publication type:
- Article
35
Lost and gone for ever? The search for early British screenplays.
- Published in:
- Journal of Screenwriting, 2011, v. 2, n. 2, p. 161, doi. 10.1386/josc.2.2.161_1
- By:
- Publication type:
- Article
36
Re-writing Paul Laverty's screenplay - The Wind that Shakes the Barley (2006).
- Published in:
- Journal of Screenwriting, 2011, v. 2, n. 2, p. 263, doi. 10.1386/josc.2.2.263_7
- By:
- Publication type:
- Article
37
Propuesta metodológica para el análisis del videojuego desde la perspectiva del paradigma clásico del guión cinematográfico y su aplicación a Assassin's Creed IV: Black Flag.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2018, v. 23, n. 45, p. 117, doi. 10.1387/zer.20179
- By:
- Publication type:
- Article
38
Re-conceptualising screenwriting for the academy: the social, cultural and creative practice of developing a screenplay.
- Published in:
- New Writing: The International Journal for the Practice & Theory of Creative Writing, 2016, v. 13, n. 1, p. 130, doi. 10.1080/14790726.2015.1134580
- By:
- Publication type:
- Article
39
The narrative structure and antiwar discourse of Born on the Fourth of July: Screenplay and film.
- Published in:
- Journal of Adaptation in Film & Performance, 2013, v. 6, n. 1, p. 27, doi. 10.1386/jafp.6.1.27_1
- By:
- Publication type:
- Article
40
Romancing the Wound: Hemingway and the Screenplay for The Sun Also Rises.
- Published in:
- Hemingway Review, 2024, v. 43, n. 2, p. 65, doi. 10.1353/hem.2024.a925981
- By:
- Publication type:
- Article
41
The Visible Screenplay in BoJack Horseman.
- Published in:
- Image & Narrative, 2021, v. 22, n. 1, p. 82
- By:
- Publication type:
- Article
42
ROBERT DE NIRO AT WORK. FROM SCREENPLAY TO SCREEN PERFORMANCE.
- Published in:
- Signa, 2023, n. 32, p. 673, doi. 10.5944/signa.vol32.2023.33615
- By:
- Publication type:
- Article
43
Идейно-художественные особенности киносценария Л. Улицкой «Чума, или ООИ в городе» (1978- 2020).
- Published in:
- Al-Adab / Al-ādāb, 2022, v. 142, n. 1, p. 53, doi. 10.31973/aj.v1i142.1827
- By:
- Publication type:
- Article
44
The first screenplays? American Mutoscope and Biograph scenarios revisited.
- Published in:
- Journal of Screenwriting, 2011, v. 2, n. 2, p. 195, doi. 10.1386/josc.2.2.195_1
- By:
- Publication type:
- Article
45
Poststructural Writerly Representation: Screenplay as Creative Analytic Practice.
- Published in:
- Qualitative Inquiry, 2011, v. 17, n. 2, p. 186, doi. 10.1177/1077800410393887
- By:
- Publication type:
- Article
46
Vampires, Detectives, and Hawks: A History and Analysis of William Faulkner's Unpublished Screenplay Dreadful Hollow.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
47
Oscar's Unrecognized Adaptations: Woody Allen and the Myth of the Original Screenplay.
- Published in:
- Literature Film Quarterly, 2014, v. 42, n. 1, p. 359
- By:
- Publication type:
- Article
48
Ethics and Capitalism in the Screenplays of David Mamet.
- Published in:
- Literature Film Quarterly, 2011, v. 39, n. 3, p. 174
- By:
- Publication type:
- Article
49
The Screenplay, Imagism, and Modern Aesthetics.
- Published in:
- Literature Film Quarterly, 2008, v. 36, n. 4, p. 259
- By:
- Publication type:
- Article
50
See shooting script: Reflections on the ontology of the screenplay.
- Published in:
- Literature Film Quarterly, 1992, v. 20, n. 1, p. 48
- By:
- Publication type:
- Article