Le mystère de la création éclairé par le compositeur Arnold Schoenberg (1874-1951).
- Published in:
- Revista Latinoamericana de Psicopatologia Fundamental, 2020, v. 23, n. 1, p. 121, doi. 10.1590/1415-4714.2020v23n1p121.8
- By:
- Publication type:
- Article
Works matching Schoenberg, Arnold, 1874-1951
Results: 230
1
2
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951).
- Published in:
- 2007
- By:
- Publication type:
- Book Review
3
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951).
- Published in:
- Croatian Musicological Review / Arti Musices, 2009, v. 40, n. 1/2, p. 298
- By:
- Publication type:
- Article
4
Music Theory and Analysis in the Writings of Arnold Schoenberg (1874-1951).
- Published in:
- Croatian Musicological Review / Arti Musices, 2006, v. 37, n. 2, p. 208
- By:
- Publication type:
- Article
5
Heimat and Hybridity: Arnold Schoenberg, Exile, and the Crisis of Modernism.
- Published in:
- 2011
- By:
- Publication type:
- Essay
6
Thomas Mann’s depiction of neurosyphilis and other diseases.
- Published in:
- Journal of the History of the Neurosciences, 2018, v. 27, n. 1, p. 1, doi. 10.1080/0964704X.2017.1315288
- By:
- Publication type:
- Article
7
Idee on ajatu Pidepunkte Arnold Schönbergist.
- Published in:
- Res Musica, 2023, n. 15, p. 104
- By:
- Publication type:
- Article
8
The Sound of the Unsayable: Jewish Secular Culture in Arnold Schönberg and Aharon Appelfeld.
- Published in:
- Religions, 2019, v. 10, n. 5, p. 334, doi. 10.3390/rel10050334
- By:
- Publication type:
- Article
9
The Moses of Freud and the Moses of Schoenberg.
- Published in:
- Psychoanalytic Study of the Child, 1992, v. 47, p. 1, doi. 10.1080/00797308.1992.11822662
- By:
- Publication type:
- Article
10
Political and Religious Ideas in the Works of Arnold Schoenberg.
- Published in:
- 2001
- By:
- Publication type:
- Book Review
11
Kurt Weill as Modernist.
- Published in:
- Modernism/Modernity, 2000, v. 7, n. 2, p. 273, doi. 10.1353/mod.2000.0025
- By:
- Publication type:
- Article
12
An Evaluation of Traditional and Innovatory Approaches in Arnold Schoenberg’s Verklärte Nacht and ‘Nacht’ from Pierrot Lunaire.
- Published in:
- Musicologist, 2023, v. 7, n. 2, p. 213, doi. 10.33906/musicologist.1069010
- By:
- Publication type:
- Article
13
Difference and Repetition as the Aspects of Representation in Arnold Schoenberg's Variations for Orchestra Op. 31.
- Published in:
- Kwartalnik Mlodych Muzykologów UJ, 2018, v. 37, n. 2, p. 125, doi. 10.4467/23537094KMMUJ.18.024.9168
- By:
- Publication type:
- Article
14
The Modification of the Genre of Mystery Play in the Wagner's, Schoenberg's and Messiaen's Compositions.
- Published in:
- Kwartalnik Mlodych Muzykologów UJ, 2017, v. 34, n. 3, p. 97
- By:
- Publication type:
- Article
15
YENİ BİR DİNLEME BİÇİMİ OLARAK NEGATİF DİYALEKTİK.
- Published in:
- Academic Journal of Philosophy / Felsefi Düşün, 2020, n. 15, p. 185
- By:
- Publication type:
- Article
16
The Temporalist Harp: Henri Bergson and Twentieth-Century Musical Innovation.
- Published in:
- European Legacy, 2011, v. 16, n. 7, p. 953, doi. 10.1080/10848770.2011.626216
- By:
- Publication type:
- Article
17
'Keine Rührung - Erkenntnis!'.
- Published in:
- Swedish Journal of Musicology / Svensk Tidskrift foer Musikforskning, 2013, v. 95, p. 109
- By:
- Publication type:
- Article
18
Arnold Schoenberg’s Journey from Tone Poems to Kaleidoscopic Sound Colors by Siglind Bruhn.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
19
The mystery of Modern dissonance.
- Published in:
- 2012
- By:
- Publication type:
- Essay
20
Design in motion: Words, music, and the search for the coherence in the works of Virginia Woolf...
- Published in:
- 1992
- By:
- Publication type:
- Literary Criticism
21
Lidstone interpolation III. Several variables.
- Published in:
- Transactions of the American Mathematical Society, Series B, 2023, v. 10, p. 201, doi. 10.1090/btran/135
- By:
- Publication type:
- Article
22
Noise and Arnold Schoenberg's 1913 Scandal Concert.
- Published in:
- Journal of Austrian Studies, 2017, v. 50, n. 3/4, p. 29, doi. 10.1353/oas.2017.0038
- By:
- Publication type:
- Article
23
C'mon, Everybody.
- Published in:
- Dissent (0012-3846), 2008, v. 55, n. 1, p. 77, doi. 10.1353/dss.2008.0083
- By:
- Publication type:
- Article
24
The DOCTOR FAUSTUS Dossier: Arnold Schoenberg, Thomas Mann, and Their Contemporaries, 1930‐1951.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
25
An Interview with Max Mathews.
- Published in:
- 2009
- By:
- Publication type:
- Interview
26
Seismic wave modeling of fluid-saturated fractured porous rock: Including fluid pressure diffusion effects of discrete distributed large scale fractures.
- Published in:
- Solid Earth Discussions, 2023, p. 1, doi. 10.5194/egusphere-2022-1388
- By:
- Publication type:
- Article
27
Interior Cadences in the Sentence of Schoenberg.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2021, v. 57, n. 1, p. 131, doi. 10.4312/mz.57.1.131-148
- By:
- Publication type:
- Article
28
What it is? A question on the derivation of musical meaning.
- Published in:
- Journal of Aesthetics & Culture, 2010, v. 2, p. 1, doi. 10.3402/jac.v2i0.4638
- By:
- Publication type:
- Article
29
ASPECTS RESULTING FROM THE ANALYSIS OF THE TONE ROW USED IN DE PROFUNDIS BY ARNOLD SCHOENBERG.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2020, v. 65, n. 1, p. 195, doi. 10.24193/subbmusica.2020.1.14
- By:
- Publication type:
- Article
30
The Spectre of the End: Musical Avant-Gardism and the Philosophical Turn.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2011, v. 42, n. 2, p. 267
- By:
- Publication type:
- Article
31
Lexicon for a Leftist Aesthetics of Music: Hans Wind's Chart of the Gesetze der Kunst.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2010, v. 41, n. 2, p. 265
- By:
- Publication type:
- Article
32
Chronicles and Witnesses: A Survivor from Warsaw through Adorno's Broken Mirror.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2010, v. 41, n. 2, p. 241
- By:
- Publication type:
- Article
33
Voice and Voices in Oratorios: On Sacred and Other Voices.
- Published in:
- Word & Music Studies, 2014, v. 13, p. 149
- By:
- Publication type:
- Article
34
Wittgenstein and Schoenberg on Performativity of Music as Method for Philosophy.
- Published in:
- Word & Music Studies, 2011, v. 12, p. 243
- By:
- Publication type:
- Article
35
RECORDINGS IN REVIEW.
- Published in:
- Yale Review, 2017, v. 105, n. 1, p. 167, doi. 10.1353/tyr.2017.0033
- By:
- Publication type:
- Article
36
RECORDINGS IN REVIEW.
- Published in:
- Yale Review, 2011, v. 99, n. 4, p. 199, doi. 10.1353/tyr.2011.0052
- By:
- Publication type:
- Article
37
Schoenberg, Al-Kindī, and the Unbound Braid: A Rendezvous in Barcelona a Thousand Years in the Making.
- Published in:
- Musical Quarterly, 2021, v. 104, n. 3/4, p. 212, doi. 10.1093/musqtl/gdab014
- By:
- Publication type:
- Article
38
Schoenberg's Vienna, Freud's Vienna: Re-Examining the Connections between the Monodrama Erwartung and the Early History of Psychoanalysis.
- Published in:
- Musical Quarterly, 2010, v. 93, n. 1, p. 144, doi. 10.1093/musqtl/gdq003
- By:
- Publication type:
- Article
39
Serialism in the Early Music of Aaron Copland.
- Published in:
- Musical Quarterly, 2007, v. 90, n. 2, p. 176, doi. 10.1093/musqtl/gdn012
- By:
- Publication type:
- Article
40
Schoenberg's Kristallanacht Fugue: Contrapuntal Exercise or Unknown Piece?
- Published in:
- Musical Quarterly, 2002, v. 86, n. 1, p. 117, doi. 10.1093/musqtl/gdg005
- By:
- Publication type:
- Article
41
Arnold Schoenberg in Los Angeles.
- Published in:
- Musical Quarterly, 2002, v. 86, n. 1, p. 6, doi. 10.1093/musqtl/gdg003
- By:
- Publication type:
- Article
42
Arnold Schoenberg and the cinematic art.
- Published in:
- Musical Quarterly, 1999, v. 83, n. 1, p. 93, doi. 10.1093/mq/83.1.93
- By:
- Publication type:
- Article
43
The New York reception of Pierrot lunaire: The 1923 premiere and its aftermath.
- Published in:
- Musical Quarterly, 1994, v. 78, n. 4, p. 669, doi. 10.1093/mq/78.4.669
- By:
- Publication type:
- Article
44
Adorno and Schoenberg's unanswered question.
- Published in:
- Musical Quarterly, 1993, v. 77, n. 3, p. 415, doi. 10.1093/mq/77.3.415
- By:
- Publication type:
- Article
45
Music, language, and composition.
- Published in:
- Musical Quarterly, 1993, v. 77, n. 3, p. 401, doi. 10.1093/mq/77.3.401
- By:
- Publication type:
- Article
46
Introduction: Music, language, and culture.
- Published in:
- Musical Quarterly, 1993, v. 77, n. 3, p. 397, doi. 10.1093/mq/77.3.397
- By:
- Publication type:
- Article
47
Prophetic aspects of musical style in the early unpublished songs of Arnold Schoenberg.
- Published in:
- Musical Quarterly, 1990, v. 74, n. 4, p. 491, doi. 10.1093/mq/74.4.491
- By:
- Publication type:
- Article
48
ADORNOV MARKSIZAM VERSUS ŠENBERGOV JUDAIZAM.
- Published in:
- Sociologija/Sociology: Journal of Sociology, Social Psychology & Social Anthropology, 2009, v. 51, n. 1, p. 45, doi. 10.2298/SOC0901045J
- By:
- Publication type:
- Article
49
A Viennese interpretation of Moses: Arnold Schoenberg's Jewish identity.
- Published in:
- Judaism, 1990, v. 39, n. 3, p. 296
- By:
- Publication type:
- Article
50
The Poetics of the Possible: Arnold Schoenberg and Thomas Mann.
- Published in:
- International Journal of Literary Humanities, 2016, v. 14, n. 1, p. 35
- By:
- Publication type:
- Article