A READING OF SATYAJIT RAY’S PATHER PANCHALI AND AGANTUK AS SUBTEXTS OF FICTIONAL ETHNOGRAPHY.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 77, doi. 10.25145/j.recaesin.2021.83.06
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- Publication type:
- Article
Works matching Satyajit Ray
Results: 164
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'Pather Panchali and the cinema of Satyajit Ray, re-viewed'.
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- South Asian Popular Culture, 2019, v. 17, n. 1, p. 81, doi. 10.1080/14746689.2019.1585618
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- Article
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Satyajit Ray, New Cinema, and the FFC/NFDC.
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- South Asian Popular Culture, 2022, v. 20, n. 2, p. 279, doi. 10.1080/14746689.2022.2091313
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- Article
4
Premchand through Satyajit Ray's Cinematic Eye: Film Adaptation of Shatranj Ke Khiladi.
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- Labyrinth: An International Refereed Journal of Postmodern Studies, 2012, v. 3, n. 4, p. 5
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- Article
5
In Defiance of the State: The Nehru Era and Satyajit Ray’s Films.
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- South Asian Studies, 2016, v. 32, n. 2, p. 144, doi. 10.1080/02666030.2016.1191806
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- Article
6
Charulata as an Adaptation of 'Nastanirh': Satyajit Ray's Craftsmanship in the Recreation of Tagore's Work on Celluloid.
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- Language in India, 2020, v. 20, n. 11, p. 23
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- Article
7
Through Agnostic Eyes: Representations of Hinduism in the Cinema of Satyajit Ray.
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- Religions, 2023, v. 14, n. 6, p. 749, doi. 10.3390/rel14060749
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- Article
8
The Contours of Affinity: Satyajit Ray and the Tagorean Legacy.
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- 2012
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- Essay
9
'The fruits of independence': Satyajit Ray, Indian nationhood and the spectre of empire.
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- South Asian History & Culture, 2011, v. 2, n. 3, p. 374, doi. 10.1080/19472498.2011.577569
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- Article
10
Calcutta Through Different Lenses: Revisiting India in Jean Renoir's The River and Satyajit Ray's The Apu Trilogy.
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- CINEJ Cinema Journal, 2024, v. 12, n. 2, p. 208, doi. 10.5195/cinej.2024.656
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- Article
11
Mapping the Trajectory of Adolescent Sexuality: The Portrait of Durga in Satyajit Ray's Pather Panchali.
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- CINEJ Cinema Journal, 2024, v. 12, n. 1, p. 118, doi. 10.5195/cinej.2024.588
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- Article
12
Sex Positivity of Satyajit Ray's Women: Their Cinematic Journey Towards the Ancient Indian Heritage.
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- Media Watch, 2022, v. 13, n. 3, p. 280, doi. 10.1177/09760911221112181
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- Article
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Satyajit Ray's The Apu Trilogy: Understanding Patriarchal Modernity and Women's Role in Colonial Bengal.
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- Media Watch, 2021, v. 12, n. 2, p. 227, doi. 10.15655/mw_2021_v12i2_160148
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- Article
14
AN ERA OF DARKNESS: SATYAJIT RAY’S ANTICOLONIAL PROJECT.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 51, doi. 10.25145/j.recaesin.2021.83.04
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- Publication type:
- Article
15
Reading the 'Facts' in Satyajit Ray's documentary films: a critical overview.
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- Doc On-Line: Revista Digital de Cinema Documentário, 2017, n. 21, p. 147, doi. 10.20287/doc.d21.ar5
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- Article
16
'FAMILIAR TYPES, FAMILIAR GESTURES': REVISITING REALISM THROUGH SATYAJIT RAY'S THE INNER EYE.
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- 2012
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- Essay
17
Speaking Crows and Alien Fish: Nonhuman Cosmopolitanisms in Satyajit Ray's Speculative Fiction.
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- 2024
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- Literary Criticism
18
Becoming Father: The Politics of Succession in Satyajit Ray's Pratidwandi (The Adversary).
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- 2012
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- Film/TV Criticism and Review
19
Rupturing the 'political': Socialist-Utopian Performatives in Satyajit Ray's Seemabadhha (Company Limited).
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- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2014, v. 6, n. 3, p. 41
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- Article
20
Satyajit Ray.
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- American Scholar, 1993, v. 62, n. 2, p. 247
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- Article
21
The Postcolonial Sleuth for Adolescents: Rereading Satyajit Ray's Feluda Narratives.
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- 2018
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- Literary Criticism
22
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya.
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- 2020
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- Film/TV Criticism and Review
23
The World Within the Home Tracing the Sound in Satyajit Ray's Films.
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- Music, Sound & the Moving Image, 2017, v. 11, n. 2, p. 131, doi. 10.3828/msmi.2017.9
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- Article
24
Satyajit Ray's Devi: constructing a third-world feminist critique.
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- Screen, 1992, v. 33, n. 2, p. 165, doi. 10.1093/screen/33.2.165
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- Article
25
Tradition and Modernity: An Analysis of Satyajit Ray's The Post Master.
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- 2021
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- Literary Criticism
26
Dimensions of Narrative Through Dress: Portrayal of the Marginalized in Satyajit Ray's Sadgati.
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- Contemporary Literary Review India, 2020, v. 7, n. 4, p. 190
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- Article
27
SATYAJIT RAY'S THE CHESS PLAYERS.
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- History Today, 2007, v. 57, n. 7, p. 20
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- Article
28
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
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- Media Watch, 2020, v. 11, n. 2, p. 371, doi. 10.15655/mw/2020/v11i2/195663
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- Article
29
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
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- Media Watch, 2013, v. 4, n. 1, p. 4, doi. 10.1177/0976091120130102
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- Article
30
The Cinema of Satyajit Ray, Bhaskar Chattopadhyay (2021).
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- Studies in South Asian Film & Media, 2022, v. 14, n. 1, p. 74, doi. 10.1386/safm_00059_5
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- Article
31
Cinema, emergence, and the films of Satyajit Ray.
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- 2013
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- Book Review
32
Cinema, emergence, and the films of Satyajit Ray , by Keya Ganguli.
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- 2012
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- Publication type:
- Book Review
33
No Moksha: Arcadia Lost in Satyajit Ray's Days and Nights in the Forest.
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- Film Criticism, 1994, v. 19, n. 2, p. 75
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- Article
34
Neorealism, the Bra and the New Indian Woman in Satyajit Ray's The Big City.
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- Fashion Theory: The Journal of Dress, Body & Culture, 2020, v. 24, n. 5, p. 697, doi. 10.1080/1362704X.2018.1532730
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- Article
35
The World According to Satyajit Ray.
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- 2021
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- Interview
36
'The Universal Film for all of us, everywhere in the world': Satyajit Ray's Pather Panchali (1955) and the Shadow of Robert Flaherty.
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- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 277, doi. 10.1080/01439680903145520
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- Article
37
Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy.
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- 2013
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- Publication type:
- Film/TV Criticism and Review
38
Dube, Reena. Satyajit Ray's “The Chess Players” and Postcolonial Theory: Culture, Labour and the Value of Alterity. Basingstoke: Palgrave Macmillan, 2005. xx + 250pp. £50. ISBN 1–4039–4629–9.
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- 2006
- Publication type:
- Book Review
39
Peeking from cloistered quarters: Women emancipation and spatial claim in relation to the Andarmahal culture of Bengal in close connection with Satyajit Ray's GhareBaire.
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- Creative Forum, 2022, v. 35, n. 1/2, p. 138
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- Article
40
A Deconstructive Reading of Satyajit Ray's Pather Panchali (Song of the Little Road).
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- Indian Review of World Literature in English, 2016, v. 12, n. 2, p. 32
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- Article
41
Lawrence in India: Reading Lady Chatterley's Lover Through the Films of Satyajit Ray.
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- Quarterly Review of Film & Video, 2025, v. 42, n. 3, p. 912, doi. 10.1080/10509208.2023.2246866
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- Article
42
THE CINEMA OF SATYAJIT RAY (Book Review).
- Published in:
- 2001
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- Book Review
43
Satyajit Ray: The Man Who Knew Too Much, Barun Chanda (2022).
- Published in:
- Asian Cinema, 2024, v. 35, n. 1/2, p. 183, doi. 10.1386/ac_00077_5
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- Article
44
Satyajit Ray: A Study of His Films.
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- 1989
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- Publication type:
- Book Review
45
Satyajit Ray's The Alien and the History of a Lost Movie.
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- 2020
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- Publication type:
- Book Review
46
Bengali Art House Cinema, Women's Subjectivity, and History: Satyajit Ray's Use of Silence in Charulata (1964) and Devi (1960).
- Published in:
- Journal of International Women's Studies, 2018, v. 19, n. 1, p. 50
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- Article
47
Satyajit Ray, the Pather Panchali sketchbook , edited by Sandip Ray.
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- 2017
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- Publication type:
- Book Review
48
Skeletons of War: Representation of the Second World War and 1943 Famine in Bengali Cinema.
- Published in:
- LISA E-Journal / Revue LISA, 2025, v. 23, n. 59, p. 1
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- Article
49
Identity, Indigeneity and "Mythologerm": Reading the Stories of Satyajit Ray's Professor Shonku as Postcolonial Science Fiction.
- Published in:
- Comparative Literature: East & West, 2022, v. 6, n. 1, p. 45, doi. 10.1080/25723618.2022.2081421
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- Article
50
Satyajit Ray's Calcutta Films. The Calcutta Trilogy.
- Published in:
- Visual Anthropology Review, 1988, v. 4, n. 2, p. 15, doi. 10.1525/var.1988.4.2.15
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- Article