EARLY FRENCH MODERNISM ACROSS MODALITIES: ERIK SATIE AND EUGÈNE ATGET.
- Published in:
- Music in Art: International Journal for Music Iconography, 2017, v. 42, n. 1/2, p. 309
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- Article
Works matching Satie, Erik, 1866-1925
Results: 40
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‘Before I compose a piece, I walk round it several times, accompanied by myself’.
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- Performance Research, 2012, v. 17, n. 2, p. 62, doi. 10.1080/13528165.2012.671074
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- Article
3
Medial Self-Reference between Words and Music in Erik Satie's Piano Pieces.
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- Word & Music Studies, 2010, v. 11, p. 51
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- Article
4
The Seriocomedy of Silence.
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- Australian Humanities Review, 2022, n. 70, p. 134
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- Article
5
Massine/Picasso/ Parade.
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- Modernist Cultures, 2014, v. 9, n. 1, p. 46, doi. 10.3366/mod.2014.0073
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- Article
6
Modernism in Music and Erik Satie's Parade.
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- International Review of the Aesthetics & Sociology of Music, 2010, v. 41, n. 1, p. 3
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- Article
7
Socrates: Mark Morris on Death and Dying.
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- Dance Research, 2014, v. 32, n. 1, p. 1, doi. 10.3366/drs.2014.0084
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- Article
8
TROIS GYMNOPÉDIES.
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- American String Teacher, 2007, p. 97
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- Article
9
Parade (Book).
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- 2002
- Publication type:
- Book Review
10
Understanding Satie's `Vexations.'
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- Music & Letters, 1998, v. 79, n. 3, p. 386, doi. 10.1093/ml/79.3.386
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- Article
11
Satie's Sarabandes and their importance to his composing career.
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- Music & Letters, 1996, v. 77, n. 4, p. 555, doi. 10.1093/ml/77.4.555
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12
Erik Satie and golden section analysis.
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- Music & Letters, 1996, v. 77, n. 2, p. 242, doi. 10.1093/ml/77.2.242
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- Article
13
Erik Satie and Vincent Hyspa: Notes on a collaboration.
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- Music & Letters, 1996, v. 77, n. 1, p. 64, doi. 10.1093/ml/77.1.64
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- Article
14
Satie and the `Gymnopedie'.
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- Music & Letters, 1994, v. 75, n. 2, p. 236, doi. 10.1093/ml/75.2.236
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- Article
15
Eric Satie's Musical Score for the Film "Entr'acte" Directed by René Clair as a Precursor of Modern Minimalist Soundtracks.
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- Music Science Today: The Permanent & the Changeable / Mūzikas Zinātne Šodien: Pastāvīgais un Mainīgais, 2021, v. 13, p. 49
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- Article
16
Erik Satie - a psychopathological approach.
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- European Psychiatry, 2021, v. 64, p. S687, doi. 10.1192/j.eurpsy.2021.1821
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- Article
17
SPIRITUALITY AND RITUALIZATION IN ERIK SATIE'S COMPOSITIONS.
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- REVART: Specialized Review of Theory & Critique of Arts, 2022, v. 40, n. 2, p. 35
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- Article
18
Socrate - Erik Satie.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 3, p. 82
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19
Erik Satie: Complete Works for Piano, Volumes 1-3.
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- 2017
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- Book Review
20
From Space to Environment, Fluxus to Furniture Music: The Women of Kankyō Ongaku (Part II).
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- Brooklyn Rail, 2021, p. N.PAG
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- Article
21
Kurz und bündig Spektrum Orgel.
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- Forum Kirchenmusik, 2013, v. 64, n. 4, p. 30
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- Article
22
The Last Hope of Intuition: Francis Picabia, Erik Satie and René Clair's Intermedial Project Relâche.
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- 2011
- Publication type:
- Film/TV Criticism and Review
23
Erik Satie: A Parisian Composer and His World.
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- 2017
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- Book Review
24
Erik Satie: Music, Art and Literature.
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- 2015
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- Book Review
25
Book reviews.
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- 1991
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- Book Review
26
'The Art I Love is the Art of Cowards': Francis Picabia and Rene Clair's Entr'acte and the Politics of Death and Remembrance in France after World War One.
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- Science as Culture, 2009, v. 18, n. 3, p. 281, doi. 10.1080/09505430903123040
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- Article
27
Erik Satie Didn't (Open His Mail).
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- Limina, 2021, v. 27, n. 1, p. 7
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- Article
28
Serious immobilities: Andy Warhol, Erik Satie and the furniture film.
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- 2014
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- Publication type:
- Essay
29
Parada Erika Satiego w perspektywie intermedialnej według teorii Wernera Wolfa.
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- Kwartalnik Mlodych Muzykologów UJ, 2022, v. 55, n. 4, p. 39, doi. 10.4467/23537094KMMUJ.22.016.18105
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- Article
30
Erik Satie: A Parisian Composer and His World.
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- 2018
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- Publication type:
- Book Review
31
Modernity a la mode: Popular Culture and Avant-Gardism in Erik Satie's Sports et divertissements.
- Published in:
- Musical Quarterly, 1999, v. 83, n. 3, p. 430, doi. 10.1093/mq/83.3.430
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- Article
32
Après Satie--For Two and Four Flands.
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- 2018
- Publication type:
- Book Review
33
The Reception of Ancient Greek Music in the Late Nineteenth Century.
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- International Journal of the Classical Tradition, 2010, v. 17, n. 4, p. 497, doi. 10.1007/s12138-010-0216-1
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- Article
34
Tempo and Loudness Analysis of a Continuous 28-Hour Performance of Erik Satie's Composition "vexations".
- Published in:
- Journal of New Music Research, 2003, v. 32, n. 3, p. 243, doi. 10.1076/jnmr.32.3.243.16864
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- Article
35
Metamorphosis in 391: A Cryptographic Collaboration by Francis Picabia, Man Ray, and Erik Satie.
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- Art History, 2011, v. 34, n. 1, p. 102, doi. 10.1111/j.1467-8365.2010.00803.x
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- Article
36
POTTER, Caroline (ed) Erik Satie: Music, Art and Literature Farnham: Ashgate, 2013 368 pp, £65, ISBN: 978-1-4094-3421-4.
- Published in:
- 2014
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- Publication type:
- Book Review
37
Erik Satie: Music, Art, and Literature.
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- 2014
- By:
- Publication type:
- Book Review
38
Erik Satie.
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- 2008
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- Book Review
39
Erik Satie.
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- 2008
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- Book Review
40
'A Quiet Corner Where We Can Talk': Cage's Satie, 1948-1958.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 5/6, p. 483, doi. 10.1080/07494467.2014.998415
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- Article