Murdered and Missing Women: Performing Indigenous Cultural Memory in British Columbia and Beyond.Published in:Theatre Survey, 2014, v. 55, n. 2, p. 202, doi. 10.1017/S0040557414000076By:Dickinson, PeterPublication type:Article
Cultural Problems in George Ryga's The Ecstasy of Rita Joe.Published in:2006By:Balachandran, K.Publication type:Literary Criticism
Ryga, Miss Donohue, and Me: Forty Years of The Ecstasy of Rita Joe in the University.Published in:Theatre Research in Canada, 2017, v. 38, n. 1, p. 11, doi. 10.3138/tric.38.1.11By:DAY, MOIRAPublication type:Article
GEORGE RYGA’S “HAIL MARY” AND TOMSON HIGHWAY’S NANABUSH: TWO PARADIGMS OF RELIGION AND THEATRE IN CANADA.Published in:Theatre Research in Canada, 2006, v. 27, n. 2, p. 245, doi. 10.3138/tric.27.2.245By:PELL, BARBARAPublication type:Article
Voice of the Voiceless: Eugene O'Neill's The Hairy Ape and George Ryga's Indian.Published in:2010By:Thomas, DiwakarPublication type:Literary Criticism
Staging the Human in George Ryga's The Ecstasy of Rita Joe.Published in:Rupkatha Journal on Interdisciplinary Studies in Humanities, 2019, v. 11, n. 1, p. 37, doi. 10.21659/rupkatha.v11n1.05By:Bhattacharya, SaradinduPublication type:Article