Adaptation in the digital era: The case of Robert Zemeckis' Beowulf.
- Published in:
- Journal of Adaptation in Film & Performance, 2021, v. 14, n. 1, p. 41, doi. 10.1386/jafp_00041_1
- By:
- Publication type:
- Article
Works matching Robert Zemeckis
Results: 40
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LA EXOTIZACIÓN HOLLYWOODENSE DE COLOMBIA EN LA RELACIÓN CIVILIZACIÓN-BARBARIE Y EL TRATAMIENTO DE SU ESPACIO COMO JARDÍN-DESIERTO; Análisis de Romancing The Stone (1984), dirigida por Robert Zemeckis.
- Published in:
- Clivajes - Revista de Ciencias Sociales, 2022, n. 17, p. 45, doi. 10.25009/clivajesrcs.i17.2734
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- Publication type:
- Article
3
LA RÉCEPTION DU FILM FORREST GUMP (ROBERT ZEMECKIS) EN FRANCE.
- Published in:
- Cahiers de Sociologie Economique et Culturelle, 1997, n. 27, p. 149, doi. 10.3406/casec.1997.1709
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- Publication type:
- Article
4
Robert Zemeckis' Smoking, Drinking and Drugging in the 20th Century: In Pursuit of Happiness.
- Published in:
- 2000
- By:
- Publication type:
- Arts/Entertainment Review
5
Flight. (2012). Directed by Robert Zemeckis. Written by John Gatins.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
6
All Talk: Robert Zemeckis's Beowulf, Wealtheow, and Grendel's Mother.
- Published in:
- Literature Compass, 2011, v. 8, n. 7, p. 423, doi. 10.1111/j.1741-4113.2011.00785.x
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- Publication type:
- Article
7
Race and Trajectories of Addiction in Robert Zemeckis's Cast Away (2000) and Flight (2012).
- Published in:
- Arizona Quarterly, 2016, v. 72, n. 4, p. 137, doi. 10.1353/arq.2016.0023
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- Publication type:
- Article
8
Searches for the Significant: Robert Zemeckis' Cast Away as a Late Twentieth Century Response to Daniel Defoe's Robinson Crusoe.
- Published in:
- Journal of Religion & Film, 2005, v. 9, n. 1, p. N.PAG, doi. 10.32873/uno.dc.jrf.09.01.12
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- Publication type:
- Article
9
Castaway and Cast Away: Colonial, Imperial, and Religious Discourses in Daniel Defoe and Robert Zemeckis.
- Published in:
- Journal of Religion & Film, 2005, v. 9, n. 1, p. N.PAG
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- Publication type:
- Article
10
Discursively Malleable, Imagistically Accessible and Ideologically Non-Committed: The Mode of Reading Culture and History in Robert Zemeckis' Adaptation of Winston Groom's Forrest Gump.
- Published in:
- Quarterly Review of Film & Video, 2022, v. 39, n. 4, p. 936, doi. 10.1080/10509208.2022.2061298
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- Publication type:
- Article
11
Confronting Robert Zemeckis' Beowulf in the Digital Age.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
12
Ideological Baggage: An Analysis of Sully (Clint Eastwood, 2016) and Flight (Robert Zemeckis, 2012).
- Published in:
- Journal of Film & Video, 2024, v. 76, n. 3, p. 30, doi. 10.5406/19346018.76.3.04
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- Publication type:
- Article
13
The Technologically Determined Decade: Robert Zemeckis, Andy Serkis, and the Promotion of Performance Capture.
- Published in:
- Animation (17468477), 2016, v. 11, n. 2, p. 169, doi. 10.1177/1746847716643928
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- Publication type:
- Article
14
A animação na era digital: um estudo de casos no Japão e nos EUA.
- Published in:
- Sessões do Imaginário, 2014, v. 19, n. 32, p. 70
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- Publication type:
- Article
15
« Cours, Forrest, cours ! »... Quand le cinéma encense la marque Nike.
- Published in:
- Movement & Sport Sciences / Science & Motricité, 2022, n. 118, p. 5, doi. 10.1051/sm/2022016
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- Publication type:
- Article
16
Da ficção científica para a ficção religiosa: ideias para pensar o cinema de ficção científica como o culto da religião vivida.
- Published in:
- HORIZONTE: Revista de Estudos de Teologia e Ciências da Religião, 2012, v. 10, n. 26, p. 552, doi. 10.5752/P.2175-5841.2012v10n26p552
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- Publication type:
- Article
17
CANLANDIRMA SİNEMASINDA ÜÇ BOYUTLU SANAL KARAKTERLERİN HAREKETLERİNİN VE FİZİKSEL ÖZELLİKLERİNİN 'TEKİNSİZ VADİ'YE DÜŞMEDEKİ ETKİSİ.
- Published in:
- University Faculty of Communication Journal / Istanbul Üniversitesi Iletisim Fakültesi Hakemli Dergisi, 2016, n. 51, p. 1, doi. 10.17064/iuifd.289336
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- Publication type:
- Article
18
WHO FRAMED ROGER RABBIT.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
19
I Wanna Hold Your Hand (1978).
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
20
SOBRE EL CINE, LA HISTORIA.
- Published in:
- Estudios Sobre las Culturas Contemporáneas, 1995, v. 1, n. 2, p. 53
- Publication type:
- Article
21
The Hair of the Dog.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
22
Debate moral por las nubes.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
23
Establishing New Boundaries for Special Effects.
- Published in:
- Journal of Popular Film & Television, 2001, v. 28, n. 4, p. 158, doi. 10.1080/01956050109602837
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- Publication type:
- Article
24
Oedipus Multiplex, or, The Subject as a Time Travel Film: Two Readings of Back to the Future.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2008, v. 28, n. 2/3, p. 51
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- Publication type:
- Article
25
Beowulf's Broken Bodies.
- Published in:
- 2011
- By:
- Publication type:
- Literary Criticism
26
Popularizing High Culture: Zemeckis's Beowulf.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
27
Lacanian Implications of Departures in Zemeckis's Beowulf from Beowulf, the Old English Epic.
- Published in:
- Text Matters, 2021, v. 11, n. 11, p. 178, doi. 10.18778/2083-2931.11.12
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- Publication type:
- Article
28
Hermeneutics of Lack of Lack and the Dyad of the (m)Other and the Shared Other, in Zemeckis’s <italic>Beowulf</italic>.
- Published in:
- Neophilologus, 2018, v. 102, n. 2, p. 241, doi. 10.1007/s11061-018-9552-1
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- Publication type:
- Article
29
Steven's Spectres: Stranger Things in Small-Town USA.
- Published in:
- Caietele Echinox, 2020, v. 38, p. 94, doi. 10.24193/cechinox.2020.38.07
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- Publication type:
- Article
30
Aliens, lies and videotape.
- Published in:
- 1997
- By:
- Publication type:
- Arts/Entertainment Review
31
Literature/Film Editors Revise Encyclopedia of Novels Into Film.
- Published in:
- Literature Film Quarterly, 2005, v. 33, n. 2, p. 168
- Publication type:
- Article
32
The night Christopher Lloyd danced with Mary Steenburgen.
- Published in:
- Journal of Popular Film & Television, 1992, v. 20, n. 1, p. 29, doi. 10.1080/01956051.1992.9943961
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- Publication type:
- Article
33
Der depressive Fernsehgast.
- Published in:
- Forum der Psychoanalyse: Zeitschrift für Psychodynamische Theorie und Praxis, 2007, v. 23, n. 2, p. 161, doi. 10.1007/s00451-007-0317-x
- Publication type:
- Article
34
Get to Know Your AFS Staff: Caroline Davis (they/them).
- Published in:
- Fisheries, 2024, v. 49, n. 7, p. 343, doi. 10.1002/fsh.11143
- By:
- Publication type:
- Article
35
Re-enacting cinema at the crossroads: Nicky Coutts's Passing Place.
- Published in:
- Moving Image Review & Art Journal, 2012, v. 1, n. 1, p. 69, doi. 10.1386/miraj.1.1.69_7
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- Publication type:
- Article
36
Film Reviews.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
37
Deleuze's Three Syntheses Go to Hollywood: The Tripartite Cinema of Time Travel, Many Worlds and Altered States.
- Published in:
- Film-Philosophy, 2019, v. 23, n. 3, p. 324, doi. 10.3366/film.2019.0119
- By:
- Publication type:
- Article
38
Flight.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
39
Transposing Measure for Measure to New York in the 1970s.
- Published in:
- Pennsylvania Literary Journal (2151-3066), 2015, v. 7, n. 1, p. 107
- By:
- Publication type:
- Article
40
Back to the Future (Based on the movie).
- Published in:
- 2018
- By:
- Publication type:
- Book Review