Highlights of repetitive minimalism in the work of composer Liana Alexandra.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, p. 251
- By:
- Publication type:
- Article
Works matching Reich, Steve, 1936-
Results: 41
1
2
LEARNING FROM MASTERS OF MUSIC CREATIVITY.
- Published in:
- Philosophy of Music Education Review, 2007, v. 15, n. 2, p. 93, doi. 10.2979/PME.2007.15.2.93
- By:
- Publication type:
- Article
3
Four Musical Minimalists: La Monte Young (book).
- Published in:
- 2002
- By:
- Publication type:
- Book Review
4
MUSIC REVIEWS.
- Published in:
- 2020
- By:
- Publication type:
- Interview
5
Expressive Timbre and Timing in Rhythmic Performance: Analysis of Steve Reich’s Clapping Music.
- Published in:
- Journal of New Music Research, 2015, v. 44, n. 1, p. 11, doi. 10.1080/09298215.2014.935736
- By:
- Publication type:
- Article
6
What makes rhythms hard to perform? An investigation using Steve Reich’s Clapping Music.
- Published in:
- PLoS ONE, 2018, v. 13, n. 10, p. 1, doi. 10.1371/journal.pone.0205847
- By:
- Publication type:
- Article
7
Steve Reich's Clapping Music, iPhone ed., v. 1.0.4. Amphio Limited, London Sinfonietta, and Queen Mary University of London, 2017./Third Coast Percussion: The Music of Steve Reich, iPhone ed., v. 1.0.7. Joseph Gender and Third Coast Percussion, 2017.
- Published in:
- 2018
- By:
- Publication type:
- Product Review
8
Close (vision) is (how we) here.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2006, v. 11, n. 1, p. 15, doi. 10.1080/09697250600797781
- By:
- Publication type:
- Article
9
Rethinking Reich.
- Published in:
- Music Theory Online, 2021, v. 27, n. 1, p. 88, doi. 10.30535/mto.27.1.0
- By:
- Publication type:
- Article
10
'While This Happened Here, That Happened There': Different Trains, Musical Document, and Musical Reality.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2021, v. 52, n. 1, p. 23
- By:
- Publication type:
- Article
11
Cuts.
- Published in:
- Textual Practice, 2022, v. 36, n. 5, p. 638, doi. 10.1080/0950236X.2022.2071002
- By:
- Publication type:
- Article
12
New Music.
- Published in:
- Montessori Life, 2005, v. 17, n. 3, p. 47
- Publication type:
- Article
13
A Methodological Framework for Assessing Social Presence in Music Interactions in Virtual Reality.
- Published in:
- Frontiers in Psychology, 2021, v. 12, p. 1, doi. 10.3389/fpsyg.2021.663725
- By:
- Publication type:
- Article
14
Modern Folk Tales and Ancient Stories: A Conversation With Beryl Korot and Steve Reich.
- Published in:
- 1999
- By:
- Publication type:
- Interview
15
STEVE REICH’S STYLE AND COMPONISTIC CONCEPTS REFLECTED IN TEHILLIM SCORE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 327, doi. 10.24193/subbmusica.2023.spiss2.21
- By:
- Publication type:
- Article
16
Revelation in Reproduction: Walter Benjamin's Prophecy and Steve Reich's Process.
- Published in:
- Monatshefte, 2020, v. 112, n. 2, p. 193, doi. 10.3368/m.112.2.193
- By:
- Publication type:
- Article
17
Structure as Process: Anne Teresa de Keersmaeker's Fase (1982) and Steve Reich's Music.
- Published in:
- Dance Chronicle, 2014, v. 37, n. 1, p. 47, doi. 10.1080/01472526.2014.877273
- By:
- Publication type:
- Article
18
REPETITIVE MINIMALISM IN THE WORK OF STEVE REICH.
- Published in:
- REVART: Specialized Review of Theory & Critique of Arts, 2017, n. 29, p. 45
- By:
- Publication type:
- Article
19
Music and Silence.
- Published in:
- Value Inquiry Book Series, 2017, v. 308, p. 27, doi. 10.1163/9789004352582_005
- Publication type:
- Article
20
'English is the Only Language Which I Speak': New Narratives in Reich's My Name Is (1967).
- Published in:
- Contemporary Music Review, 2019, v. 38, n. 3/4, p. 247, doi. 10.1080/07494467.2019.1596634
- By:
- Publication type:
- Article
21
Voices, Violence and Meaning: Transformations of Speech Samples in Works by David Byrne, Brian Eno and Steve Reich.
- Published in:
- Contemporary Music Review, 2014, v. 33, n. 2, p. 210, doi. 10.1080/07494467.2014.959277
- By:
- Publication type:
- Article
22
György Ligeti and the Aka Pygmies Project.
- Published in:
- 2006
- By:
- Publication type:
- Abstract
23
How to Hear What Is Not Heard: Glenn Ligon, Steve Reich, and the Audible Past.
- Published in:
- Grey Room, 2018, v. 70, p. 54, doi. 10.1162/GREY_a_00234
- By:
- Publication type:
- Article
24
MONSTERIZATION OF SINGING: POLITICS OF VOCAL EXISTENCE.
- Published in:
- New Sound: International Magazine for Music, 2010, n. 36, p. 101
- By:
- Publication type:
- Article
25
The Science Fiction Music of Steve Reich: Three Tales.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
26
Steve Reich and Hebrew cantillation.
- Published in:
- 1997
- By:
- Publication type:
- Editorial
27
“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–65.
- Published in:
- Journal of the Society for American Music, 2012, v. 6, n. 3, p. 315, doi. 10.1017/S175219631200020X
- By:
- Publication type:
- Article
28
Reich in Blackface: Oh Dem Watermelons and Radical Minstrelsy in the 1960s.
- Published in:
- 2011
- By:
- Publication type:
- Essay
29
Teaching permutations through rhythm patterns.
- Published in:
- Journal of Mathematics & the Arts, 2009, v. 3, n. 3, p. 143, doi. 10.1080/17513470903167707
- By:
- Publication type:
- Article
30
Fishing for complements with chord, scale, and rhythm nets.
- Published in:
- Journal of Mathematics & Music, 2023, v. 17, n. 3, p. 452, doi. 10.1080/17459737.2022.2164627
- By:
- Publication type:
- Article
31
Generative Musik.
- Published in:
- AugenBlick, 2024, n. 90/91, p. 191
- Publication type:
- Article
32
Musical symbols of the ephemera - eternal dichotomy in the final movement of Tehillim by Steve Reich.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 17
- By:
- Publication type:
- Article
33
FROM FIXTURES TO SOFTWARE.
- Published in:
- Elevator World, 2023, v. 71, n. 11, p. 44
- By:
- Publication type:
- Article
34
Neural entrainment is associated with subjective groove and complexity for performed but not mechanical musical rhythms.
- Published in:
- Experimental Brain Research, 2019, v. 237, n. 8, p. 1981, doi. 10.1007/s00221-019-05557-4
- By:
- Publication type:
- Article
35
Dolly, Bikini and syncopated angst.
- Published in:
- Nature, 2002, v. 419, n. 6905, p. 323, doi. 10.1038/419323b
- Publication type:
- Article
36
Engaging Piano Students With minimalism.
- Published in:
- American Music Teacher, 2012, v. 62, n. 2, p. 22
- By:
- Publication type:
- Article
37
"Come Out to Show Them": Speech and Ambivalence in the Work of Steve Reich and Glenn Ligon.
- Published in:
- Art Journal, 2019, v. 78, n. 4, p. 24, doi. 10.1080/00043249.2019.1684107
- By:
- Publication type:
- Article
38
Inter-subject Correlation While Listening to Minimalist Music: A Study of Electrophysiological and Behavioral Responses to Steve Reich's Piano Phase.
- Published in:
- Frontiers in Neuroscience, 2021, v. 15, p. 1, doi. 10.3389/fnins.2021.702067
- By:
- Publication type:
- Article
39
Translating Transformations: Object-Based Sound Installations.
- Published in:
- Leonardo Music Journal, 2013, v. 23, n. 1, p. 65, doi. 10.1162/LMJ_a_00157
- By:
- Publication type:
- Article
40
TWO FACES OF MYSTIFICATION: THE REPRESENTATION OF THE HOLOCAUST IN ARNOLD SCHOENBERG'S A SURVIVOR FROM WARSAW AND STEVE REICH'S DIFFERENT TRAINS.
- Published in:
- Muzikologija, 2022, n. 32, p. 183, doi. 10.2298/MUZ2232183M
- By:
- Publication type:
- Article
41
Steve Reich, Richard Serra, and the Discovery of Process.
- Published in:
- 2017
- By:
- Publication type:
- Music Review