Satyajit Ray (1921–1992).
- Published in:
- Continuum: Journal of Media & Cultural Studies, 1992, v. 5, n. 2, p. 385, doi. 10.1080/10304319209388245
- By:
- Publication type:
- Article
Works matching Ray, Satyajit, 1921-1992
Results: 81
1
2
Reading the 'Facts' in Satyajit Ray's documentary films: a critical overview.
- Published in:
- Doc On-Line: Revista Digital de Cinema Documentário, 2017, n. 21, p. 147, doi. 10.20287/doc.d21.ar5
- By:
- Publication type:
- Article
3
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2020, v. 11, n. 2, p. 371, doi. 10.15655/mw/2020/v11i2/195663
- By:
- Publication type:
- Article
4
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 4, doi. 10.1177/0976091120130102
- By:
- Publication type:
- Article
5
SATYAJIT RAY'S THE CHESS PLAYERS.
- Published in:
- History Today, 2007, v. 57, n. 7, p. 20
- By:
- Publication type:
- Article
6
Darius Cooper: In Conversation with Charanjeet Kaur.
- Published in:
- 2015
- Publication type:
- Interview
7
Indian truths.
- Published in:
- 1988
- By:
- Publication type:
- Book Review
8
Becoming Father: The Politics of Succession in Satyajit Ray's Pratidwandi (The Adversary).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
9
Rasa Theory and Dharma Theory: From The Home and the World to Bandit Queen.
- Published in:
- Quarterly Review of Film & Video, 2003, v. 20, n. 1, p. 37, doi. 10.1080/10509208.2003.10555039
- By:
- Publication type:
- Article
10
FROM IBSEN TO RAY: TRANSCULTURAL ADAPTATION AND FILM AUTHORSHIP IN GANASHATRU (AN ENEMY OF THE PEOPLE 1989).
- Published in:
- Revista Canaria de Estudios Ingleses, 2024, n. 89, p. 171, doi. 10.25145/j.recaesin.2024.89.10
- By:
- Publication type:
- Article
11
A READING OF SATYAJIT RAY’S PATHER PANCHALI AND AGANTUK AS SUBTEXTS OF FICTIONAL ETHNOGRAPHY.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 77, doi. 10.25145/j.recaesin.2021.83.06
- By:
- Publication type:
- Article
12
AN ERA OF DARKNESS: SATYAJIT RAY’S ANTICOLONIAL PROJECT.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 51, doi. 10.25145/j.recaesin.2021.83.04
- By:
- Publication type:
- Article
13
Satyajit Ray, New Cinema, and the FFC/NFDC.
- Published in:
- South Asian Popular Culture, 2022, v. 20, n. 2, p. 279, doi. 10.1080/14746689.2022.2091313
- By:
- Publication type:
- Article
14
'Pather Panchali and the cinema of Satyajit Ray, re-viewed'.
- Published in:
- South Asian Popular Culture, 2019, v. 17, n. 1, p. 81, doi. 10.1080/14746689.2019.1585618
- By:
- Publication type:
- Article
15
'The Universal Film for all of us, everywhere in the world': Satyajit Ray's Pather Panchali (1955) and the Shadow of Robert Flaherty.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 277, doi. 10.1080/01439680903145520
- By:
- Publication type:
- Article
16
Problematizing Dalit Chetna: Sadgati as the Battleground of Conflict between the 'Progressive Casteless Consciousness' and the Anti-Caste Dalit Consciousness.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2020, v. 12, n. 4, p. 1, doi. 10.21659/rupkatha.v12n4.10
- By:
- Publication type:
- Article
17
Rupturing the 'political': Socialist-Utopian Performatives in Satyajit Ray's Seemabadhha (Company Limited).
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2014, v. 6, n. 3, p. 41
- By:
- Publication type:
- Article
18
Postcolonial Detectives and the Subtle Art of Stealing It Back.
- Published in:
- Clues: A Journal of Detection (McFarland & Company), 2020, v. 38, n. 1, p. 60
- By:
- Publication type:
- Article
19
The Postcolonial Sleuth for Adolescents: Rereading Satyajit Ray's Feluda Narratives.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
20
Rethinking What is Special about Indian Cinema.
- Published in:
- Media Asia, 2015, v. 42, n. 1/2, p. 36, doi. 10.1080/01296612.2015.1100377
- By:
- Publication type:
- Article
21
Bollywood/Hollywood.
- Published in:
- Theoretical Inquiries in Law, 2011, v. 12, n. 1, p. 275, doi. 10.2202/1565-3404.1269
- By:
- Publication type:
- Article
22
A Deconstructive Reading of Satyajit Ray's Pather Panchali (Song of the Little Road).
- Published in:
- Indian Review of World Literature in English, 2016, v. 12, n. 2, p. 32
- By:
- Publication type:
- Article
23
Satyajit Ray's Devi: constructing a third-world feminist critique.
- Published in:
- Screen, 1992, v. 33, n. 2, p. 165, doi. 10.1093/screen/33.2.165
- By:
- Publication type:
- Article
24
Premchand through Satyajit Ray's Cinematic Eye: Film Adaptation of Shatranj Ke Khiladi.
- Published in:
- Labyrinth: An International Refereed Journal of Postmodern Studies, 2012, v. 3, n. 4, p. 5
- By:
- Publication type:
- Article
25
A Postcolonial Rereading of Sherlock Holmes and Feluda.
- Published in:
- IUP Journal of English Studies, 2022, v. 17, n. 3, p. 7
- By:
- Publication type:
- Article
26
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema.
- Published in:
- Inter-Asia Cultural Studies, 2023, v. 24, n. 3, p. 507, doi. 10.1080/14649373.2023.2209434
- By:
- Publication type:
- Article
27
Important Publication.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
28
Weaving Fiction from Facts in the Adventures of Feluda.
- Published in:
- South Asian Review, 2023, v. 44, n. 2, p. 155, doi. 10.1080/02759527.2022.2033072
- By:
- Publication type:
- Article
29
Parallel Cinema.
- Published in:
- Writers Editors Critics, 2013, v. 3, n. 2, p. 80
- By:
- Publication type:
- Article
30
‘Our films, their films’: postcolonial critique of the cinematic apparatus.
- Published in:
- Postcolonial Studies, 2014, v. 17, n. 4, p. 382, doi. 10.1080/13688790.2014.986020
- By:
- Publication type:
- Article
31
Bengali Art House Cinema, Women's Subjectivity, and History: Satyajit Ray's Use of Silence in Charulata (1964) and Devi (1960).
- Published in:
- Journal of International Women's Studies, 2018, v. 19, n. 1, p. 50
- By:
- Publication type:
- Article
32
The uses of the passport: The Chess Players and narratives of British nationhood.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
33
Anti-Colonial Joyce, Rushie, Ray.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
34
From Inner Eye to After Sight: Benode Behari Mukherjee in London.
- Published in:
- Chitrolekha Journal on Art & Design, 2021, v. 5, n. 1, p. 1, doi. 10.21659/cjad.51.v5n102
- By:
- Publication type:
- Article
35
Vision of Tagore through Applicability in the Spectrum of Ray and Ghosh: Reflection of Feminine Approach in two Bengali Movies.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 40, doi. 10.1177/0976091120130104
- By:
- Publication type:
- Article
36
Satyajit Ray, the Pather Panchali sketchbook , edited by Sandip Ray.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
37
Cinema, emergence, and the films of Satyajit Ray , by Keya Ganguli.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
38
'The fruits of independence': Satyajit Ray, Indian nationhood and the spectre of empire.
- Published in:
- South Asian History & Culture, 2011, v. 2, n. 3, p. 374, doi. 10.1080/19472498.2011.577569
- By:
- Publication type:
- Article
39
SF/F Now, University of Warwick, 22-23 August 2014.
- Published in:
- 2014
- By:
- Publication type:
- Proceeding
40
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
41
No Moksha: Arcadia Lost in Satyajit Ray's Days and Nights in the Forest.
- Published in:
- Film Criticism, 1994, v. 19, n. 2, p. 75
- By:
- Publication type:
- Article
42
In Defiance of the State: The Nehru Era and Satyajit Ray’s Films.
- Published in:
- South Asian Studies, 2016, v. 32, n. 2, p. 144, doi. 10.1080/02666030.2016.1191806
- By:
- Publication type:
- Article
43
The Bengali Detective.
- Published in:
- Film International (16516826), 2019, v. 17, n. 4, p. 78, doi. 10.1386/fiin.17.4.78_1
- By:
- Publication type:
- Article
44
Criterion Core.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
45
DVD Reviews.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
46
Ray: The last phase.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
47
Realism in South Asian cinema.
- Published in:
- Film International (16516826), 2006, v. 4, n. 6, p. 40, doi. 10.1386/fiin.4.6.40
- By:
- Publication type:
- Article
48
WORK, PLAY AND LINGUISTIC HYBRIDITY IN POSTCOLONIAL INDIA: (DE)FORMING THE INDIAN MIDDLE CLASS IN RAY'S KANCHENJUNGHA.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 7
- By:
- Publication type:
- Article
49
INTRODUCTION: INDIAN CINEMA AND FILM STUDIES.
- Published in:
- Post Script, 2006, v. 25, n. 3, p. 3
- By:
- Publication type:
- Article
50
Speaking Crows and Alien Fish: Nonhuman Cosmopolitanisms in Satyajit Ray's Speculative Fiction.
- Published in:
- 2024
- By:
- Publication type:
- Literary Criticism