Satyajit Ray (1921–1992).
- Published in:
- Continuum: Journal of Media & Cultural Studies, 1992, v. 5, n. 2, p. 385, doi. 10.1080/10304319209388245
- By:
- Publication type:
- Article
Works matching Ray, Satyajit, 1921-1992
Results: 85
1
2
Reading the 'Facts' in Satyajit Ray's documentary films: a critical overview.
- Published in:
- Doc On-Line: Revista Digital de Cinema Documentário, 2017, n. 21, p. 147, doi. 10.20287/doc.d21.ar5
- By:
- Publication type:
- Article
3
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2020, v. 11, n. 2, p. 371, doi. 10.15655/mw/2020/v11i2/195663
- By:
- Publication type:
- Article
4
The Changing World of Satyajit Ray: Reflections on Anthropology and History.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 4, doi. 10.1177/0976091120130102
- By:
- Publication type:
- Article
5
Animals, Children's Literature, and the World of Rays.
- Published in:
- Children's Literature, 2025, v. 53, p. 20, doi. 10.1353/chl.2025.a960687
- By:
- Publication type:
- Article
6
Anti-Colonial Joyce, Rushie, Ray.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
7
STATUS OF WOMEN IN PATHER PANCHALI (SONG OF THE ROAD).
- Published in:
- Research Horizons, 2017, v. 7, p. 45
- By:
- Publication type:
- Article
8
Keywords in lipstick.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
9
The Emergent Universality of Satyajit Ray's Apu Trilogy.
- Published in:
- Film Matters, 2025, v. 16, n. 1, p. 46, doi. 10.1386/fm_00381_1
- By:
- Publication type:
- Article
10
INTRODUCTION.
- Published in:
- Wide Screen, 2012, v. 4, n. 1, p. 1
- By:
- Publication type:
- Article
11
'FAMILIAR TYPES, FAMILIAR GESTURES': REVISITING REALISM THROUGH SATYAJIT RAY'S THE INNER EYE.
- Published in:
- 2012
- By:
- Publication type:
- Essay
12
Calcutta and the Modern Woman: Reading the Films Mahanagarand Kahaani.
- Published in:
- Global South, 2015, v. 9, n. 2, p. 85, doi. 10.2979/globalsouth.9.2.05
- Publication type:
- Article
13
Satyajit Ray.
- Published in:
- American Scholar, 1993, v. 62, n. 2, p. 247
- By:
- Publication type:
- Article
14
A Deconstructive Reading of Satyajit Ray's Pather Panchali (Song of the Little Road).
- Published in:
- Indian Review of World Literature in English, 2016, v. 12, n. 2, p. 32
- By:
- Publication type:
- Article
15
The Contours of Affinity: Satyajit Ray and the Tagorean Legacy.
- Published in:
- 2012
- By:
- Publication type:
- Essay
16
Tracing Bergman in Contemporary Indian Cinema: Philosophical Cross-Connections in Through a Glass Darkly, Ship of Theseus and Dear Molly.
- Published in:
- Popular Communication, 2021, v. 19, n. 2, p. 96, doi. 10.1080/15405702.2020.1868046
- By:
- Publication type:
- Article
17
FROM IBSEN TO RAY: TRANSCULTURAL ADAPTATION AND FILM AUTHORSHIP IN GANASHATRU (AN ENEMY OF THE PEOPLE 1989).
- Published in:
- Revista Canaria de Estudios Ingleses, 2024, n. 89, p. 171, doi. 10.25145/j.recaesin.2024.89.10
- By:
- Publication type:
- Article
18
A READING OF SATYAJIT RAY’S PATHER PANCHALI AND AGANTUK AS SUBTEXTS OF FICTIONAL ETHNOGRAPHY.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 77, doi. 10.25145/j.recaesin.2021.83.06
- By:
- Publication type:
- Article
19
AN ERA OF DARKNESS: SATYAJIT RAY’S ANTICOLONIAL PROJECT.
- Published in:
- Revista Canaria de Estudios Ingleses, 2021, n. 83, p. 51, doi. 10.25145/j.recaesin.2021.83.04
- By:
- Publication type:
- Article
20
'The Universal Film for all of us, everywhere in the world': Satyajit Ray's Pather Panchali (1955) and the Shadow of Robert Flaherty.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 277, doi. 10.1080/01439680903145520
- By:
- Publication type:
- Article
21
Tradition and Modernity: An Analysis of Satyajit Ray's The Post Master.
- Published in:
- 2021
- By:
- Publication type:
- Literary Criticism
22
Vision of Tagore through Applicability in the Spectrum of Ray and Ghosh: Reflection of Feminine Approach in two Bengali Movies.
- Published in:
- Media Watch, 2013, v. 4, n. 1, p. 40, doi. 10.1177/0976091120130104
- By:
- Publication type:
- Article
23
Premchand through Satyajit Ray's Cinematic Eye: Film Adaptation of Shatranj Ke Khiladi.
- Published in:
- Labyrinth: An International Refereed Journal of Postmodern Studies, 2012, v. 3, n. 4, p. 5
- By:
- Publication type:
- Article
24
Postcolonial Detectives and the Subtle Art of Stealing It Back.
- Published in:
- Clues: A Journal of Detection (McFarland & Company), 2020, v. 38, n. 1, p. 60
- By:
- Publication type:
- Article
25
The Postcolonial Sleuth for Adolescents: Rereading Satyajit Ray's Feluda Narratives.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
26
Three paths to Asian cinema.
- Published in:
- Metro, 2019, n. 200, p. 34
- By:
- Publication type:
- Article
27
From BOOM to bust to where?
- Published in:
- Metro, 2009, n. 162, p. 78
- By:
- Publication type:
- Article
28
Encounters with the Forbidden: Satyajit Ray’s Pratidwandi and Jana Aranya.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
29
No Moksha: Arcadia Lost in Satyajit Ray's Days and Nights in the Forest.
- Published in:
- Film Criticism, 1994, v. 19, n. 2, p. 75
- By:
- Publication type:
- Article
30
Indian truths.
- Published in:
- 1988
- By:
- Publication type:
- Book Review
31
Weaving Fiction from Facts in the Adventures of Feluda.
- Published in:
- South Asian Review, 2023, v. 44, n. 2, p. 155, doi. 10.1080/02759527.2022.2033072
- By:
- Publication type:
- Article
32
Fire, Water and The Goddess: The Films of Deepa Mehta and Satyajit Ray as Critiques of Hindu Patriarchy.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
33
Artificial intelligence in Indian films: Anukul and AI ethics.
- Published in:
- Short Film Studies, 2022, v. 12, n. 2, p. 183, doi. 10.1386/sfs_00082_1
- By:
- Publication type:
- Article
34
Skeletons of War: Representation of the Second World War and 1943 Famine in Bengali Cinema.
- Published in:
- LISA E-Journal / Revue LISA, 2025, v. 23, n. 59, p. 1
- By:
- Publication type:
- Article
35
Important Publication.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
36
Tomar naam, amar naam, Vietnam Vietnam! Folk styles and solidarity in the Bengali new wave cinema.
- Published in:
- Inter-Asia Cultural Studies, 2023, v. 24, n. 3, p. 507, doi. 10.1080/14649373.2023.2209434
- By:
- Publication type:
- Article
37
Rethinking What is Special about Indian Cinema.
- Published in:
- Media Asia, 2015, v. 42, n. 1/2, p. 36, doi. 10.1080/01296612.2015.1100377
- By:
- Publication type:
- Article
38
Bengali Art House Cinema, Women's Subjectivity, and History: Satyajit Ray's Use of Silence in Charulata (1964) and Devi (1960).
- Published in:
- Journal of International Women's Studies, 2018, v. 19, n. 1, p. 50
- By:
- Publication type:
- Article
39
Through Agnostic Eyes: Representations of Hinduism in the Cinema of Satyajit Ray.
- Published in:
- Religions, 2023, v. 14, n. 6, p. 749, doi. 10.3390/rel14060749
- By:
- Publication type:
- Article
40
Darius Cooper: In Conversation with Charanjeet Kaur.
- Published in:
- 2015
- Publication type:
- Interview
41
Charulata as an Adaptation of 'Nastanirh': Satyajit Ray's Craftsmanship in the Recreation of Tagore's Work on Celluloid.
- Published in:
- Language in India, 2020, v. 20, n. 11, p. 23
- By:
- Publication type:
- Article
42
A Study of the Cinematic Adaptation of Premchand's Shatranj ke Khiladi.
- Published in:
- Language in India, 2018, v. 18, n. 10, p. 17
- By:
- Publication type:
- Article
43
Speaking Crows and Alien Fish: Nonhuman Cosmopolitanisms in Satyajit Ray's Speculative Fiction.
- Published in:
- 2024
- By:
- Publication type:
- Literary Criticism
44
Problematizing Dalit Chetna: Sadgati as the Battleground of Conflict between the 'Progressive Casteless Consciousness' and the Anti-Caste Dalit Consciousness.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2020, v. 12, n. 4, p. 1, doi. 10.21659/rupkatha.v12n4.10
- By:
- Publication type:
- Article
45
Rupturing the 'political': Socialist-Utopian Performatives in Satyajit Ray's Seemabadhha (Company Limited).
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2014, v. 6, n. 3, p. 41
- By:
- Publication type:
- Article
46
A Postcolonial Rereading of Sherlock Holmes and Feluda.
- Published in:
- IUP Journal of English Studies, 2022, v. 17, n. 3, p. 7
- By:
- Publication type:
- Article
47
The Cinema of Satyajit Ray, Bhaskar Chattopadhyay (2021).
- Published in:
- Studies in South Asian Film & Media, 2022, v. 14, n. 1, p. 74, doi. 10.1386/safm_00059_5
- By:
- Publication type:
- Article
48
Sound and the masters: The aural in Indian art cinema.
- Published in:
- Studies in South Asian Film & Media, 2021, v. 12, n. 1, p. 49, doi. 10.1386/safm_00037_1
- By:
- Publication type:
- Article
49
Speaking with Suhasini Mulay: A short story about a long strife.
- Published in:
- Studies in South Asian Film & Media, 2020, v. 11, n. 2, p. 225, doi. 10.1386/safm_00030_7
- By:
- Publication type:
- Article
50
The portrait of an agonist: A reading of Ray's Pratidwandi/The Adversary.
- Published in:
- Studies in South Asian Film & Media, 2012, v. 3, n. 2, p. 87, doi. 10.1386/safm.3.2.87_1
- By:
- Publication type:
- Article