Colour Magic at Pinewood: Hein Heckroth, The Archers and Avant-Garde Production Design in The Red Shoes (1948).
- Published in:
- 2015
- By:
- Publication type:
- Essay
Works matching Powell, Michael, 1905-1990
Results: 10
1
2
49th Parallel.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
3
"More Than Cool Reason Ever Comprehends": Shakespeare, Imagination and Distributed Auteurism in A Matter of Life and Death.
- Published in:
- 2016
- By:
- Publication type:
- Essay
4
The Distribution Of Powell And Pressburger’s Films In The United States, 1939–1949.
- Published in:
- Historical Journal of Film, Radio & Television, 2013, v. 33, n. 1, p. 55, doi. 10.1080/01439685.2013.764721
- By:
- Publication type:
- Article
5
U-BOAT ATTACK! WHEN THE BAY OF ISLANDS MADE THE BIG SCREEN.
- Published in:
- Newfoundland Quarterly, 2023, v. 116, n. 1, p. 31
- By:
- Publication type:
- Article
6
‘Powell and Pressburger’s Black Narcissus – A study in loneliness and loss of the soul’.
- Published in:
- Psychodynamic Practice, 2015, v. 21, n. 2, p. 147, doi. 10.1080/14753634.2015.1018712
- By:
- Publication type:
- Article
7
A Group Marriage without Sex: Fusion and Collaboration in The Archers' The Red Shoes (1948).
- Published in:
- Journal of Film & Video, 2018, v. 70, n. 1, p. 32, doi. 10.5406/jfilmvideo.70.1.0032
- By:
- Publication type:
- Article
8
Neo-Romantic landscapes: aesthetic approaches to the wartime films of Michael Powell and Emeric Pressburger.
- Published in:
- Film International (16516826), 2006, v. 4, n. 5, p. 38, doi. 10.1386/fiin.4.5.38
- By:
- Publication type:
- Article
9
Liminal soundscapes in Powell & Pressburger's wartime films.
- Published in:
- Studies in European Cinema, 2017, v. 14, n. 1, p. 22, doi. 10.1080/17411548.2016.1248531
- By:
- Publication type:
- Article
10
MONTHS PAST JUNE.
- Published in:
- History Today, 2020, v. 70, n. 6, p. 26
- By:
- Publication type:
- Article