À l’assaut de Montréal : les chanteurs country-western dans les studios de la métropole, 1942-1958.
- Published in:
- Mens: Revue d'Histoire Intellectuelle et Culturelle, 2015, v. 16, n. 1, p. 107
- By:
- Publication type:
- Article
Works matching Popular music -- 1951-1960
Results: 18
1
2
On the Outer Rim of Jazz: Mexican American Jazzmen and the Making of the Modern Pacific Borderlands, 1950-1969.
- Published in:
- Journal of Social History, 2016, v. 50, n. 2, p. 411, doi. 10.1093/jsh/shw062
- By:
- Publication type:
- Article
3
Bluegrass Music.
- Published in:
- 1988
- Publication type:
- Music Review
4
Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s.
- Published in:
- Nationalities Papers, 2008, v. 36, n. 5, p. 861, doi. 10.1080/00905990802373579
- By:
- Publication type:
- Article
5
'Dancing with my darlin'': Patti Page and adaptation in pop music.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2009, v. 23, n. 2, p. 127, doi. 10.1080/10304310802706940
- By:
- Publication type:
- Article
6
Gershwin: Porgy and Bess (Selections) -- Original Cast and Other Early Recordings/Gershwin: Porgy and Bess (Recorded 1951).
- Published in:
- 2005
- By:
- Publication type:
- Arts/Entertainment Review
7
What’s Amore? Solarity and Subversion in an Italian American Pop Song.
- Published in:
- Italian American Review, 2019, v. 9, n. 1, p. 49, doi. 10.5406/italamerrevi.9.1.0049
- By:
- Publication type:
- Article
8
MAKING EASY LISTENING: MATERIAL CULTURE AND POSTWAR AMERICAN RECORDING.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
9
Tainted Love: Tracing Connie's Trauma Through Music in Joyce Carol Oates's "Where Are You Going, Where Have You Been?".
- Published in:
- 2025
- By:
- Publication type:
- Short Story Review
10
Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959-1963)--a grounded theory approach.
- Published in:
- Popular Music History, 2010, v. 5, n. 2, p. 125, doi. 10.1558/pomh.v5i2.125
- By:
- Publication type:
- Article
11
The production of English rock and roll stardom in the 1950s.
- Published in:
- Popular Music History, 2009, v. 4, n. 3, p. 271, doi. 10.1558/pomh.v4i3.271
- By:
- Publication type:
- Article
12
La radio de formato musical: concepto y elementos fundamentales.
- Published in:
- Comunicación y Sociedad, 1999, v. 12, n. 1, p. 89
- Publication type:
- Article
13
Teaching African American Dance / History to a "Post-Racial" Class: Yale's Project O.
- Published in:
- Theatre Topics, 2009, v. 19, n. 1, p. 1, doi. 10.1353/tt.0.0047
- By:
- Publication type:
- Article
14
Listening for Willie Mae "Big Mama" Thornton's Voice.
- Published in:
- Women & Music, 2011, v. 15, p. 1, doi. 10.1353/wam.2011.0005
- By:
- Publication type:
- Article
15
Back Door Man: Howlin' Wolf and the Sound of Jim Crow.
- Published in:
- American Quarterly, 2011, v. 63, n. 3, p. 697, doi. 10.1353/aq.2011.0031
- By:
- Publication type:
- Article
16
I Did It My Way: Rock and the Logic of Covers.
- Published in:
- Popular Music & Society, 2010, v. 33, n. 3, p. 297, doi. 10.1080/03007760903523351
- By:
- Publication type:
- Article
17
The Greatest R&B Hits of 1957.
- Published in:
- 2010
- By:
- Publication type:
- Arts/Entertainment Review
18
La montée des intermédiaires: Domestication du goût et formation du champ du jazz en France, 1941-1960.
- Published in:
- Actes de la Recherche en Sciences Sociales, 2010, n. 181/182, p. 34, doi. 10.3917/arss.181.0034
- By:
- Publication type:
- Article