PEDRO ALMODÓVAR FİLMLERİNDE GÖSTERGELERARASI VE METİNLERARASI İLİŞKİLERİN ANALİZİ.
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- Art-E, 2024, v. 17, n. 34, p. 899, doi. 10.21602/sduarte.1545411
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Works matching Pedro Almodovar
Results: 296
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Pedro Almodóvar: heredero del cine clásico.
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- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2008, v. 13, n. 24, p. 281
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- Article
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LA TRANSTEXTUALIDAD EN LOS TÍTULOS DE CRÉDITO EN THE HUMAN VOICE (2020) DE PEDRO ALMODÓVAR.
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- Fonseca: Journal of Communication, 2021, n. 23, p. 239, doi. 10.14201/fjc202123239252
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Construindo Vera Cruz e desconstruindo gênero: aproximações entre Pedro Almodóvar e Judith Butler.
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- Sexualidad, Salud y Sociedad: Revista Latinoamericana, 2014, n. 16, p. 73, doi. 10.1590/s1984-64872014000100005
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LOS «CHICOS» DE PEDRO ALMODÓVAR: LAS MASCULINIDADES DISIDENTES A TRAVÉS DE SUS PERSONAJES.
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- Revista Prisma Social, 2023, n. 40, p. 52
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Los fotógrafos y el acto fotográfico en la filmografía de Pedro Almodóvar.
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- Cuadernos.info, 2022, n. 52, p. 266, doi. 10.7764/cdi.52.36267
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Cosificación, exclusión y relevo de las actrices Carmen Maura y Penélope Cruz en la filmografía de Pedro Almodóvar.
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- Studia Iberystyczne, 2024, v. 24, p. 167, doi. 10.12797/SI.24.2024.24.09
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Modelos de intermedialidad en la adaptación cinematográfica del teatro homosexual en el cine de Pedro Almodóvar.
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- Cuadernos de Música, Artes Visuales y Artes Escénicas, 2018, v. 13, n. 1, p. 117, doi. 10.11144/javeriana.mavae13-1.mdid
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La fotografía en el diseño de los títulos de crédito de las películas de Pedro Almodóvar.
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- Kepes, 2022, v. 19, n. 26, p. 381, doi. 10.17151/kepes.2022.19.26.12
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'Marco e Benigno': cenários de masculinidades na cinematografia de Pedro Almodóvar.
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- Revista Latinoamericana de Geografia e Gênero, 2014, v. 5, n. 1, p. 47, doi. 10.5212/rlagg.v.5.i1.0003
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FIGURAS DEL DOCUMENTO DE FICCIÓN: LA CONCEJALA ANTROPÓFAGA, DE PEDRO ALMODÓVAR.
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- Signa, 2017, n. 26, p. 825, doi. 10.5944/signa.vol26.2017.19959
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Eu ♥ kitsch: uma análise da atitude kitsch na obra de Pedro Almodóvar.
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- InfoDesign: Revista Brasileira de Design da Informação, 2008, v. 5, n. 1, p. 43
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El color del deseo que todo lo transforma: claves cinematográficas y matrices culturales en el cine de Pedro Almodóvar.
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- Palabra Clave, 2008, v. 11, n. 2, p. 327
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Edad, envejecimiento y edadismo en Julieta (2016) de Pedro Almodóvar.
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- Historia y Comunicación Social, 2024, v. 29, n. 1, p. 141, doi. 10.5209/hics.90616
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Adaptaciones teatrales en el cine de Pedro Almodóvar: Cocteau, Williams y Lorca.
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- Revista de Comunicación, 2018, v. 17, n. 2, p. 101, doi. 10.26441/RC17.2-2018-A4
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Expresiones de machismo y violencia en los personajes masculinos del cine de Pedro Almodóvar: una revisión cronológica.
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- Historia y Comunicación Social, 2020, v. 25, n. 2, p. 519, doi. 10.5209/hics.72282
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Risa, tragedia y crimen. Imaginarios públicos en los géneros fílmicos de Pedro Almodóvar.
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- Revista de la Asociacion Aragonesa de Criticos de Arte, 2018, n. 44, p. 1
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- Article
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LA TEATRALIDAD COMO PACTO DE FICCIÓN EN LA VOZ HUMANA DE PEDRO ALMOVÓDAR.
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- Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, 2022, n. 37, p. 59, doi. 10.26754/ojs_tropelias/tropelias.2022376084
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NUEVOS PARADIGMAS CRÍTICOS PARA ABORDAR LA TEATRALIDAD EN EL CINE DE PEDRO ALMODÓVAR.
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- Revista Fotocinema, 2017, n. 14, p. 111, doi. 10.24310/fotocinema.2017.v0i14.3575
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CANONIZACIÓN EN EE. UU. DEL CINE DE PEDRO ALMODÓVAR A TRAVÉS DE LA TEORÍA DE LOS POLISISTEMAS.
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- Contemporanea: Revista de Comunicação e Cultura, 2019, v. 17, n. 2, p. 250
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THE MELODRAMATIC TRAITS OF TENNESSEE WILLIAMS IN PEDRO ALMODÓVAR: STUDY OF CHARACTERS OF THE LAW OF DESIRE, HIGH HEELS AND THE FLOWER OF MY SECRET.
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- Revista de Comunicación 'Vivat Academia', 2017, v. 19, n. 138, p. 97, doi. 10.15178/va.2017.138.96-119
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Envejecer siendo Amanda Gris: un estudio etario de La flor de mi secreto (Pedro Almodóvar, 1995).
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- Discursos Fotográficos, 2023, v. 20, n. 34, p. 51, doi. 10.5433/1984-7939.2023v20n34p51
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La palabra, el teatro y la seducción en Mujeres al borde de un ataque de nervios, de Pedro Almodóvar.
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- IBEROAMERICANA. América Latina - España - Portugal, 2010, n. 38, p. 69
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O gênero do desejo: sexualidade e universo moral no cinema de Pedro Almodóvar.
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- IBEROAMERICANA. América Latina - España - Portugal, 2018, v. 18, n. 67, p. 179
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AS PERSONAGENS LOLA E AGRADO NO FILME TODO SOBRE MI MADRE DE PEDRO ALMODÓVAR E OS PARALELOS COM AS FIGURAS DA FEMME FATALE E DA NINFA.
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- Ícone: Revista Brasileira de História da Arte, 2023, v. 8, n. 9, p. 98
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Drag acts of transitional performance: sex, religion and memory in Pedro Almodóvar's La mala educación and Ventura Pons's Ocaña, retrat intermitent.
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- Journal of Spanish Cultural Studies, 2014, v. 15, n. 4, p. 419, doi. 10.1080/14636204.2014.991489
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FROM LIFE TO TEXT AND FILM: PEDRO AMODÓVAR AND AUTOBIOGRAPHICAL DISCOURSE.
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- Journal of Language & Literary Studies / Folia Linguistica & Litteraria, 2024, n. 49, p. 89, doi. 10.31902/fll.49.2024.6
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Punk aesthetics of Pedro Almodóvar's Pepi, Luci, Bom: Self-reflexivity, subcultural formations and queer temporalities.
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- Journal of European Popular Culture, 2020, v. 11, n. 1, p. 37, doi. 10.1386/jepc_00011_1
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BETWEEN TRADITION AND SUBVERSION. TREATMENT OF FOLKLORISED MUSICAL REFERENCES IN THE EARLY FEATURE FILMS OF PEDRO ALMODÓVAR.
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- Muzikologija, 2022, n. 32, p. 161, doi. 10.2298/MUZ2232161B
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Un/framing identity: Space and colour in Pedro Almodóvar's Pepi, Luci, Bom y otras chicas del montón/Pepi, Luci, Bom and Other Girls Like Mom (1980).
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- Studies in Spanish & Latin American Cinemas, 2016, v. 13, n. 3, p. 247, doi. 10.1386/slac.13.3.247_1
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Before & After: Plasticity, Plastic Surgery, and Pedro Almodóvar's The Skin I Live In.
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- University of Toronto Quarterly, 2025, v. 94, n. 2, p. 217, doi. 10.3138/utq.94.02.07
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GOTHIC FICTION ELEMENTS IN PEDRO ALMODÓVAR'S THE SKIN I LIVE IN (2011).
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- ANAFORA, 2016, v. 3, n. 2, p. 225
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Yuxtaposición artística en La piel que habito de Pedro Almodóvar: en torno a las obras de Tiziano, Louise Bourgeois, Guillermo Pérez Villalta y Juan Gatti.
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- Neophilologus, 2014, v. 98, n. 4, p. 617, doi. 10.1007/s11061-014-9385-5
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THE CREATIVE CINEMATOGRAPHIC PROCESS AT THE SERVICE OF NATIONAL IDENTITY: PEDRO ALMODÓVAR AND THE PROMOTION OF SPANISH STEREOTYPES.
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- Creativity Studies, 2020, v. 13, n. 2, p. 369, doi. 10.3846/cs.2020.8563
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar's success in the US.
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- aDResearch ESIC: International Journal of Communication Research / Revista Internacional de Investigación en Comunicación, 2024, v. 32, p. 2, doi. 10.7263/adresic-32-287
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THE AESTHETIC AND DISCURSIVE PRESENCE OF TELEVISION ON PEDRO ALMODÓVAR’S CINEMA.
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- Fonseca: Journal of Communication, 2020, n. 21, p. 149, doi. 10.14201/fjc202021149165
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Pedro Almodóvar's La piel que habito : Of Late Style and Erotic Conservatism.
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- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2016, v. 93, n. 3, p. 441, doi. 10.1080/14753820.2015.1086074
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Representación de género en el tema del doble. Castigo, deseo y rol social en La piel que habito (Pedro Almodóvar, 2011), Laurence Anyways (Xavier Dolan, 2012) y Tomboy (Céline Sciamma, 2011).
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- Investigaciones Feministas, 2022, v. 13, n. 1, p. 447, doi. 10.5209/infe.75632
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Narración e intertextualidad en Volver (Pedro Almodóvar, 2006).
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- BSAA Arte, 2021, n. 87, p. 349, doi. 10.24197/bsaaa.87.2021.349-369
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El símbolo del agua en Dolor y gloria de Pedro Almodóvar.
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- Imagofagia, 2024, n. 29, p. 115
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El astracán, lo grotesco y el esperpento en la comedia de Pedro Almodóvar.
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- Revista Fotocinema, 2023, n. 26, p. 187, doi. 10.24310/fotocinema.2023.vi26.15517
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THE DECADENT IMAGE OF THE JOURNALIST IN PEDRO ALMODÓVAR CINEMA.
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- Revista de Comunicación 'Vivat Academia', 2019, n. 146, p. 137, doi. 10.15178/va.2019.146.137-160
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Entre lo propio y lo ajeno: modulaciones identitarias fronterizas en Pedro Almodóvar, Eduardo Mendicutti y Luis Antonio de Villena.
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- Revista Estudos Feministas, 2017, v. 25, n. 3, p. 1473, doi. 10.1590/1806-9584.2017v25n3p1473
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Cinema, Genealogy, History: Mariano Ozores and Pedro Almodóvar, Mario Camus and Manolo Caro.
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- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2023, v. 100, n. 9/10, p. 1467, doi. 10.1080/14753820.2023.2246795
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The Possibility of Becoming in Pedro Almodóvar's Mujeres al borde de un ataque de nervios (1988) and Los abrazos rotos (2009).
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- 2019
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- Film/TV Criticism and Review
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Leyendo la realidad desde el cine. Imagen femenina y juventud en los últimos films de Pedro Almodóvar.
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- Cuadernos del Centro de Estudios de Diseño y Comunicación, 2019, v. 20, n. 77, p. 45, doi. 10.18682/cdc.v77i77.1007
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The Shortcomings of Simulacra: Fragments of the Past in Pedro Almodóvar's Broken Embraces.
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- Oceánide, 2013, n. 5, p. 1
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Pedro Almodóvar's Maternal Transplants: From Matador to All About My Mother.
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- Bulletin of Hispanic Studies (1475-3839), 2004, v. 81, n. 4, p. 497, doi. 10.3828/bhs.81.4.5
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La fotografía en el cine de Pedro Almodóvar.
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- Discursos Fotográficos, 2020, v. 16, n. 29, p. 45, doi. 10.5433/1984-7939.2020vl6n29p44
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Les personnages fabulateurs dans l'oeuvre de Pedro Almodóvar. Une poétique du désir.
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- Intermediality / Revue Intermédialités, 2024, n. 43, p. 1, doi. 10.7202/1111670ar
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