Film Parody: An Immodest Proposal.
- Published in:
- Quarterly Review of Film & Video, 1990, v. 12, n. 1/2, p. 1, doi. 10.1080/10509209009361333
- By:
- Publication type:
- Article
Works matching Parody films
Results: 125
1
2
Gothic—Film—Parody.
- Published in:
- Adaptation, 2008, v. 1, n. 1, p. 24, doi. 10.1093/adaptation/apm003
- By:
- Publication type:
- Article
3
Walk Hard: film parody, biopics and music.
- Published in:
- Comedy Studies, 2014, v. 5, n. 1, p. 52, doi. 10.1080/2040610X.2014.905102
- By:
- Publication type:
- Article
4
'The shit just got real': Parody and National Film Culture in The Strike and Hot Fuzz.
- Published in:
- Journal of British Cinema & Television, 2016, v. 13, n. 1, p. 42, doi. 10.3366/jbctv.2016.0295
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- Publication type:
- Article
5
Just Travesties: TV Parodies of Hollywood Films and Copyright Infringement Lawsuits.
- Published in:
- 2015
- By:
- Publication type:
- Essay
6
Adapting film parody for the sitcom format: Mel Brooks's When Things Were Rotten (1975) and The Nutt House (1989).
- Published in:
- Journal of Adaptation in Film & Performance, 2012, v. 5, n. 1, p. 65, doi. 10.1386/jafp.5.1.65_1
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- Publication type:
- Article
7
“The Dog Stole the Picture”: The Hound of the Baskervilles and the Cinematic Revisionist Cycle of the 1970s and 1980s.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
8
The joiking Injuns: Interpreting (multi)cultural politics of parody in the music of the Finnish Western film.
- Published in:
- Journal of Scandinavian Cinema, 2014, v. 4, n. 3, p. 215, doi. 10.1386/jsca.4.3.215_2
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- Publication type:
- Article
9
When Men Become Women: Parody and Satire in Khady Touré's Film Échange Inégal: Goor Dongue.
- Published in:
- Journal of African Cultural Studies, 2024, v. 36, n. 3, p. 398, doi. 10.1080/13696815.2024.2319813
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- Publication type:
- Article
10
Bitextual Pleasures: Camp, Parody, and the Fantastic Film.
- Published in:
- Literature Film Quarterly, 2021, v. 49, n. 1, p. 1
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- Publication type:
- Article
11
Global meets local: typographic practices and the semiotic role of subtitling in the creation of parodies in Cypriot dialect on Internet texts.
- Published in:
- Social Semiotics, 2016, v. 26, n. 1, p. 59, doi. 10.1080/10350330.2015.1051343
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- Publication type:
- Article
12
Getting Schmedieval: Of Manuscript and Film Prologues, Paratexts, and Parodies.
- Published in:
- Exemplaria, 2007, v. 19, n. 2, p. 217, doi. 10.1179/175330707X212840
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- Publication type:
- Article
13
Of Myths and Men: Better Luck Tomorrow and the Mainstreaming of Asian America Cinema.
- Published in:
- Cinema Journal, 2008, v. 47, n. 4, p. 50, doi. 10.1353/cj.0.0024
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- Publication type:
- Article
14
The Superhero Film Parody and Hegemonic Masculinity.
- Published in:
- Quarterly Review of Film & Video, 2016, v. 33, n. 2, p. 131, doi. 10.1080/10509208.2015.1094361
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- Publication type:
- Article
15
FILM PARODY (Book review).
- Published in:
- 2001
- By:
- Publication type:
- Book Review
16
Slash and porn: media subversion, hyper-articulation, and parody.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2014, v. 28, n. 3, p. 396, doi. 10.1080/10304312.2014.893985
- By:
- Publication type:
- Article
17
Personajes quijotescos en las parodias del cine de superhéroes contemporáneo.
- Published in:
- Hipogrifo: revista de literatura y cultura del siglo de oro, 2018, v. 6, n. 2, p. 23, doi. 10.13035/H.2018.06.02.04
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- Publication type:
- Article
18
Small videos, Hu Ge impact: Parody videos in post-socialist China.
- Published in:
- Journal of Chinese Cinemas, 2010, v. 4, n. 3, p. 229, doi. 10.1386/jcc.4.3.229_1
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- Publication type:
- Article
19
"Why Girls Leave Home": Victorian and Edwardian "Bad-Girl" Melodrama Parodied in Early Film.
- Published in:
- Theatre Journal, 2006, v. 58, n. 4, p. 575, doi. 10.1353/tj.2007.0022
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- Publication type:
- Article
20
Why Don't You Come Up and Read Me Sometime?
- Published in:
- 2002
- By:
- Publication type:
- Book Review
21
Parody as Film Genre: Never Give a Saga an Even Break.
- Published in:
- 2001
- By:
- Publication type:
- Book Review
22
Engaging a Prosumer: Preservice Teachers Interrogate Popular Toys Through Stop-Motion Animation.
- Published in:
- Art Education, 2015, v. 68, n. 2, p. 42, doi. 10.1080/00043125.2015.11519313
- By:
- Publication type:
- Article
23
ENTERTAINMENT IN THE MEDIA. PARODY IN "HIGH ANXIETY" BY MEL BROOKS.
- Published in:
- Media Research / Zeszyty Prasoznawcze, 2017, v. 60, n. 4, p. 866, doi. 10.4467/22996362PZ.17.049.8191
- By:
- Publication type:
- Article
24
Borat as Tragicomedy of Anti US-Americanism.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2009, v. 11, n. 2, p. 1, doi. 10.7771/1481-4374.1468
- By:
- Publication type:
- Article
25
Bitextual Pleasures: Camp, Parody, and the Fantastic Film.
- Published in:
- Literature Film Quarterly, 2001, v. 29, n. 1, p. 10
- By:
- Publication type:
- Article
26
El nuevo Hollywood y la posmodernidad: entre la subversión y el neoconservadurismo.
- Published in:
- Palabra Clave, 2014, v. 17, n. 3, p. 646, doi. 10.5294/pacla.2014.17.3.4
- By:
- Publication type:
- Article
27
Mr. West Mimicking “Mr. West”: America in the Mirror of the Other.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2008, v. 41, n. 6, p. 1051, doi. 10.1111/j.1540-5931.2008.00564.x
- By:
- Publication type:
- Article
28
Satsujin kyo jidai (Age of Assassins).
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 5, p. 369, doi. 10.1080/10509208.2010.494553
- By:
- Publication type:
- Article
29
Parody as "Countersong" in Saura and Godard.
- Published in:
- Quarterly Review of Film & Video, 1990, v. 12, n. 1/2, p. 105, doi. 10.1080/10509209009361342
- By:
- Publication type:
- Article
30
Not Afraid to Search for a Critical Space: Discovering the Postmodern in Cuban Cinema. The Case of ¡Plaff! (o demasiado miedo a la vida).
- Published in:
- Romance Studies, 2011, v. 29, n. 1, p. 54, doi. 10.1179/174581511X12899934053365
- By:
- Publication type:
- Article
31
The tragedy of the unreliable narrator in The Girl Chewing Gum.
- Published in:
- Short Film Studies, 2012, v. 2, n. 2, p. 147, doi. 10.1386/sfs.2.2.147_1
- By:
- Publication type:
- Article
32
HOLLYWOOD OUTSIDERS: THE ADAPTATION OF THE FILM INDUSTRY 1913-1934 (Book).
- Published in:
- 2004
- By:
- Publication type:
- Book Review
33
The Hills Have...Surprise!
- Published in:
- Appalachian Journal, 2011, v. 39, n. 1/2, p. 15
- By:
- Publication type:
- Article
34
Restoring sanity through comic relief: Parody television viewers and political outlook.
- Published in:
- Atlantic Journal of Communication, 2016, v. 24, n. 3, p. 131, doi. 10.1080/15456870.2016.1184520
- By:
- Publication type:
- Article
35
Editorial.
- Published in:
- 2017
- By:
- Publication type:
- Editorial
36
Throwing ideology away: Yoshimoto Takaaki's theory of taishū and Terayama Shūji's film parody of the people.
- Published in:
- Japan Forum, 2024, v. 36, n. 2, p. 135, doi. 10.1080/09555803.2023.2209590
- By:
- Publication type:
- Article
37
Cowboys and Comedy: The Simultaneous Deconstruction and Reinforcement of Generic Conventions in the Western Parody.
- Published in:
- Film & History (03603695), 2003, v. 33, n. 2, p. 48, doi. 10.1353/flm.2003.a396084
- By:
- Publication type:
- Article
38
Masquerade and Bad Faith in Peeping Toms.
- Published in:
- Shofar: An Interdisciplinary Journal of Jewish Studies, 2005, v. 24, n. 1, p. 107, doi. 10.1353/sho.2005.0195
- By:
- Publication type:
- Article
39
Cem Yılmaz and Genre Parody in Turkish National Cinema.
- Published in:
- Journal of Popular Film & Television, 2020, v. 48, n. 1, p. 38, doi. 10.1080/01956051.2019.1657060
- By:
- Publication type:
- Article
40
Criticism of Javacentrism from the Historical Parody of the Film Nagabonar (1986).
- Published in:
- Journal of Society & Media, 2024, v. 8, n. 1, p. 82, doi. 10.26740/jsm.v8n1.p82-103
- By:
- Publication type:
- Article
41
Black Sheriffs and Villains in White Hats: The Image of the Hero in Western Parodies.
- Published in:
- American, British & Canadian Studies, 2011, v. 17, p. 48
- By:
- Publication type:
- Article
42
"Hollywood Party," Jimmy Durante, and the Cultural Politics of Coherence.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2009, n. 64, p. 11, doi. 10.1353/vlt.0.0038
- By:
- Publication type:
- Article
43
Antropofagia cinematográfica en el ciberespacio: el caso ecuatoriano de Enchufetv.
- Published in:
- Chasqui (13901079), 2012, n. 120, p. 51
- By:
- Publication type:
- Article
44
Villar del Río Revisited: The Chronotope of Berlanga's ¡ Bienvenido Mister Marshall!
- Published in:
- Bulletin of Hispanic Studies (1475-3839), 2004, v. 81, n. 1, p. 25, doi. 10.3828/bhs.81.1.3
- By:
- Publication type:
- Article
45
THREE AGES.
- Published in:
- New Review of Film & Television Studies, 2007, v. 5, n. 3, p. 285, doi. 10.1080/17400300701670626
- By:
- Publication type:
- Article
46
The view from termite terrace: Caricature and parody in Warner Bros animation.
- Published in:
- Film History, 1993, v. 5, n. 2, p. 204
- By:
- Publication type:
- Article
47
The Skull in the Eye: ‘How fucked up is that?’ Carnivalesque and Metatextual Variations on Hamlet in Let the Devil Wear Black.
- Published in:
- Adaptation, 2012, v. 5, n. 2, p. 241, doi. 10.1093/adaptation/aps014
- By:
- Publication type:
- Article
48
Appropriation, Parody, Gender Play, and Self-representation in Preadolescents; Digital Video Production.
- Published in:
- International Journal of Education & the Arts, 2013, v. 14, n. 1/2, p. 1
- By:
- Publication type:
- Article
49
O BROTHER, WHAT ART THOU?: POSTMODERN PRANKSTERISM, OR PARODY WITH A PURPOSE?
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 97
- By:
- Publication type:
- Article
50
Jennifer's Body.
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review