THE TRIPARTITE RECIPROCAL PRINCIPLE IN SELF PREPARATION OF THE MUSICAL AND OPERETTA SYNTHETIC PERFORMER.
- Published in:
- Knowledge: International Journal, 2023, v. 61, n. 5, p. 991
- By:
- Publication type:
- Article
Works matching Operetta
Results: 352
1
2
The origins of the entertainment industry: the operetta in late nineteenth-century Italy.
- Published in:
- 2006
- By:
- Publication type:
- Essay
3
Reading Germaine Tillion's Operetta Le Verfügbar aux Enfers as a 'Testimony' of Women's Differential Experience in Ravensbrück.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2017, v. 48, n. 1, p. 101
- By:
- Publication type:
- Article
4
OPERETTA AS A GENRE FROM ITS BEGINNINGS TO ITS FAMOUS HUNGARIAN REPRESENTATIVES.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 115, doi. 10.24193/subbmusica.2018.2.10
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- Publication type:
- Article
5
Júlia Hajdu (1925–1987) – Career of a woman operetta composer.
- Published in:
- Hungarian Studies (02366568), 2023, v. 37, n. 2, p. 233, doi. 10.1556/044.2023.00253
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- Publication type:
- Article
6
History Repeating Itself: The function of turning points and continuity in three historical narratives on operetta.
- Published in:
- Nordic Theatre Studies, 2017, v. 29, n. 1, p. 102
- By:
- Publication type:
- Article
7
Operetta beyond borders: The different versions of Die Csárdásfürstin in Europe and the United States (1915-1921).
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 2, p. 175, doi. 10.1386/smt.7.2.175_1
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- Publication type:
- Article
8
The case of an operetta being banned in Hungary in 1928, viewed in the mirror of contemporary press sources.
- Published in:
- Hungarian Studies (02366568), 2021, v. 35, n. 1, p. 30, doi. 10.1556/044.2021.00148
- By:
- Publication type:
- Article
9
OPERA AND OPERETTA. SIMILARITIES AND CONTRASTS.
- Published in:
- International Journal of Communication Research, 2014, v. 4, n. 2, p. 177
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- Publication type:
- Article
10
Idolatry and sacrilege: Offenbach's operetta in nineteenth-century Athens.
- Published in:
- Studies in Musical Theatre, 2014, v. 8, n. 2, p. 129, doi. 10.1386/smt.8.2.129_1
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- Publication type:
- Article
11
Operetta Performance Ramsey Junior High in Minneapolis: 1932-1966.
- Published in:
- Journal of Historical Research in Music Education, 2006, v. 28, n. 1, p. 3, doi. 10.1177/153660060602800102
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- Publication type:
- Article
12
The Usefulness of the School Operetta.
- Published in:
- Journal of Education, 1925, v. 102, n. 11, p. 299, doi. 10.1177/002205742510201111
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- Publication type:
- Article
13
THE SOPRANO VOICE TYPE AND ITS IMPORTANCE WITHIN THE OPERETTA GENRE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2018, v. 63, n. 2, p. 103, doi. 10.24193/subbmusica.2018.2.09
- By:
- Publication type:
- Article
14
Hier irrt Goethe: Rediscovering the Satirical Operetta of the Weimar Era.
- Published in:
- TDR: The Drama Review (MIT Press), 2019, v. 63, n. 1, p. 9, doi. 10.1162/dram_a_00814
- By:
- Publication type:
- Article
15
Early Twentieth-Century Operetta from the German Stage: A Cosmopolitan Genre.
- Published in:
- Musical Quarterly, 2016, v. 99, n. 2, p. 254, doi. 10.1093/musqtl/gdw009
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- Publication type:
- Article
16
Operetė Vilniuje: už ir prieš (XIX a. antroji pusė ir XX a. pradžia).
- Published in:
- Menotyra, 2009, n. 1/2, p. 12
- By:
- Publication type:
- Article
17
A Friend of Operetta: An Interview with Robert Ward on the Premiere of His New Operetta, A Friend of Napoleon.
- Published in:
- 2008
- By:
- Publication type:
- Interview
18
"Operettendämmerung": Die lustigen Nibelungen and the Failures of Wagnerian Operetta.
- Published in:
- Opera Quarterly, 2017, v. 33, n. 1, p. 28, doi. 10.1093/oq/kbx020
- By:
- Publication type:
- Article
19
Globalizing Operetta before the First World War.
- Published in:
- Opera Quarterly, 2017, v. 33, n. 1, p. 7, doi. 10.1093/oq/kbx014
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- Publication type:
- Article
20
Toi, c’est moi (1936) and Prends la route (1937): mobilising desire in the operetta films of Jacques Pills and André Tabet.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
21
Of Gypsy Barons and the Power of Love: Operetta Programming and Popularity in the Postwar Soviet Union.
- Published in:
- Cambridge Opera Journal, 2019, v. 30, n. 1, p. 29, doi. 10.1017/S0954586718000083
- By:
- Publication type:
- Article
22
Die lustige Witwe and the Creation of the Silver Age of Viennese Operetta.
- Published in:
- Cambridge Opera Journal, 2014, v. 26, n. 2, p. 175, doi. 10.1017/S0954586714000032
- By:
- Publication type:
- Article
23
Viennese Operetta Gems--Original Recordings 1927-1949.
- Published in:
- 2004
- By:
- Publication type:
- Music Review
24
THE THEORY AND PRACTICE OF OPERETTA ROLES.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2019, v. 64, n. 1, p. 85, doi. 10.24193/subbmusica.2019.1.06
- By:
- Publication type:
- Article
25
THE PRINCE OF THE FLAMING STAR. A Fairy Operetta. .
- Published in:
- 1887
- Publication type:
- Book Review
26
The Diva: Fates of an Archetypal Figure in Operetta.
- Published in:
- Opera Quarterly, 2017, v. 33, n. 1, p. 49, doi. 10.1093/oq/kbx018
- By:
- Publication type:
- Article
27
Arabella, Operetta, and the Triumph of Gemütlichkeit.
- Published in:
- Opera Quarterly, 2015, v. 31, n. 4, p. 199, doi. 10.1093/oq/kbv013
- By:
- Publication type:
- Article
28
Besteci Rauf Hacıyevin operetlerinin müzik dilinin üslup özellikleri.
- Published in:
- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2020, v. 8, n. 1, p. 2266, doi. 10.12975/pp2266-2273
- By:
- Publication type:
- Article
29
Besteci Rauf Hacıyevin operetlerinin müzik dilinin üslup özellikleri.
- Published in:
- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2020, v. 7, n. 3, p. 2266, doi. 10.12975/PP2266-2273
- By:
- Publication type:
- Article
30
Estonia teatri ooperi- ja operetilavastused Saksa okupatsiooni ajal (1941-1944): teatri toimimine, repertuaar ja retseptsioon.
- Published in:
- Res Musica, 2013, n. 5, p. 24
- By:
- Publication type:
- Article
31
German Operetta on Broadway and in the West End, 1900–1940 by Derek B. Scott (review).
- Published in:
- 2020
- By:
- Publication type:
- Book Review
32
Eternal Operetta.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
33
Operetta Empire: Music Theater in Early Twentieth-Century Vienna by Micaela Baranello (review).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
34
The Cambridge Companion to Operetta. Ed. by Anastasia Belina and Derek B. Scott.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
35
German Operetta on Broadway and in the West End, 1900–1940. By Derek B. Scott.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
36
Деякі аспекти сценічних втілень мюзиклів у Київському національному театрі оперети у 2005–2021 роках.
- Published in:
- Contemporary Art / Sučasne Mistectvo, 2022, n. 18, p. 189, doi. 10.31500/2309-8813.18.2022.269728
- By:
- Publication type:
- Article
37
«КРАЇНА УСМІШОК»: КИТАЙСЬ- КИЙ СЮЖЕТ НА ЄВРОПЕЙСЬКІЙ ОПЕРЕТКОВІЙ СЦЕНІ
- Published in:
- Arts & Education / Mistectvo ta Osvita, 2023, v. 109, n. 3, p. 17, doi. 10.32405/2308-8885-2023-3(109)-17-21
- By:
- Publication type:
- Article
38
The Categorization of the Operetta Dance Genre in the Táncművészet Magazine between 1952 and 1956.
- Published in:
- Arts (2076-0752), 2023, v. 12, n. 5, p. 197, doi. 10.3390/arts12050197
- By:
- Publication type:
- Article
39
Under Political and Market Pressures: The Staging of Operetta in Interwar Belgrade.
- Published in:
- Muzikologija, 2022, n. 33, p. 121, doi. 10.2298/MUZ2233121V
- By:
- Publication type:
- Article
40
التراث الغناسيقي في اوبريت مدينة البصرة.
- Published in:
- Misan Journal of Academic Studies, 2021, v. 20, n. 40, p. 81
- By:
- Publication type:
- Article
41
Prilog muzičko-scenskoj istoriji Narodnog pozorišta u Sarajevu: gostovanja operetskog ansambla sarajevskog pozorišta u Nišu između dva svetska rata.
- Published in:
- Muzika, 2019, v. 23, n. 2, p. 24
- By:
- Publication type:
- Article
42
OLGA ORLEŃSKA (1889 LUB 1894-1956) - ARTYSTKA OPERETKOWA, OPEROWA I FILMOWA, PIERWSZA POLSKA „KSIĘŻNICZKA CZARDASZA”.
- Published in:
- Annals of Cultural Studies / Roczniki Kulturoznawcze, 2018, v. 9, n. 4, p. 119, doi. 10.18290/rkult.2018.9.4-8
- By:
- Publication type:
- Article
43
Italian Operetta and the Publishing Industry: The Case of Sonzogno, 1874–1916.
- Published in:
- Cambridge Opera Journal, 2024, v. 36, n. 2, p. 166, doi. 10.1017/S0954586724000119
- By:
- Publication type:
- Article
44
The directorial conception on operetta Silvia by Emmerich Kálmán.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 25, doi. 10.31926/but.pa.2020.13.62.3.3
- By:
- Publication type:
- Article
45
George Zaharescu, portrait of a master of the Romanian school lyrical theatER directing.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, n. 1, p. 63
- By:
- Publication type:
- Article
46
Critical Revaluation of French Operetta: La petite mariée (1875).
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 2, p. 33, doi. 10.24193/subbdrama.2019.2.02
- By:
- Publication type:
- Article
47
Operetė lietuviškoje egzodo scenoje JAV: pastangos išlikti ir prisitaikyti (XX a. pirma pusė).
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2012, n. 13, p. 152
- By:
- Publication type:
- Article
48
ARŞIN MAL ALAN OPERETİ' NİN İNCELENMESİ.
- Published in:
- Journal of World of Turks / Zeitschrift für die Welt der Türken, 2021, v. 13, n. 2, p. 287, doi. 10.46291/ZfWT/130215
- By:
- Publication type:
- Article
49
OSMANLI DÖNEMİNDEN GÜNÜMÜZE 'OPERETLER'.
- Published in:
- Journal of World of Turks / Zeitschrift für die Welt der Türken, 2021, v. 13, n. 1, p. 313, doi. 10.46291/ZfWT/130116
- By:
- Publication type:
- Article
50
TURKS, HUNGARIANS, AND GYPSIES ON STAGE: EXOTICISM AND AUTO-EXOTICISM IN OPERA AND OPERETTA.
- Published in:
- 2013
- By:
- Publication type:
- Essay