Works matching Opera
Results: 5000
The Paris Opera in 1750-1751. An Attempt at an Annual Report.
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- International Review of the Aesthetics & Sociology of Music, 2018, v. 49, n. 2, p. 191
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Die Akademie en Opera.
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- Tydskrif vir Geesteswetenskappe, 2008, v. 48, n. 1, p. 13
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THE BLACK TIE ENSEMBLE'S CONTRIBUTION TO OPERA IN SOUTH AFRICA.
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- South African Journal of Cultural History / Suid-Afrikaanse Vereniging vir Kultuurgeskiedenis, 2015, v. 29, n. 2, p. 26
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Media literacy and new entertainment venues: The case of opera in movie theatres.
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- Comunicación y Sociedad, 2013, v. 26, n. 3, p. 160
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Opera as Social Showcase: Rituals of "Magic Mirrors" at the Margravial Opera House in Mid-Eighteenth-Century Bayreuth.
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- Issues in Ethnology Anthropology, 2016, v. 11, n. 1, p. 19, doi. 10.21301/EAP.V11I1.1
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Theatrum passionis: imaginarios y sociabilidades en torno a la ópera en cuatro narradoras hispanoamericanas del siglo XIX.
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- Cuadernos de Literatura, 2023, v. 27, p. 62, doi. 10.11144/Javeriana.cl27.tpis
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Unpleasant Operas or French Music Drama as Heard by Corno Di Bassetto.
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- Cahiers Victoriens & Edouardiens, 2017, n. 86, p. 1, doi. 10.4000/cve.3387
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ÇAĞDAŞ TÜRK OPERALARI İÇİNDE FARKLI BİR TAT "ALİBABA VE KIRK HARAMİLER OPERASI".
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- Social Sciences Review of the Faculty of Sciences & Letters University of Uludag / Fen Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2012, v. 13, n. 23, p. 243
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La Gesamtkunstwerk hegeliana. La importancia de la ópera en la Estética de Hegel.
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- Revista de Filosofía (0185-3481), 2023, v. 55, n. 154, p. 226, doi. 10.48102/rdf.v55i154.166
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Le livret d'opéra: l'art du "petit livre" et de la brièveté narratologique.
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- Anales de Filología Francesa, 2023, v. 31, p. 591, doi. 10.6018/analesff.574641
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Approche narratologique à la transmodalisation de Carmen: du récit littéraire à l'opéra.
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- Anales de Filología Francesa, 2020, v. 28, n. 1, p. 555, doi. 10.6018/analesff.401511
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Romanian National Opera of Cluj-Napoca – a Century of Existence beyond the Limits of the Times.
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- Theatrical Colloquia, 2020, v. 10, n. 2, p. 70, doi. 10.2478/tco-2020-0021
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L'Opéra de Paris de Charles Garnier. Un escenario para la literatura y el cine.
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- Vegueta: Anuario de la Facultad de Geografía e Historia, 2024, v. 24, n. 1, p. 353, doi. 10.51349/veg.2024.1.15
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Türkiye Cumhuriyeti Kültür Bakanlığı Devlet Opera ve Balesi Genel Müdürlüğüne Bağlı Kurumların Temsil ve Konser Programlarının Belirli Değişkenler Yönünden İncelenmesi
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- Inonu University Journal of the Faculty of Education (INUJFE), 2023, v. 24, n. 2, p. 1392, doi. 10.17679/inuefd.1322879
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Live from the Met: Digital Broadcast Cinema, Medium Theory, and Opera for the Masses.
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- Canadian Journal of Communication, 2008, v. 33, n. 4, p. 591, doi. 10.22230/cjc.2008v33n4a2090
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Ópera o "limbo". Escenografía y música para la creación de un mundo entre realidad y fantasía en la Rusia finisecular.
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- Cuadernos de Música, Artes Visuales y Artes Escénicas, 2012, v. 7, n. 1, p. 79
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Tan mudada la Fortuna. Farinelli y el discurso visual en la ópera La Nitteti tras la caída de Ensenada.
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- Revista de Historia Moderna, 2022, n. 40, p. 85, doi. 10.14198/RHM2022.40.03
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AN ANALYSIS OF THE ESSENCE OF CHINESE OPERA AND VOCAL MUSIC FROM THE PERSPECTIVE OF HERMENEUTICS AND RECEPTION AESTHETICS.
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- Trans/Form/Ação, 2024, v. 47, n. 3, p. 1, doi. 10.1590/0101-3173.2024.v47.n3.e0240029
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FROM A COMEDY OF ERRORS TO TRAGEDY: THE CESSATION OF ITALIAN OPERA IN CAPE TOWN IN 1877.
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- South African Journal of Cultural History / Suid-Afrikaanse Vereniging vir Kultuurgeskiedenis, 2016, v. 30, n. 1, p. 105
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A AMNESIA DE CLÍO, UNA ÓPERA GALLEGA EN EL PARADIGMA CONTEMPORÁNEO.
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- Quintana: Revista do Departamento de Historia da Arte USC, 2021, n. 20, p. 1, doi. 10.15304/quintana.20.7446
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Valente en clave musical de Sotelo: Fragmentos inéditos para la ópera Bruno o el Teatro de la Memoria (con ecos de Morente).
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- Culture, Language & Representation / Cultura, Lenguaje y Representación, 2020, v. 24, p. 25, doi. 10.6035/clr.2020.24.2
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WILLIAM KENTRIDGE, LA INNOVACIÓN DE UN ARTISTA PLÁSTICO EN LA ÓPERA.
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- Ars Longa, 2021, n. 30, p. 295, doi. 10.7203/arslonga.30.20428
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Opera for Children-listeners as a Means for Aesthetic and Emotional Education.
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- International Review of the Aesthetics & Sociology of Music, 2022, v. 53, n. 2, p. 423
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Demystifying Opera in Early Hollywood Film: A Tale of Three Singers.
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- International Review of the Aesthetics & Sociology of Music, 2019, v. 50, n. 1/2, p. 271
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AUDIENCE ENGAGEMENT THROUGH UNIVERSITY PROGRAMMES. A CASE STUDY OF OPERA IN BILBAO.
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- Revista Subjetividades, 2019, v. 19, n. 1, p. 1, doi. 10.5020/23590777.rs.v19i1.e7615
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Ópera italiana en San Petersburgo (siglo XVIII). Características de las óperas de Vicente Martín y Soler en el escenario teatral ruso.
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- Memoria y Civilizacion, 2020, v. 23, p. 1, doi. 10.15581/001.23.026
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Türk Opera Eserlerinin Metinlerinde Yer Alan Fantastik Öge ve Unsurların İncelenmesi.
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- Electronic Turkish Studies, 2022, v. 17, n. 6, p. 1243, doi. 10.7827/TurkishStudies.62743
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Ópera y censura en la formación de imaginarios planetarios. Vicisitudes de la obra wagneriana en Buenos Ares durante la Gran Guerra.
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- Anuario del Instituto de Historia Argentina, 2023, v. 23, n. 1, p. 1, doi. 10.24215/2314257Xe182
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De l'expression d'un désir gay et du queer dans l'opéra contemporain: le cas d'Elia (2004) de Silvio Palmieri.
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- Circuit: Musiques Contemporaines, 2021, v. 31, n. 1, p. 67, doi. 10.7202/1076406ar
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El lugar de la ópera en la poética de Ignacio de Luzán: entre la tragedia y las artes liberales.
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- Co-herencia, 2022, v. 19, n. 37, p. 247, doi. 10.17230/co-herencia.19.37.11
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How Status Affects the Unconventionality of Opera Repertoires: Conflicting Criteria for Status Distinction, Aesthetic Conventionality and Repertoire Nonconformity in Italian Opera.
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- International Journal of Arts Management, 2020, v. 23, n. 1, p. 27
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"CORRAMOS UN VELO SOBRE ESTA ESCENA TAN TRISTE": ÓPERA E ESCRAVIDÃO NA HAVANA DO SÉCULO XIX.
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- Revista Alea: Estudos Neolatinos, 2021, v. 23, n. 2, p. 251, doi. 10.1590/1517-106X/2021232251270
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Singability and Naturalness in Opera Translation.
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- I.U. Journal of Translation Studies / İstanbul Üniversitesi Çeviribilim Dergisi, 2022, n. 17, p. 1, doi. 10.26650/iujts.2022.1182388
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OPERALARIN PİYANO EŞLİKLERİNİN YORUMLANMASI.
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- Social Sciences Review of the Faculty of Sciences & Letters University of Uludag / Fen Edebiyat Fakültesi Sosyal Bilimler Dergisi, 2012, v. 13, n. 23, p. 227
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LA ÓPERA ACTÉON DE SCRIBE: UNA ORIGINAL ADAPTACIÓN DEL TEMA CLÁSICO.
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- Epos, 2023, n. 39, p. 96
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Base Ópera Brasil: a ópera contemporânea brasileira no século XXI.
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- Revista Música Hodie, 2024, v. 24, p. 1, doi. 10.5216/mh.v24.79006
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The Emergent Properties of the Opera Genre in the Contemporary Musical Context.
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- Revista Música Hodie, 2024, v. 24, p. 1, doi. 10.5216/mh.v24.79940
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Do recurso ao cravo no século XX em óperas de Ruy Coelho, Augusto Machado e Joly Braga Santos.
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- Revista Música Hodie, 2021, v. 21, p. 511, doi. 10.5216/mh.v21.66931
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A Conceptual Search for a Typology of Opera Projects in the Present Day.
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- Musicology of Lithuania / Lietuvos muzikologija, 2022, n. 23, p. 34
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THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 213, doi. 10.24193/subbmusica.2021.2.14
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Opera for the 'country lout': Italian opera, national identity and the middlebrow in interwar Britain.
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- Journal of Modern Italian Studies, 2021, v. 26, n. 1, p. 54, doi. 10.1080/1354571X.2021.1883844
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Beyond Nationaloper. For a critique of methodological nationalism in reading nineteenth-century Italian and German opera.
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- Journal of Modern Italian Studies, 2020, v. 25, n. 4, p. 402, doi. 10.1080/1354571X.2020.1764244
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Ópera y política en el México decimonónico: El caso de Amilcare Roncari.
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- Secuencia: Revista de Historia y Ciencias Sociales, 2017, n. 97, p. 140, doi. 10.18234/secuencia.v0i97.1450
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HIJOS DE LA REVOLUCIÓN: LA ÓPERA PADILLA O EL ASEDIO DE MEDINA Y LA CULTURA POLÍTICA DEL LIBERALISMO PROGRESISTA EN MADRID ENTRE 1842 Y 1846.
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- Historia y Politica: Ideas, Procesos y Movimientos Sociales, 2021, n. 46, p. 237, doi. 10.18042/hp.46.09
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Juan Moreira: la transformación de un gaucho cuchillero en personaje de ópera italiana.
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- Temas de Historia Argentina y Americana, 2007, n. 10, p. 221
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FROM CRISIS TO STASIS: DEPICTING HISTORY IN CZECH OPERA AFTER 1948.
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- Musicology / Hudební Věda, 2023, v. 60, n. 1, p. 49, doi. 10.54759/MUSICOLOGY-2023-0104
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Cemal Resit Rey'in Çelebi operasinin günışığina çıkarılisı ve restorasyonu: Bir kritik inceleme.
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- ITU Journal Series B: Social Sciences, 2008, v. 5, n. 2, p. 69
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Slovensko narodno gledališče opera in balet Ljubljana - o nastanku in razvoju ustanove ter ravnanju z njenim dokumentarnim in arhivskim gradivom.
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- Arhivi, 2023, v. 46, n. 1, p. 69
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Ljubljanska Opera med obema vojnama: moderna režija in njeni protagonisti.
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- Musicological Annual / Muzikoloski Zbornik, 2020, v. 56, n. 1, p. 149, doi. 10.4312/mz.56.1.149-166
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How much is opera inter/national?
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- Musicological Annual / Muzikoloski Zbornik, 2012, v. 48, n. 1, p. 91
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