SOVEREIGNTY, BREXIT, AND DUNKIRK: WINSTON CHURCHILL’S “FIGHT THEM ON THE BEACHES” SPEECH AS NATIONALIST MEMORY.
- Published in:
- Film & History (03603695), 2023, v. 53, n. 1, p. 31, doi. 10.1353/flm.2023.a903046
- By:
- Publication type:
- Article
Works matching Nolan, Christopher, 1970-
Results: 121
1
2
"It's Like Waking": Making Meaning in and of Christopher Nolan's Memento.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
3
Socratic Narrative: A Reply to Diehl.
- Published in:
- Journal of Aesthetics & Art Criticism, 2017, v. 75, n. 3, p. 296, doi. 10.1111/jaac.12393
- By:
- Publication type:
- Article
4
Socratic Film.
- Published in:
- Journal of Aesthetics & Art Criticism, 2016, v. 74, n. 1, p. 23, doi. 10.1111/jaac.12239
- By:
- Publication type:
- Article
5
Cinematic Philosophy: Experiential Affirmation in Memento.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
6
Shifting Sounds Sequences within the Audio-Visual Space: Case of Hans Zimmer.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, n. 1, p. 7, doi. 10.31926/but.pa.2023.16.65.1.1
- By:
- Publication type:
- Article
7
Kajian Keselarian antara Filem Inception dengan Pemikiran Al-Ghazali.
- Published in:
- Akademika, 2020, v. 90, n. 3, p. 75, doi. 10.17576/akad-2020-9003-07
- By:
- Publication type:
- Article
8
CHRISTOPHER NOLAN SİNEMASININ ARKETİPSEL ANALİZİ.
- Published in:
- Istanbul Commerce University Journal of Social Sciences / İstanbul Ticaret Üniversitesi Sosyal Bilimler Dergisi, 2023, v. 22, n. 46, p. 474, doi. 10.46928/iticusbe.1218412
- By:
- Publication type:
- Article
9
The Unconscious as Cinematographic Form: A Psychoanalytic Reading of Inception.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2024, v. 16, n. 1, p. 1, doi. 10.21659/rupkatha.v16n1.04g
- By:
- Publication type:
- Article
10
An extended interview with Christopher Nolan, director of Oppenheimer.
- Published in:
- Bulletin of the Atomic Scientists, 2023, v. 79, n. 4, p. 203, doi. 10.1080/00963402.2023.2223070
- By:
- Publication type:
- Article
11
Dystopia in The Dark Knight Trilogy: How Utopian Ideas Are Warped and Corrupted in Their Application.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
12
A Dark Knight for public education: Using Batman as an apparatus of diffraction with neoliberal education reform.
- Published in:
- Review of Education, Pedagogy & Cultural Studies, 2016, v. 38, n. 5, p. 468, doi. 10.1080/10714413.2016.1221713
- By:
- Publication type:
- Article
13
The Dark Knight Rises to Face America's New Fears.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
14
Backwards into the Future: Melodramatic Affect and the Vicissitudes of Time in Christopher Nolan's Dunkirk (2017).
- Published in:
- Journal of War & Culture Studies, 2023, v. 16, n. 4, p. 412, doi. 10.1080/17526272.2023.2215555
- By:
- Publication type:
- Article
15
Not All are Aboard: Decolonizing Exodus in Joon-ho Bong’s <italic>Snowpiercer</italic>.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
16
The Dark Knight (Warner Brothers Pictures, 2008).
- Published in:
- 2009
- By:
- Publication type:
- Film/TV Criticism and Review
17
Disability Consciousness: A Prolegomenon.
- Published in:
- Philosophy of Education Yearbook, 2008, p. 392
- By:
- Publication type:
- Article
18
Intramedial and Intermedial Adaptations in the Novelizations of Interstellar and Jumper.
- Published in:
- Literatura: Teoría, Historia, Crítica, 2023, v. 25, n. 1, p. 271, doi. 10.15446/lthc.v25n1.105322
- By:
- Publication type:
- Article
19
Christopher Nolan visto desde Gerard Genette: análisis narratológico de Memento.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2005, n. 18, p. 183
- By:
- Publication type:
- Article
20
Reimaginar el tiempo de la condición póstuma. Una aproximación desde la activación del esquema «"¿y si...?" -- "entonces"» en cuanto thought experiment.
- Published in:
- Artnodes, 2022, n. 29, p. 1, doi. 10.7238/artnodes.v0i29.393018
- By:
- Publication type:
- Article
21
"Why so serious?".
- Published in:
- Journal of Literary & Cultural Disability Studies, 2013, v. 7, n. 3, p. 305, doi. 10.3828/jlcds.2013.26
- By:
- Publication type:
- Article
22
IDENTITY CONSTRUCTION AND AMBIGUITY IN CHRISTOPHER NOLAN'S FILMS.
- Published in:
- Wide Screen, 2011, v. 3, n. 1, p. 1
- By:
- Publication type:
- Article
23
Looking for the Secret: Death and Desire in The Prestige.
- Published in:
- PsyArt, 2014, p. 1
- By:
- Publication type:
- Article
24
Legendary Caesar and the Architect Ariadne: Narrative, Myth and Psychology in Christopher Nolan's Batman Begins, The Dark Knight and Inception.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
25
The Man Who Was Not There What Einstein Is Really Doing in Oppenheimer.
- Published in:
- Hedgehog Review, 2024, v. 26, n. 2, p. 122
- By:
- Publication type:
- Article
26
'It's a Bird... It's a Plane... It's a Fusion Reactor': Representation of Energy in Superhero Movies.
- Published in:
- Quarterly Review of Film & Video, 2023, v. 40, n. 8, p. 1020, doi. 10.1080/10509208.2022.2069978
- By:
- Publication type:
- Article
27
Bat Meets Girl: Adapting the Dark Knight's Love Life to the Big Screen.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 3, p. 239, doi. 10.1080/10509208.2019.1587341
- By:
- Publication type:
- Article
28
INTERSTELLAR AND THE BEAUTY IN SCIENCE.
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
29
Solo la verità ci può salvare? Il cinema e il conflitto delle interpretazioni.
- Published in:
- Critical Hermeneutics: Biannual Journal of Philosophy, 2020, v. 4, n. 2, p. 109
- By:
- Publication type:
- Article
30
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126
- By:
- Publication type:
- Article
31
Barbenheimer Meets Business Strategy: The hugely popular Barbie and Oppenheimer films provide key lessons for accounting and finance professionals.
- Published in:
- Strategic Finance, 2023, v. 105, n. 3, p. 4
- By:
- Publication type:
- Article
32
The only way you can dream: interfaces and intolerable spaces in Christopher Nolan's Inception.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 4, p. 408, doi. 10.1080/10304312.2016.1141869
- By:
- Publication type:
- Article
33
Nuclear Imaginaries and Power in Oppenheimer.
- Published in:
- Technology & Culture, 2024, v. 65, n. 1, p. 319, doi. 10.1353/tech.2024.a920526
- By:
- Publication type:
- Article
34
Billion Dollar Noir: Christopher Nolan and the Reconstruction of Film Noir in Hollywood.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
35
Of Time Loops and Derivatives: Christopher Nolan's Interstellar and the Logic of the Futures Market.
- Published in:
- CR: The New Centennial Review, 2019, v. 19, n. 1, p. 277, doi. 10.14321/crnewcentrevi.19.1.0277
- By:
- Publication type:
- Article
36
Henry James's Memento.
- Published in:
- Henry James Review, 2009, v. 30, n. 2, p. 115, doi. 10.1353/hjr.0.0042
- By:
- Publication type:
- Article
37
Salvation from Illusion, Salvation by Illusion: The Gospel According to Christopher Nolan.
- Published in:
- Implicit Religion, 2014, v. 17, n. 4, p. 405, doi. 10.1558/imre.v17i4.405
- By:
- Publication type:
- Article
38
THE OUTLAW-KNIGHT: LAW'S VIOLENCE IN THE FAERIE QUEENE, THE MAN WHO SHOT LIBERTY VALANCE, AND THE DARKK NIGHT RISES.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
39
COORDINATING CONTEMPORANEITY (POST) MODERNITY, 9/11, AND THE DIALECTICAL IMAGERY OF MEMENTO.
- Published in:
- Cultural Critique, 2010, n. 75, p. 31, doi. 10.1353/cul.2010.0006
- By:
- Publication type:
- Article
40
Batman (and World War III) Begins: Hollywood Takes on Terror.
- Published in:
- 2007
- By:
- Publication type:
- Film/TV Criticism and Review
41
"I believe whatever doesn't kill you simply makes you…stranger": Discourses of terrorism and counter-terrorism in The Dark Knight.
- Published in:
- Reconstruction: Studies in Contemporary Culture, 2011, v. 11, n. 4, p. 20
- By:
- Publication type:
- Article
42
Time, Ethics, and the Films of Christopher Nolan.
- Published in:
- Visual Communication Quarterly, 2016, v. 23, n. 4, p. 199, doi. 10.1080/15551393.2016.1252655
- By:
- Publication type:
- Article
43
A Western Wake: Difference and Doubt in Christopher Nolan's "Inception."
- Published in:
- 2011
- By:
- Publication type:
- Essay
44
John Locke, Personal Identity, and "Memento."
- Published in:
- 2006
- By:
- Publication type:
- Essay
45
DUNKIRK (2017) AND DUNKIRK (1958).
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
46
Possible Worlds and the Linear Progression of Lyrical Editing.
- Published in:
- Close Up, 2020, v. 4, n. 1, p. 35
- By:
- Publication type:
- Article
47
Realism in the Age of the Simulated Image: Two Black Holes.
- Published in:
- Leonardo, 2022, v. 55, n. 5, p. 489, doi. 10.1162/leon_a_02253
- By:
- Publication type:
- Article
48
Biblical Narratives in INTERSTELLAR (Christopher Nolan, US/GB 2014).
- Published in:
- Journal for Religion, Film & Media, 2020, v. 6, n. 1, p. 53, doi. 10.25364/05.06:2020.1.4
- By:
- Publication type:
- Article
49
Shadows of the Bat: Constructions of Good and Evil in the Batman Movies of Tim Burton and Christopher Nolan.
- Published in:
- Journal for Religion, Film & Media, 2017, v. 3, n. 1, p. 75
- By:
- Publication type:
- Article
50
Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy.
- Published in:
- SAGE Open, 2022, v. 12, n. 4, p. 1, doi. 10.1177/21582440221128476
- By:
- Publication type:
- Article