The Man Who Was Not There What Einstein Is Really Doing in Oppenheimer.
- Published in:
- Hedgehog Review, 2024, v. 26, n. 2, p. 122
- By:
- Publication type:
- Article
Works matching Nolan, Christopher, 1970-
Results: 128
1
2
Of Time Loops and Derivatives: Christopher Nolan's Interstellar and the Logic of the Futures Market.
- Published in:
- CR: The New Centennial Review, 2019, v. 19, n. 1, p. 277, doi. 10.14321/crnewcentrevi.19.1.0277
- By:
- Publication type:
- Article
3
Henry James's Memento.
- Published in:
- Henry James Review, 2009, v. 30, n. 2, p. 115, doi. 10.1353/hjr.0.0042
- By:
- Publication type:
- Article
4
A Dunkirk Hype/What's Behind a Hype?
- Published in:
- 2022
- By:
- Publication type:
- Film/TV Criticism and Review
5
Biopolitics in the Anthropocene: On the Invention of Future Biopolitics in Snowpiercer, Elysium, and Interstellar.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
6
Capes, Cowls, and the Fragments of Ideology: Toward a Framework for Revealing Retributive Ideology in Film.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
7
Suiting up the Hero: Legacies of Medieval and Renaissance Armor and Identity in Christopher Nolan's Batman Begins.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
8
Realism in the Age of the Simulated Image: Two Black Holes.
- Published in:
- Leonardo, 2022, v. 55, n. 5, p. 489, doi. 10.1162/leon_a_02253
- By:
- Publication type:
- Article
9
Shifting Sounds Sequences within the Audio-Visual Space: Case of Hans Zimmer.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, n. 1, p. 7, doi. 10.31926/but.pa.2023.16.65.1.1
- By:
- Publication type:
- Article
10
Film Review Revenge of the Nerds.
- Published in:
- Physics in Perspective, 2023, v. 25, n. 3, p. 169, doi. 10.1007/s00016-023-00304-3
- By:
- Publication type:
- Article
11
CHRISTOPHER NOLAN SİNEMASININ ARKETİPSEL ANALİZİ.
- Published in:
- Istanbul Commerce University Journal of Social Sciences / İstanbul Ticaret Üniversitesi Sosyal Bilimler Dergisi, 2023, v. 22, n. 46, p. 474, doi. 10.46928/iticusbe.1218412
- By:
- Publication type:
- Article
12
Espacio, tiempo e identidad en el cine de Christopher Nolan: una aproximación filosófica a las claves narrativas de su puesta en escena.
- Published in:
- Revista de Comunicación, 2020, v. 19, n. 1, p. 7, doi. 10.26441/RC19.1-2020-A1
- By:
- Publication type:
- Article
13
Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.
- Published in:
- New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126
- By:
- Publication type:
- Article
14
The Look on Their Faces: Transcending Lack in Christopher Nolan' The Prestige.
- Published in:
- 2015
- By:
- Publication type:
- Essay
15
Vengeance, the powers of the false, and the time-image in christopher nolan's memento.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2006, v. 11, n. 1, p. 127, doi. 10.1080/09697250600798003
- By:
- Publication type:
- Article
16
Christopher Nolan’s Temporal Tenets.
- Published in:
- Image & Narrative, 2022, v. 23, n. 1, p. 86
- By:
- Publication type:
- Article
17
The Grey Area in a Black and White World - Duality in Christopher Nolan's Films.
- Published in:
- Pertanika Journal of Social Sciences & Humanities, 2020, v. 28, n. 1, p. 589
- By:
- Publication type:
- Article
18
Nuclear Imaginaries and Power in Oppenheimer.
- Published in:
- Technology & Culture, 2024, v. 65, n. 1, p. 319, doi. 10.1353/tech.2024.a920526
- By:
- Publication type:
- Article
19
'It's a Bird... It's a Plane... It's a Fusion Reactor': Representation of Energy in Superhero Movies.
- Published in:
- Quarterly Review of Film & Video, 2023, v. 40, n. 8, p. 1020, doi. 10.1080/10509208.2022.2069978
- By:
- Publication type:
- Article
20
Bat Meets Girl: Adapting the Dark Knight's Love Life to the Big Screen.
- Published in:
- Quarterly Review of Film & Video, 2019, v. 36, n. 3, p. 239, doi. 10.1080/10509208.2019.1587341
- By:
- Publication type:
- Article
21
Christopher Nolan's Dunkirk as Film and History.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
22
The Unconscious as Cinematographic Form: A Psychoanalytic Reading of Inception.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2024, v. 16, n. 1, p. 1, doi. 10.21659/rupkatha.v16n1.04g
- By:
- Publication type:
- Article
23
Dystopia in The Dark Knight Trilogy: How Utopian Ideas Are Warped and Corrupted in Their Application.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
24
DO DESENHO DO ESPAOÇAO ESPAÇO DA ESCRITA: Trajectos da memória e inscriçäo da identidade no fume Memento.
- Published in:
- Trajectos, 2011, n. 18, p. 99
- By:
- Publication type:
- Article
25
Digital Sleep and the Performance of Lucidity in Paprika.
- Published in:
- 2016
- By:
- Publication type:
- Essay
26
The only way you can dream: interfaces and intolerable spaces in Christopher Nolan's Inception.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 4, p. 408, doi. 10.1080/10304312.2016.1141869
- By:
- Publication type:
- Article
27
How Can Satan Cast Out Satan?
- Published in:
- 2013
- By:
- Publication type:
- Essay
28
Looking for the Secret: Death and Desire in The Prestige.
- Published in:
- PsyArt, 2014, p. 1
- By:
- Publication type:
- Article
29
Legendary Caesar and the Architect Ariadne: Narrative, Myth and Psychology in Christopher Nolan's Batman Begins, The Dark Knight and Inception.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
30
Ambiguous Mr. Fox: Black Actors and Interest Convergence in the Superhero Film.
- Published in:
- Journal of American Culture, 2017, v. 40, n. 2, p. 155, doi. 10.1111/jacc.12712
- By:
- Publication type:
- Article
31
Christopher Nolan's Inception: spectacular speculations.
- Published in:
- Screen, 2017, v. 58, n. 2, p. 229, doi. 10.1093/screen/hjx020
- By:
- Publication type:
- Article
32
Desperate Acts and Compromises.
- Published in:
- Foundations of Science, 2022, v. 27, n. 3, p. 1001, doi. 10.1007/s10699-020-09764-z
- By:
- Publication type:
- Article
33
The Politics of the Inner: Why The Dark Knight Rises is Not a Conservative Allegory.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
34
'As a Symbol I Can be Incorruptible': How Christopher Nolan De-Queered the Batman of Joel Schumacher.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
35
'It's What You Do that Defines You:' Christopher Nolan's Batman as Moral Philosopher.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
36
"It's Like Waking": Making Meaning in and of Christopher Nolan's Memento.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
37
Christopher Nolan visto desde Gerard Genette: análisis narratológico de Memento.
- Published in:
- Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2005, n. 18, p. 183
- By:
- Publication type:
- Article
38
Under the Eye of James Joyce: Christopher Nolan's Celebration of Influence.
- Published in:
- 1997
- By:
- Publication type:
- Literary Criticism
39
Kajian Keselarian antara Filem Inception dengan Pemikiran Al-Ghazali.
- Published in:
- Akademika, 2020, v. 90, n. 3, p. 75, doi. 10.17576/akad-2020-9003-07
- By:
- Publication type:
- Article
40
The Dark Knight Rises: Christianity, capitalism and psychopathology.
- Published in:
- Australasian Journal of Popular Culture, 2016, v. 5, n. 1, p. 49, doi. 10.1386/ajpc.5.1.49_1
- By:
- Publication type:
- Article
41
On Fictional Characters as Types.
- Published in:
- British Journal of Aesthetics, 2017, v. 57, n. 2, p. 161, doi. 10.1093/aesthj/ayw091
- By:
- Publication type:
- Article
42
Reimaginar el tiempo de la condición póstuma. Una aproximación desde la activación del esquema «"¿y si...?" -- "entonces"» en cuanto thought experiment.
- Published in:
- Artnodes, 2022, n. 29, p. 1, doi. 10.7238/artnodes.v0i29.393018
- By:
- Publication type:
- Article
43
"I believe whatever doesn't kill you simply makes you…stranger": Discourses of terrorism and counter-terrorism in The Dark Knight.
- Published in:
- Reconstruction: Studies in Contemporary Culture, 2011, v. 11, n. 4, p. 20
- By:
- Publication type:
- Article
44
Beyond the limits of the law: a Christological reading of Christopher Nolan's The Dark Knight.
- Published in:
- Griffith Law Review, 2015, v. 24, n. 3, p. 418, doi. 10.1080/10383441.2015.1096985
- By:
- Publication type:
- Article
45
FILM: Gotham City's Dictatorship of the Proletariat.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
46
Multimodal narrative construction in Christopher Nolan’s Memento a description of analytic method.
- Published in:
- Visual Communication, 2012, v. 11, n. 1, p. 91, doi. 10.1177/1470357211424691
- By:
- Publication type:
- Article
47
Socratic Narrative: A Reply to Diehl.
- Published in:
- Journal of Aesthetics & Art Criticism, 2017, v. 75, n. 3, p. 296, doi. 10.1111/jaac.12393
- By:
- Publication type:
- Article
48
Socratic Film.
- Published in:
- Journal of Aesthetics & Art Criticism, 2016, v. 74, n. 1, p. 23, doi. 10.1111/jaac.12239
- By:
- Publication type:
- Article
49
Cinematic Philosophy: Experiential Affirmation in Memento.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
50
Archive.
- Published in:
- Bioscope: South Asian Screen Studies, 2021, v. 12, n. 1-2, p. 18, doi. 10.1177/09749276211026078
- By:
- Publication type:
- Article