Film Finances and the British New Wave.
- Published in:
- Historical Journal of Film, Radio & Television, 2014, v. 34, n. 1, p. 23, doi. 10.1080/01439685.2014.879000
- By:
- Publication type:
- Article
Works matching New wave films
Results: 253
1
2
"Heroes of the Working Class"? Work in Czechoslovak Films of the New- Wave and Postcommunist Years.
- Published in:
- Framework: The Journal of Cinema & Media, 2012, v. 53, n. 1, p. 190, doi. 10.1353/frm.2012.0008
- By:
- Publication type:
- Article
3
Listening to the French New Wave. The Film Music and Composers of Postwar French Art Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
4
Demy Monde: the New-Wave Films of Jacques Demy.
- Published in:
- Quarterly Review of Film & Video, 2008, v. 25, n. 5, p. 382, doi. 10.1080/10509200601093256
- By:
- Publication type:
- Article
5
Subjectivism, uncertainty and individuality: Munk's Człowiek na torze/Man on the Tracks (1956) and its influence on the Czechoslovak New Wave.
- Published in:
- Studies in Eastern European Cinema, 2011, v. 2, n. 1, p. 61, doi. 10.1386/seec.2.1.61_1
- By:
- Publication type:
- Article
6
'La Nouvelle Vague, elle t'emm---!' Louis Malle, Zazie dans le métro and the French New Wave.
- Published in:
- Modern & Contemporary France, 2019, v. 27, n. 4, p. 493, doi. 10.1080/09639489.2019.1645650
- By:
- Publication type:
- Article
7
French New Wave Cinema and the Legacy of Male Libertinage.
- Published in:
- Cinema Journal, 2010, v. 49, n. 4, p. 152
- By:
- Publication type:
- Article
8
Marginalised in the New Wave Tamil Film: Subaltern Aspirations in three films by Bala, Kumararaja and Mysskin.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2019, v. 11, n. 3, p. 1, doi. 10.21659/rupkatha.v11n3.03
- By:
- Publication type:
- Article
9
Teaching French New Wave Cinema in Comparison with Indian New Wave Cinema: Similarities and Differences.
- Published in:
- IUP Journal of English Studies, 2020, v. 15, n. 3, p. 38
- By:
- Publication type:
- Article
10
Między minimalizmem a melodramatem. Przestrzeń filmowa w kinie rumuńskiej nowej fali.
- Published in:
- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2020, v. 27, n. 36, p. 71, doi. 10.14746/i.2020.36.05
- By:
- Publication type:
- Article
11
'Dead Champagne': Variety's 'New Wave.'.
- Published in:
- Film History, 1998, v. 10, n. 2, p. 219
- By:
- Publication type:
- Article
12
Weirdness, Feel-Bad and New Extremity in Contemporary European Film: the Examples of Greece, Austria, France and Romania.
- Published in:
- Ekphrasis (2067-631X), 2015, n. 2, p. 88
- By:
- Publication type:
- Article
13
Otto the Barbarian : Patriarchy, Feminism, and Romanian New Wave Cinema.
- Published in:
- Film Matters, 2021, v. 12, n. 3, p. 153, doi. 10.1386/fm_00183_7
- By:
- Publication type:
- Article
14
Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema.
- Published in:
- Studies in Eastern European Cinema, 2018, v. 9, n. 2, p. 132, doi. 10.1080/2040350X.2018.1435204
- By:
- Publication type:
- Article
15
The Lost Art of Keeping a Secret: Jacques Rivette's Film Criticism for Arts.
- Published in:
- Film Criticism, 2014, v. 39, n. 1, p. 51
- By:
- Publication type:
- Article
16
The Signature of the French New Wave (Godard's Le Mépris).
- Published in:
- Critical Quarterly, 2011, p. 62, doi. 10.1111/j.1467-8705.2011.00047.x
- By:
- Publication type:
- Article
17
Suburban landscape and the painterly screen in Kurkvaara's Open Secret.
- Published in:
- Journal of Scandinavian Cinema, 2018, v. 8, n. 1, p. 5, doi. 10.1386/jsca.8.1.5_1
- By:
- Publication type:
- Article
18
Who Killed Brigitte Bardot? Perspectives on the New Wave at Fifty.
- Published in:
- Cinema Journal, 2010, v. 49, n. 4, p. 145, doi. 10.1353/cj.2010.0004
- By:
- Publication type:
- Article
19
The New Wave's American Reception.
- Published in:
- Cinema Journal, 2010, v. 49, n. 4, p. 139, doi. 10.1353/cj.2010.0001
- By:
- Publication type:
- Article
20
Class S: appropriation of 'lesbian' subculture in modern Japanese literature and New Wave cinema.
- Published in:
- Cultural Studies, 2021, v. 35, n. 1, p. 27, doi. 10.1080/09502386.2020.1844259
- By:
- Publication type:
- Article
21
Europe's irresolvable messiness.
- Published in:
- Studies in European Cinema, 2023, v. 20, n. 1, p. 1, doi. 10.1080/17411548.2023.2181568
- By:
- Publication type:
- Article
22
Shouldn't Love Be the One True Thing? Godard and the Legacy of Surrealist Ethics.
- Published in:
- Quarterly Review of Film & Video, 2017, v. 34, n. 8, p. 687, doi. 10.1080/10509208.2017.1347862
- By:
- Publication type:
- Article
23
Good-bye, Children; Good-bye, Mary, Mother of Sorrows: The Church and the Holocaust in the Art of Louis Malle.
- Published in:
- 2002
- By:
- Publication type:
- Film/TV Criticism and Review
24
How New Wave and Rive Gauche Cinema Revolutionized Time for May '68.
- Published in:
- Contemporary French & Francophone Studies, 2019, v. 23, n. 2, p. 145, doi. 10.1080/17409292.2019.1651004
- By:
- Publication type:
- Article
25
The Cinematic French Exception: The Autobiographical Auteur.
- Published in:
- Contemporary French & Francophone Studies, 2008, v. 12, n. 3, p. 385, doi. 10.1080/17409290802284982
- By:
- Publication type:
- Article
26
Paris, city of shadows: French crime cinema before the New Wave.
- Published in:
- New Review of Film & Television Studies, 2008, v. 6, n. 2, p. 213, doi. 10.1080/17400300802098347
- By:
- Publication type:
- Article
27
Total cinema: Chronique d'un été and the end of Bazinian film theory.
- Published in:
- 2007
- By:
- Publication type:
- Essay
28
Shinoda's Pale Flower as a Japanese film noir.
- Published in:
- Journal of Japanese & Korean Cinema, 2012, v. 3, n. 1, p. 13, doi. 10.1386/jjkc.3.1.13_1
- By:
- Publication type:
- Article
29
Dogmatic Shakespeare: a 'recognition of ghostly presences' in Thomas Vinterberg's Festen and Kristian Levring's The King is Alive.
- Published in:
- Journal of Adaptation in Film & Performance, 2009, v. 2, n. 2, p. 109, doi. 10.1386/jafp.2.2.109_1
- By:
- Publication type:
- Article
30
Supernatural Justice Through the Monstrous Feminine: Reading Bulbbul (2020) as a New Wave Feminist Film.
- Published in:
- Literature & Aesthetics, 2024, v. 34, n. 1, p. 169
- By:
- Publication type:
- Article
31
The absent father of Sino-French cinema: contemporary Taiwanese cinema and 1950s French auteurs.
- Published in:
- Journal of Chinese Cinemas, 2014, v. 8, n. 1, p. 37, doi. 10.1080/17508061.2013.875728
- By:
- Publication type:
- Article
32
Queering the New-Wave Deal: Gender and Sexuality in Jacques Demy's A Slightly Pregnant Man.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
33
29.1: A New Achromatic Quarter-Wave Film Using Liquid-Crystal Materials for Anti-Reflection of OLEDs.
- Published in:
- SID Symposium Digest of Technical Papers, 2014, v. 45, n. 1, p. 381, doi. 10.1002/j.2168-0159.2014.tb00103.x
- By:
- Publication type:
- Article
34
Reprezentacija jugoslovenskog novog talasa u dokumentarnom filmu "Novi talas u SFRJ kao društveni pokret".
- Published in:
- Issues in Ethnology Anthropology, 2019, v. 14, n. 1, p. 79, doi. 10.21301/eap.v14i1.3
- By:
- Publication type:
- Article
35
(((1973))).
- Published in:
- Film International (16516826), 2015, v. 13, n. 3, p. 6, doi. 10.1386/fiin.13.3.6_1
- By:
- Publication type:
- Article
36
No Start, No End: Auteurism and the auteur theory.
- Published in:
- Film International (16516826), 2012, v. 10, n. 6, p. 37, doi. 10.1386/fiin.10.6.37_1
- By:
- Publication type:
- Article
37
Editorial Issue 45.
- Published in:
- Film International (16516826), 2010, v. 8, n. 3, p. 4, doi. 10.1386/fiin.8.3.4
- By:
- Publication type:
- Article
38
An Interview with Agnieszka Holland: The Politics of Ambiguity.
- Published in:
- 2008
- By:
- Publication type:
- Interview
39
Análisis temático de Contes des quatre saisons.
- Published in:
- Comunicación y Sociedad, 2003, v. 16, n. 1, p. 95
- By:
- Publication type:
- Article
40
Looking Back at the British New Wave.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 2, p. 232, doi. 10.3366/jbctv.2010.0004
- By:
- Publication type:
- Article
41
Film and History: New Wave Cinema and '68.
- Published in:
- Film & History (03603695), 1989, v. 19, n. 3, p. 61, doi. 10.1353/flm.1989.a402292
- By:
- Publication type:
- Article
42
New-ness, Sequelization, and Dogme logic in Kristian Levring's The King is Alive.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 1, p. 3, doi. 10.1386/ncin.3.1.3/1
- By:
- Publication type:
- Article
43
Legionnaires, or the post-dramatic, political theatre, Latvian style, goes on Legionnaires - directed by Valters Silis, produced by Theatre Gertrudes ielas teatris (Latvia), Turteatern (Sweden), Kokoteatteri (Finland) - against the background of a 'punching with tenderness' political theatre wave
- Published in:
- Maska, 2013, v. 28, n. 157/158, p. 112, doi. 10.1386/maska.28.157-158.112_1
- By:
- Publication type:
- Article
44
A psychoanalytical approach to Cristian Mungiu's 4 Months, 3 Weeks and 2 Days.
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 295, doi. 10.1177/0047244118801684
- By:
- Publication type:
- Article
45
Narrative mutations French cinema and its relations with literature from Vichy towards the New Wave.
- Published in:
- Journal of European Studies, 2007, v. 37, n. 2, p. 159, doi. 10.1177/0047244107077824
- By:
- Publication type:
- Article
46
A History of the French New Wave Cinema (Book).
- Published in:
- 2003
- By:
- Publication type:
- Book Review
47
İran Yeni Dalga Sineması ve Majid Majidi'nin "Cennetin Çocukları" Filmi.
- Published in:
- Journal of Social Sciences Research / Sosyal Bilimler Arastirmalari Dergisi, 2017, v. 7, n. 2, p. 333
- By:
- Publication type:
- Article
48
Cinécriture Féminine : Female Subjectivity in Varda's Cléo from 5 to 7 (1962) in Comparison with Godard's Films.
- Published in:
- Film Matters, 2024, v. 15, n. 1, p. 7, doi. 10.1386/fm_00319_1
- By:
- Publication type:
- Article
49
Authority Figures in Post-Revolutionary Society: Examining Romanian Attitudes Toward the Police in Pororoca and Police, Adjective.
- Published in:
- Film Matters, 2021, v. 12, n. 3, p. 164, doi. 10.1386/fm_00184_7
- By:
- Publication type:
- Article
50
Jump Cuts in Godard's Breathless.
- Published in:
- Film Matters, 2020, v. 11, n. 3, p. 133, doi. 10.1386/fm_00109_7
- By:
- Publication type:
- Article