Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
Works matching Nationalism %26 motion pictures
Results: 130
1
2
The Miracle Workers: 'German Suffering', Israeli Masculinity, and the Feminised/Queered Nation as Redemptive in Eytan Fox's Walk On Water.
- Published in:
- German Monitor, 2011, v. 73, n. 1, p. 201
- By:
- Publication type:
- Article
3
'DE LEEUW VAN VLAANDEREN WIL IK ZO GAUW MOGELIJK VERGETEN" Over de productie en receptie van de film en televisieserie De Leeuw van Viaanderen (1984).
- Published in:
- Journal of Belgian History / Revue Belge d'Histoire Contemporaine, 2013, v. 43, n. 2/3, p. 178
- By:
- Publication type:
- Article
4
Entrepreneurs and the State in the Italian Film Industry, 1919--1935.
- Published in:
- Business History Review, 2011, v. 85, n. 4, p. 775, doi. 10.1017/S000768051100119X
- By:
- Publication type:
- Article
5
NOT JUST DEATH AND RUINS: THE YOUNG, AND NEW BEGINNINGS IN GERMAN 'RUBBLE FILMS'.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 503, doi. 10.1111/glal.12133
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- Publication type:
- Article
6
EAST OR WEST, RODINA IS BEST: SHAPING A SOCIALIST 'HEIMAT' IN GERMAN AND SOVIET FILM OF THE OCCUPATION PERIOD.
- Published in:
- German Life & Letters, 2016, v. 69, n. 4, p. 519, doi. 10.1111/glal.12134
- By:
- Publication type:
- Article
7
Celluloid teaching tools: classroom films in the Netherlands (1941-1953).
- Published in:
- Film History, 2007, v. 19, n. 4, p. 392, doi. 10.2979/FIL.2007.19.4.392
- By:
- Publication type:
- Article
8
An experiment in 'historically correct' Canadian photoplays: Montreal's British American Film Manufacturing Co.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 34, doi. 10.2979/FIL.2007.19.1.34
- By:
- Publication type:
- Article
9
Pedagogía, subalternidad y fatum en Los Olvidados (1950) de Luis Buñuel: ambivalencias entre la diáspora republicana en México y la ‘Época de Oro' como cine nacional.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
10
PATRIOTISM AND THE MUSLIM CITIZEN IN HINDI FILMS.
- Published in:
- Harvard Asia Quarterly, 2003, v. 7, n. 3, p. 4
- By:
- Publication type:
- Article
11
Visual Reconfigurations of Casablanca in Nour-Eddine Lakhmari's Casanegra.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
12
“100% Pure New Zealand:” the Tourist Gaze in Niki Caro's Memory and Desire.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
13
Doubleness and Idiosyncrasy in Cross-Cultural Analysis.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 173, doi. 10.1080/10509209109361375
- By:
- Publication type:
- Article
14
Making a Nation in Sembene's Ceddo.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 147, doi. 10.1080/10509209109361374
- By:
- Publication type:
- Article
15
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
- By:
- Publication type:
- Article
16
The Brazilian sertão as post-national landscape in the work of Marcelo Gomes.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
17
The State, Citizens and Control: Film and African Audiences in South Africa, 1910–1948.
- Published in:
- Journal of Southern African Studies, 2014, v. 40, n. 2, p. 309, doi. 10.1080/03057070.2014.901640
- By:
- Publication type:
- Article
18
Bollywood and neonationalism: The emergence of nativism as the norm in Indian conventional cinema.
- Published in:
- South Asian Popular Culture, 2011, v. 9, n. 3, p. 237, doi. 10.1080/14746689.2011.597953
- By:
- Publication type:
- Article
19
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
20
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933.
- Published in:
- Historical Journal of Film, Radio & Television, 2017, v. 37, n. 2, p. 174, doi. 10.1080/01439685.2016.1157289
- By:
- Publication type:
- Article
21
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 125, doi. 10.1080/01439685.2014.903038
- By:
- Publication type:
- Article
22
Equivocal Subjects: Between Italy and Africa—constructions of racial and national identity in the Italian cinema.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
23
Filmed News and Nationalism in Belgium: Flemish Events At the Crossroads of Politics, Culture and Commerce (1929–1942).
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 3, p. 379, doi. 10.1080/01439685.2012.699646
- By:
- Publication type:
- Article
24
Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 343, doi. 10.1080/01439680903145587
- By:
- Publication type:
- Article
25
Are We There Yet?: Studies of National Cinema in Ukraine.
- Published in:
- Canadian Slavonic Papers, 2011, v. 53, n. 2-4, p. 475, doi. 10.1080/00085006.2011.11092685
- By:
- Publication type:
- Article
26
Recepción fílmica y la formación de identidades sociales vinculadas a la categoría nación.
- Published in:
- Psicología (02549247), 2015, v. 33, n. 2, p. 278
- By:
- Publication type:
- Article
27
Digital storytelling as ‘national cinema’?
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 6, p. 706, doi. 10.1080/10304312.2016.1231788
- By:
- Publication type:
- Article
28
New myths of OZ: the Australian beach and the negotiation of national belonging by refugee background youth.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 1, p. 32, doi. 10.1080/10304312.2015.1117572
- By:
- Publication type:
- Article
29
Nationalist African Cinema: Legacy and Transformations.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
30
The Tango on Broadway: Carlos Gardel's International Stardom and the Transition to Sound in Argentina.
- Published in:
- Cinema Journal, 2011, v. 51, n. 1, p. 26, doi. 10.1353/cj.2011.0075
- By:
- Publication type:
- Article
31
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
32
The South Asian Image.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
33
The long shadow of the New German Cinema: Deutschland 09, Deutschland im Herbst and national film culture.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
34
Hollywood and Europe: Economics, Culture, National Identity 1946-95.
- Published in:
- 2000
- By:
- Publication type:
- Book Review
35
Inangbayan, the mother-nation, in Lino Brocka's Bayan Ko: Kapit Sa Patalim and Orapronobis.
- Published in:
- Screen, 1996, v. 37, n. 4, p. 368, doi. 10.1093/screen/37.4.368
- By:
- Publication type:
- Article
36
FOR A NATIONALIST, REALIST, CRITICAL AND POPULAR CINEMA.
- Published in:
- Screen, 1985, v. 26, n. 3/4, p. 89, doi. 10.1093/screen/26.3-4.89
- By:
- Publication type:
- Article
37
Cinematic Echoes of Covenants Past and Present: National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
38
Passionately Documenting: Taiwan's Latest Cinematic Revival.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
39
Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
40
The Basque Nation On-Screen. Cinema, Nationalism, and Political Violence.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
41
El laberíntico caso del Fauno. A propósito de la identidad nacional de las películas.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
42
XXI IAMHIST Congress, Cincinnati, OHIO, July 22–23, 2005: Projections of Race and Ethnicity.
- Published in:
- Historical Journal of Film, Radio & Television, 2006, v. 26, n. 1, p. 87, doi. 10.1080/01439680500533516
- By:
- Publication type:
- Article
43
Caribbean Transnational Films and National Culture, or How Puerto Rican or Dominican Can You Be in "Nueba Yol"?
- Published in:
- Centro Journal, 2016, v. 28, n. 1, p. 146
- By:
- Publication type:
- Article
44
Policing across borders: Line of Duty and the politics of national identity.
- Published in:
- Journal of Popular Television, 2014, v. 2, n. 2, p. 155, doi. 10.1386/jptv.2.2.155_1
- By:
- Publication type:
- Article
45
Mapping the Nation and Security in Global Space: A Comparative Study of Danish, Egyptian, and U.S. Action-Adventure Fans.
- Published in:
- International Journal of Communication (19328036), 2012, v. 6, p. 2609
- By:
- Publication type:
- Article
46
Straight from Brazil? National and Sexual Disavowal in Mario Peixoto's Limite.
- Published in:
- Luso-Brazilian Review, 2001, v. 38, n. 1, p. 31
- By:
- Publication type:
- Article
47
Books Received.
- Published in:
- 2017
- Publication type:
- Bibliography
48
Nationalism and the Cinema in France: Political Mythologies and Film Events, 1945-1995.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
49
Nationalism, African Cinema, and Frames of Scrutiny.
- Published in:
- 2001
- By:
- Publication type:
- Literary Criticism
50
MORVERN CALLAR, ART CINEMA AND THE 'MONSTROUS ARCHIVE.'.
- Published in:
- Scottish Studies Review, 2007, v. 8, n. 1, p. 101
- By:
- Publication type:
- Article