Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
Works matching Nationalism %26 motion pictures
Results: 131
1
2
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
3
The Interface of Documentary and Fiction: The Amber Film Workshop and Regional Documentary Practice.
- Published in:
- Journal of British Cinema & Television, 2009, v. 6, n. 3, p. 387, doi. 10.3366/E1743452109001095
- By:
- Publication type:
- Article
4
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
- By:
- Publication type:
- Article
5
The Brazilian sertão as post-national landscape in the work of Marcelo Gomes.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
6
Political and Narrative Ambiguities in La Bataille du Rail.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 142, doi. 10.3167/hrrh2009.350209
- By:
- Publication type:
- Article
7
Narrating the past: Cultural memory and Romanian identity in Aferim!
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 308, doi. 10.1177/0047244118797054
- By:
- Publication type:
- Article
8
Introduction.
- Published in:
- Journal of European Studies, 2010, v. 40, n. 3, p. 203, doi. 10.1177/0047244110371900
- By:
- Publication type:
- Article
9
Noble Thracian tribesmen and medieval warrior-statesmen: The Romanian cinema of nationalism: historical films as propaganda and spectacle, by Onoriu Colăcel, Jefferson, North Carolina: McFarland & Company, Inc., 2018, 212 pp., $65.00 (paperback), ISBN: 978-1-4766-6819-1
- Published in:
- 2020
- By:
- Publication type:
- Book Review
10
Cinema outside cinema: Czech educational cinema of the 1930s under the control of pedagogues, scientists and humanitarian groups.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 2, p. 175, doi. 10.1386/seec.3.2.175_1
- By:
- Publication type:
- Article
11
Cinematic images of nation-ness: Space, time and gender in Young Eagles (Estonia) and L??pl?sis (Latvia).
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 1, p. 69, doi. 10.1386/seec.3.1.69_1
- By:
- Publication type:
- Article
12
Recovering Québec Culture: The Feature Films of Bernard Émond.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
Misunderstanding the Other: Colonial Fantasies in "Japanese Story."
- Published in:
- Antipodes, 2009, v. 23, n. 2, p. 185
- By:
- Publication type:
- Article
14
The Intimate Other: Screening North Korean Defectors in Multicultural South Korea.
- Published in:
- Asian Studies Review, 2025, v. 49, n. 1, p. 99, doi. 10.1080/10357823.2024.2355139
- By:
- Publication type:
- Article
15
The South Asian Image.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
16
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
17
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933.
- Published in:
- Historical Journal of Film, Radio & Television, 2017, v. 37, n. 2, p. 174, doi. 10.1080/01439685.2016.1157289
- By:
- Publication type:
- Article
18
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 125, doi. 10.1080/01439685.2014.903038
- By:
- Publication type:
- Article
19
Equivocal Subjects: Between Italy and Africa—constructions of racial and national identity in the Italian cinema.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
20
Filmed News and Nationalism in Belgium: Flemish Events At the Crossroads of Politics, Culture and Commerce (1929–1942).
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 3, p. 379, doi. 10.1080/01439685.2012.699646
- By:
- Publication type:
- Article
21
Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 343, doi. 10.1080/01439680903145587
- By:
- Publication type:
- Article
22
XXI IAMHIST Congress, Cincinnati, OHIO, July 22–23, 2005: Projections of Race and Ethnicity.
- Published in:
- Historical Journal of Film, Radio & Television, 2006, v. 26, n. 1, p. 87, doi. 10.1080/01439680500533516
- By:
- Publication type:
- Article
23
Policing across borders: Line of Duty and the politics of national identity.
- Published in:
- Journal of Popular Television, 2014, v. 2, n. 2, p. 155, doi. 10.1386/jptv.2.2.155_1
- By:
- Publication type:
- Article
24
Entrepreneurs and the State in the Italian Film Industry, 1919--1935.
- Published in:
- Business History Review, 2011, v. 85, n. 4, p. 775, doi. 10.1017/S000768051100119X
- By:
- Publication type:
- Article
25
Ties That Bind: KRIV STENDERS’ AUSTRALIA DAY AND THE PROBLEMS OF PATRIOTISM.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
26
You ain't nothin but a slumdog.
- Published in:
- Metro, 2009, n. 160, p. 70
- By:
- Publication type:
- Article
27
Nationalism and the cinema in France, political mythologies and film events, 1945–1995.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
28
Re-making History and Cultural Identity: From The Return of Martin Guerre to Sommersby.
- Published in:
- Film Criticism, 2001, v. 26, n. 1, p. 2
- By:
- Publication type:
- Article
29
Duel or Duet? Gendered Nationalism in The Piano.
- Published in:
- Film Criticism, 2000, v. 24, n. 3, p. 61
- By:
- Publication type:
- Article
30
Blood Cinema: The Reconstruction of National Identity in Spain.
- Published in:
- 1996
- By:
- Publication type:
- Book Review
31
Conflicting Visions: Estonia and Estonians as Presented in the Cinema of the 1990s and 2000s.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
32
Lust and Disgust: The Rhetoric of Abjection in the Spanish Immigration Films Bwana, Flores de otro mundo and Princesas.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
33
Introduction: European Cinema and Post-Democracy.
- Published in:
- Studies in European Cinema, 2019, v. 16, n. 3, p. 173, doi. 10.1080/17411548.2019.1644036
- By:
- Publication type:
- Article
34
Engaged observationalism: forming publics in the gallery film.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
35
Passionately Documenting: Taiwan's Latest Cinematic Revival.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
36
Don't Look to the East: National Sentiments in Andrzej Wajda's Contemporary Film Epics.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
37
An Eye for an I: Identity and Nation in the Films of John Schlesinger.
- Published in:
- 2016
- By:
- Publication type:
- Essay
38
Love Is a Man's Thing: Hollywood and the Spanish “Homme-com”.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
39
Indigenous Helpers and Renegade Invaders: Ambivalent Characters in Biblical and Cinematic Conquest Narratives.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
40
Allegory and Ambiguity in the Films of Majid Majidi: A Theodicy of Meaning.
- Published in:
- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.03
- By:
- Publication type:
- Article
41
Szel/Wind: Memory and history.
- Published in:
- Short Film Studies, 2012, v. 2, n. 2, p. 181, doi. 10.1386/sfs.2.2.181_1
- By:
- Publication type:
- Article
42
Recepción fílmica y la formación de identidades sociales vinculadas a la categoría nación.
- Published in:
- Psicología (02549247), 2015, v. 33, n. 2, p. 278
- By:
- Publication type:
- Article
43
Breaking with English: the nation as ethnoscape 1.
- Published in:
- National Identities, 2004, v. 6, n. 1, p. 61, doi. 10.1080/1460894042000201757
- By:
- Publication type:
- Article
44
Straight from Brazil? National and Sexual Disavowal in Mario Peixoto's Limite.
- Published in:
- Luso-Brazilian Review, 2001, v. 38, n. 1, p. 31
- By:
- Publication type:
- Article
45
Beautiful Friendship: Masculinity and Nationalism in Casablanca.
- Published in:
- 2014
- By:
- Publication type:
- Essay
46
Who Advocates for Egypt? Women Lawyers in Egyptian Film on the Eve of Independence.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
47
Recovering History: Gender, Anti‐colonial Militancy and Indian Popular Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
48
A transnational history of Finnish cinema - rethinking the study of a small nation cinema.
- Published in:
- Journal of Scandinavian Cinema, 2013, v. 3, n. 1, p. 7, doi. 10.1386/jsca.3.1.7_1
- By:
- Publication type:
- Article
49
Mimic Realities: The Construction of Popular Identity in Contemporary Lithuanian Film.
- Published in:
- Lituanus, 2013, v. 59, n. 1, p. 5
- By:
- Publication type:
- Article
50
Nationalist African Cinema: Legacy and Transformations.
- Published in:
- 2015
- By:
- Publication type:
- Book Review