Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
Works matching Nationalism %26 motion pictures
Results: 131
1
2
Race, difference, and Irish identity in Cartoon Saloon's 2009 film, The Secret of Kells.
- Published in:
- Irish Studies Review, 2025, v. 33, n. 2, p. 161, doi. 10.1080/09670882.2025.2492910
- By:
- Publication type:
- Article
3
THE MAN FROM SNOWY RIVER: AUSTRALIA'S BUSH LEGE AND COMMERCIAL NATIONALISM.
- Published in:
- Tourism Review International, 2009, v. 13, n. 2, p. 139, doi. 10.3727/154427209789604633
- By:
- Publication type:
- Article
4
Bollywood and neonationalism: The emergence of nativism as the norm in Indian conventional cinema.
- Published in:
- South Asian Popular Culture, 2011, v. 9, n. 3, p. 237, doi. 10.1080/14746689.2011.597953
- By:
- Publication type:
- Article
5
Erasmus, Exchange Value and Euronormativity in Cédric Klapisch's L'Auberge espagnole and Les Poupées russes.
- Published in:
- Faux Titre, 2010, v. 359, p. 433
- By:
- Publication type:
- Article
6
Heroism, Raison d'état, and National Communism: Red Nationalism in the Cinema of People's Poland.
- Published in:
- Contemporary European History, 2012, v. 21, n. 2, p. 235, doi. 10.1017/S0960777312000136
- By:
- Publication type:
- Article
7
Abstracts: French and German.
- Published in:
- 2012
- Publication type:
- Abstract
8
Nationalist African Cinema: Legacy and Transformations.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
9
The Tango on Broadway: Carlos Gardel's International Stardom and the Transition to Sound in Argentina.
- Published in:
- Cinema Journal, 2011, v. 51, n. 1, p. 26, doi. 10.1353/cj.2011.0075
- By:
- Publication type:
- Article
10
The South Asian Image.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
11
Visual Reconfigurations of Casablanca in Nour-Eddine Lakhmari's Casanegra.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
12
“100% Pure New Zealand:” the Tourist Gaze in Niki Caro's Memory and Desire.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
13
Doubleness and Idiosyncrasy in Cross-Cultural Analysis.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 173, doi. 10.1080/10509209109361375
- By:
- Publication type:
- Article
14
Making a Nation in Sembene's Ceddo.
- Published in:
- Quarterly Review of Film & Video, 1991, v. 13, n. 1-3, p. 147, doi. 10.1080/10509209109361374
- By:
- Publication type:
- Article
15
MORVERN CALLAR, ART CINEMA AND THE 'MONSTROUS ARCHIVE.'.
- Published in:
- Scottish Studies Review, 2007, v. 8, n. 1, p. 101
- By:
- Publication type:
- Article
16
Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
17
Who Advocates for Egypt? Women Lawyers in Egyptian Film on the Eve of Independence.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
18
Recovering History: Gender, Anti‐colonial Militancy and Indian Popular Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
19
Entrepreneurs and the State in the Italian Film Industry, 1919--1935.
- Published in:
- Business History Review, 2011, v. 85, n. 4, p. 775, doi. 10.1017/S000768051100119X
- By:
- Publication type:
- Article
20
Breaking with English: the nation as ethnoscape 1.
- Published in:
- National Identities, 2004, v. 6, n. 1, p. 61, doi. 10.1080/1460894042000201757
- By:
- Publication type:
- Article
21
Digital storytelling as ‘national cinema’?
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 6, p. 706, doi. 10.1080/10304312.2016.1231788
- By:
- Publication type:
- Article
22
New myths of OZ: the Australian beach and the negotiation of national belonging by refugee background youth.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 1, p. 32, doi. 10.1080/10304312.2015.1117572
- By:
- Publication type:
- Article
23
Pedagogía, subalternidad y fatum en Los Olvidados (1950) de Luis Buñuel: ambivalencias entre la diáspora republicana en México y la ‘Época de Oro' como cine nacional.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
24
Film Studies' Other Times and Spaces.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xix, doi. 10.1111/j.1756-1183.2012.00133.x
- By:
- Publication type:
- Article
25
Film as Medium and the German Aesthetic Tradition.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xvi, doi. 10.1111/j.1756-1183.2012.00132.x
- By:
- Publication type:
- Article
26
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
27
The Interface of Documentary and Fiction: The Amber Film Workshop and Regional Documentary Practice.
- Published in:
- Journal of British Cinema & Television, 2009, v. 6, n. 3, p. 387, doi. 10.3366/E1743452109001095
- By:
- Publication type:
- Article
28
In the circle of tradition and conservatism: the heroic child in Turkish cinema according to collective values.
- Published in:
- Studies in European Cinema, 2025, v. 22, n. 1, p. 47, doi. 10.1080/17411548.2023.2269658
- By:
- Publication type:
- Article
29
The journey of an identity: disorienting transnational identifications in Souad El Bouhati's Française (2008).
- Published in:
- 2024
- By:
- Publication type:
- Film/TV Criticism and Review
30
Religion, the Church and Mexican Nationalism: The Films of Emilio Fernández.
- Published in:
- Studies in Latin American Popular Culture, 2003, v. 22, p. 149
- By:
- Publication type:
- Article
31
Szel/Wind: Memory and history.
- Published in:
- Short Film Studies, 2012, v. 2, n. 2, p. 181, doi. 10.1386/sfs.2.2.181_1
- By:
- Publication type:
- Article
32
Movie matchmakers: the intermediaries between Hollywood and China in the early twentieth century.
- Published in:
- Journal of Chinese Cinemas, 2015, v. 9, n. 1, p. 8, doi. 10.1080/17508061.2014.952147
- By:
- Publication type:
- Article
33
Memories of the future: Remaking Taiwanese-ness in Cape No. 7.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
34
Transnational spectres and regional spectators: Flexible citizenship in new Chinese horror cinema.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
35
EDITORIAL.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 1, p. 3, doi. 10.1386/jcc.6.1.3_2
- By:
- Publication type:
- Article
36
Notes on four major paradigms in Chinese-language film studies.
- Published in:
- Journal of Chinese Cinemas, 2012, v. 6, n. 1, p. 15, doi. 10.1386/jcc.6.1.15_1
- By:
- Publication type:
- Article
37
Out in the outback: Queering nationalism in Australian film comedy.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
38
Māori identity by way of New Zealand film or why 'I don't have to be a particular skin colour to feel beige'.
- Published in:
- Studies in Australasian Cinema, 2012, v. 6, n. 2, p. 203, doi. 10.1386/sac.6.2.203_1
- By:
- Publication type:
- Article
39
Shooting cinematic outlaws: Ned Kelly and Jesse James as viewed through film.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
40
Nationalism and the cinema in France, political mythologies and film events, 1945–1995.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
41
Re-making History and Cultural Identity: From The Return of Martin Guerre to Sommersby.
- Published in:
- Film Criticism, 2001, v. 26, n. 1, p. 2
- By:
- Publication type:
- Article
42
Conflicting Visions: Estonia and Estonians as Presented in the Cinema of the 1990s and 2000s.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
43
The Miracle Workers: 'German Suffering', Israeli Masculinity, and the Feminised/Queered Nation as Redemptive in Eytan Fox's Walk On Water.
- Published in:
- German Monitor, 2011, v. 73, n. 1, p. 201
- By:
- Publication type:
- Article
44
The long shadow of the New German Cinema: Deutschland 09, Deutschland im Herbst and national film culture.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
45
Hollywood and Europe: Economics, Culture, National Identity 1946-95.
- Published in:
- 2000
- By:
- Publication type:
- Book Review
46
Inangbayan, the mother-nation, in Lino Brocka's Bayan Ko: Kapit Sa Patalim and Orapronobis.
- Published in:
- Screen, 1996, v. 37, n. 4, p. 368, doi. 10.1093/screen/37.4.368
- By:
- Publication type:
- Article
47
FOR A NATIONALIST, REALIST, CRITICAL AND POPULAR CINEMA.
- Published in:
- Screen, 1985, v. 26, n. 3/4, p. 89, doi. 10.1093/screen/26.3-4.89
- By:
- Publication type:
- Article
48
Cinematic Echoes of Covenants Past and Present: National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
49
Stranger than Fiction: Emilio Fernández Mexico.
- Published in:
- Journal of Popular Film & Television, 1982, v. 10, n. 1, p. 27, doi. 10.1080/01956051.1982.10661920
- By:
- Publication type:
- Article
50
The Basque Nation On-Screen. Cinema, Nationalism, and Political Violence.
- Published in:
- 2013
- By:
- Publication type:
- Book Review