Encounters across borders: Introduction.
- Published in:
- Early Popular Visual Culture, 2016, v. 14, n. 2, p. 125, doi. 10.1080/17460654.2016.1168037
- By:
- Publication type:
- Article
Works matching Nationalism %26 motion pictures
Results: 117
1
2
THE EUROPEAN FANTASY SPACE AND IDENTITY CONSTRUCTION IN PORCO ROSSO.
- Published in:
- Post Script, 2009, v. 28, n. 2, p. 112
- By:
- Publication type:
- Article
3
Frank Capra and Leni Riefenstahl: Politics, Propaganda and the Personal.
- Published in:
- Comparative American Studies, 2009, v. 7, n. 4, p. 285, doi. 10.1179/147757009X12571600892054
- By:
- Publication type:
- Article
4
Digital storytelling as ‘national cinema’?
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 6, p. 706, doi. 10.1080/10304312.2016.1231788
- By:
- Publication type:
- Article
5
New myths of OZ: the Australian beach and the negotiation of national belonging by refugee background youth.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 1, p. 32, doi. 10.1080/10304312.2015.1117572
- By:
- Publication type:
- Article
6
Nationalism, African Cinema, and Frames of Scrutiny.
- Published in:
- 2001
- By:
- Publication type:
- Literary Criticism
7
Cinematic Echoes of Covenants Past and Present: National Identity in the Historical Films of Steven Spielberg and Andrzej Wajda.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
8
Political and Narrative Ambiguities in La Bataille du Rail.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 142, doi. 10.3167/hrrh2009.350209
- By:
- Publication type:
- Article
9
The omnibus film as message picture: cold war politics and the myth of national unity in It’s a Big Country (1951).
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
10
Early transcontinental film relations: Japan, Germany and the compromises of co-production, 1926–1933.
- Published in:
- Historical Journal of Film, Radio & Television, 2017, v. 37, n. 2, p. 174, doi. 10.1080/01439685.2016.1157289
- By:
- Publication type:
- Article
11
Film policy, national identity and period adaptations in Flanders during the 1970s and 1980s.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 125, doi. 10.1080/01439685.2014.903038
- By:
- Publication type:
- Article
12
Equivocal Subjects: Between Italy and Africa—constructions of racial and national identity in the Italian cinema.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
13
Navigating Treacherous Waters: Soviet Satire, National Identity, and Georgii Daneliia's Films of the 1970s.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 343, doi. 10.1080/01439680903145587
- By:
- Publication type:
- Article
14
Caribbean Transnational Films and National Culture, or How Puerto Rican or Dominican Can You Be in "Nueba Yol"?
- Published in:
- Centro Journal, 2016, v. 28, n. 1, p. 146
- By:
- Publication type:
- Article
15
Policing across borders: Line of Duty and the politics of national identity.
- Published in:
- Journal of Popular Television, 2014, v. 2, n. 2, p. 155, doi. 10.1386/jptv.2.2.155_1
- By:
- Publication type:
- Article
16
Noble Thracian tribesmen and medieval warrior-statesmen: The Romanian cinema of nationalism: historical films as propaganda and spectacle, by Onoriu Colăcel, Jefferson, North Carolina: McFarland & Company, Inc., 2018, 212 pp., $65.00 (paperback), ISBN: 978-1-4766-6819-1
- Published in:
- 2020
- By:
- Publication type:
- Book Review
17
Cinema outside cinema: Czech educational cinema of the 1930s under the control of pedagogues, scientists and humanitarian groups.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 2, p. 175, doi. 10.1386/seec.3.2.175_1
- By:
- Publication type:
- Article
18
Homer's Cultural Children: The Myth of Troy and European Identity.
- Published in:
- History & Memory, 2017, v. 29, n. 2, p. 35, doi. 10.2979/histmemo.29.2.03
- Publication type:
- Article
19
The Incredible Transformation of Dr. Bessel.
- Published in:
- History & Memory, 2008, v. 20, n. 1, p. 121, doi. 10.2979/HIS.2008.20.1.121
- By:
- Publication type:
- Article
20
Heroism, Raison d'état, and National Communism: Red Nationalism in the Cinema of People's Poland.
- Published in:
- Contemporary European History, 2012, v. 21, n. 2, p. 235, doi. 10.1017/S0960777312000136
- By:
- Publication type:
- Article
21
Abstracts: French and German.
- Published in:
- 2012
- Publication type:
- Abstract
22
Ties That Bind: KRIV STENDERS’ AUSTRALIA DAY AND THE PROBLEMS OF PATRIOTISM.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
23
You ain't nothin but a slumdog.
- Published in:
- Metro, 2009, n. 160, p. 70
- By:
- Publication type:
- Article
24
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
25
Narrating the past: Cultural memory and Romanian identity in Aferim!
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 308, doi. 10.1177/0047244118797054
- By:
- Publication type:
- Article
26
Introduction.
- Published in:
- Journal of European Studies, 2010, v. 40, n. 3, p. 203, doi. 10.1177/0047244110371900
- By:
- Publication type:
- Article
27
Recepción fílmica y la formación de identidades sociales vinculadas a la categoría nación.
- Published in:
- Psicología (02549247), 2015, v. 33, n. 2, p. 278
- By:
- Publication type:
- Article
28
PATRIOTISM AND THE MUSLIM CITIZEN IN HINDI FILMS.
- Published in:
- Harvard Asia Quarterly, 2003, v. 7, n. 3, p. 4
- By:
- Publication type:
- Article
29
THE MAN FROM SNOWY RIVER: AUSTRALIA'S BUSH LEGE AND COMMERCIAL NATIONALISM.
- Published in:
- Tourism Review International, 2009, v. 13, n. 2, p. 139, doi. 10.3727/154427209789604633
- By:
- Publication type:
- Article
30
MORVERN CALLAR, ART CINEMA AND THE 'MONSTROUS ARCHIVE.'.
- Published in:
- Scottish Studies Review, 2007, v. 8, n. 1, p. 101
- By:
- Publication type:
- Article
31
Stranger than Fiction: Emilio Fernández Mexico.
- Published in:
- Journal of Popular Film & Television, 1982, v. 10, n. 1, p. 27, doi. 10.1080/01956051.1982.10661920
- By:
- Publication type:
- Article
32
Women in Between.
- Published in:
- Frontiers: A Journal of Women Studies, 2010, v. 31, n. 2, p. 145
- By:
- Publication type:
- Article
33
Who Advocates for Egypt? Women Lawyers in Egyptian Film on the Eve of Independence.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
34
Recovering History: Gender, Anti‐colonial Militancy and Indian Popular Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
35
Entangled in Memory: Six Variations on the Israeli-Palestinian Conflict.
- Published in:
- At the Interface / Probing the Boundaries, 2012, v. 79, p. 159
- By:
- Publication type:
- Article
36
What Makes a Film Greek: Inward Investment, Outward Aspirations, and the Case of Jules Dassin's Pote tin Kyriaki(Never on Sunday, 1960).
- Published in:
- Film History, 2017, v. 29, n. 2, p. 1, doi. 10.2979/filmhistory.29.2.01
- Publication type:
- Article
37
The Metamorphosis of Maciste in Italian Silent Cinema.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
38
Celluloid teaching tools: classroom films in the Netherlands (1941-1953).
- Published in:
- Film History, 2007, v. 19, n. 4, p. 392, doi. 10.2979/FIL.2007.19.4.392
- By:
- Publication type:
- Article
39
An experiment in 'historically correct' Canadian photoplays: Montreal's British American Film Manufacturing Co.
- Published in:
- Film History, 2007, v. 19, n. 1, p. 34, doi. 10.2979/FIL.2007.19.1.34
- By:
- Publication type:
- Article
40
Film Studies' Other Times and Spaces.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xix, doi. 10.1111/j.1756-1183.2012.00133.x
- By:
- Publication type:
- Article
41
Film as Medium and the German Aesthetic Tradition.
- Published in:
- German Quarterly, 2012, v. 85, n. 1, p. xvi, doi. 10.1111/j.1756-1183.2012.00132.x
- By:
- Publication type:
- Article
42
Misunderstanding the Other: Colonial Fantasies in "Japanese Story."
- Published in:
- Antipodes, 2009, v. 23, n. 2, p. 185
- By:
- Publication type:
- Article
43
Lust and Disgust: The Rhetoric of Abjection in the Spanish Immigration Films Bwana, Flores de otro mundo and Princesas.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
44
The Intimate Other: Screening North Korean Defectors in Multicultural South Korea.
- Published in:
- Asian Studies Review, 2025, v. 49, n. 1, p. 99, doi. 10.1080/10357823.2024.2355139
- By:
- Publication type:
- Article
45
Erasmus, Exchange Value and Euronormativity in Cédric Klapisch's L'Auberge espagnole and Les Poupées russes.
- Published in:
- Faux Titre, 2010, v. 359, p. 433
- By:
- Publication type:
- Article
46
Pedagogía, subalternidad y fatum en Los Olvidados (1950) de Luis Buñuel: ambivalencias entre la diáspora republicana en México y la ‘Época de Oro' como cine nacional.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
47
Space and Gender in the New Israeli and Palestinian Cinema.
- Published in:
- 2002
- By:
- Publication type:
- Film/TV Criticism and Review
48
The South Asian Image.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
49
Religion, the Church and Mexican Nationalism: The Films of Emilio Fernández.
- Published in:
- Studies in Latin American Popular Culture, 2003, v. 22, p. 149
- By:
- Publication type:
- Article
50
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
- By:
- Publication type:
- Article