THE POLITICS OF RE-PRESENTING VANITY FAIR: MIRA NAIR'S BECKY SHARP.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
Works matching Nair, Mira, 1957-
Results: 25
1
2
Shifting Social Awareness: From Monsoon Wedding to Made in Heaven.
- Published in:
- Cultural Perspectives. Journal for Literary & British Cultural Studies in Romania, 2020, v. 25, p. 219
- By:
- Publication type:
- Article
3
An Outsider's Perspectives on Asian Canadian Studies: A Response to Donald Goellnicht.
- Published in:
- Concentric: Literacy & Cultural Studies, 2013, v. 39, n. 2, p. 109, doi. 10.6240/concentric.lit.2013.39.2.07
- By:
- Publication type:
- Article
4
Dangerous Values: A Film Review of The Reluctant Fundamentalist.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
5
Where Are the Film Directors (Who Happen to be Women)?
- Published in:
- Quarterly Review of Film & Video, 2012, v. 29, n. 4, p. 310, doi. 10.1080/10509201003601167
- By:
- Publication type:
- Article
6
Body Matters: the Politics of Provocation in Mira Nair's Films.
- Published in:
- Quarterly Review of Film & Video, 2001, v. 18, n. 1, p. 91, doi. 10.1080/10509200109361515
- By:
- Publication type:
- Article
7
Mississippi Masala (1991).
- Published in:
- 2023
- By:
- Publication type:
- Film/TV Criticism and Review
8
Dreams and nightmares of diasporic modernity: reading, cinema and the railway in Mira Nair's The Namesake.
- Published in:
- Screen, 2023, v. 64, n. 3, p. 357, doi. 10.1093/screen/hjad026
- By:
- Publication type:
- Article
9
Time, Space, and National Belonging in The Namesake: Redrawing South Asian American Citizenship in the Shadow of 9/11.
- Published in:
- 2011
- By:
- Publication type:
- Essay
10
ADAPTATION AND THE SHIFTING ALLEGIANCES OF THE INDIAN DIASPORA: JHUMPA LAHIRI'S AND MIRA NAIR'S THE NAMESAKE(S).
- Published in:
- Literature Film Quarterly, 2014, v. 42, n. 4, p. 609
- By:
- Publication type:
- Article
11
'Tired of Taking Sides': Repressive Tolerance in Mira Nair's The Reluctant Fundamentalist.
- Published in:
- Adaptation, 2017, v. 10, n. 3, p. 305, doi. 10.1093/adaptation/apx010
- By:
- Publication type:
- Article
12
Amelia.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
13
Gender, Family, and Nation in Indian-American Literature and Film.
- Published in:
- 2014
- By:
- Publication type:
- Essay
14
Cross-cultural Conflict in Celluloid.
- Published in:
- Muse India, 2011, n. 39, p. 42
- By:
- Publication type:
- Article
15
The Name of the Child: Cinema as Social Critique.
- Published in:
- Film Criticism, 1990, v. 14, n. 2, p. 12
- By:
- Publication type:
- Article
16
On Cinematic Genius: Ontology and Appreciation.
- Published in:
- Royal Institute of Philosophy Supplement, 2012, v. 71, p. 85, doi. 10.1017/S1358246112000215
- By:
- Publication type:
- Article
17
MONSOON WEDDING: RAINING ON TRADITION.
- Published in:
- 2003
- By:
- Publication type:
- Film/TV Criticism and Review
18
Transposal from Fiction to Motion Picture: Crafting Jhumpa Lahiri's The Namesake on Celluloid.
- Published in:
- Language in India, 2013, v. 13, n. 3, p. 540
- By:
- Publication type:
- Article
19
The Namesake : Word to Image.
- Published in:
- Language in India, 2011, v. 11, n. 11, p. 585
- By:
- Publication type:
- Article
20
All's Fair in Love and War?
- Published in:
- Academic Questions, 2019, v. 32, n. 3, p. 435, doi. 10.1007/s12129-019-09802-8
- By:
- Publication type:
- Article
21
AFRO-ASIAN INTIMACIES AND THE POLITICS AND AESTHETICS OF CROSS-RACIAL STRUGGLE IN MIRA NAIR'S MISSISSIPPI MASALA.
- Published in:
- Journal of Asian American Studies, 2015, v. 18, n. 3, p. 233, doi. 10.1353/jaas.2015.0021
- By:
- Publication type:
- Article
22
At the Crossroads of Two Empires: Mira Nair's Mississippi Masala and the Limits of Hybridity.
- Published in:
- Journal of Asian American Studies, 2003, v. 6, n. 2, p. 177, doi. 10.1353/jaas.2004.0013
- By:
- Publication type:
- Article
23
The masala of globalism: Repositioning 'dis/placement' in the films of Mira Nair.
- Published in:
- Studies in South Asian Film & Media, 2010, v. 2, n. 2, p. 85, doi. 10.1386/safm.2.2.85_1
- By:
- Publication type:
- Article
24
LOVE, DESI STYLE: ARRANGED MARRIAGE AND TRANSNATIONAL MOBILITY IN MIRA NAIR'S THE NAMESAKE.
- Published in:
- Canadian Journal of Film Studies, 2017, v. 26, n. 1, p. 64, doi. 10.3138/CJFS.26.1.2017-0004
- By:
- Publication type:
- Article
25
CHAPTER 5 Terror as Catalyst? Negotiations of Silences, Perspectives, and Complicities in Ian McEwan's Saturday, Ali Smith's The Accidental, and Mohsin Hamid's The Reluctant Fundamentalist.
- Published in:
- Costerus (New Series), 2016, n. 218, p. 79, doi. 10.1163/9789004324220_006
- By:
- Publication type:
- Article