Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
Works matching Musicals -- History %26 criticism
Results: 61
1
2
Our Musicals, Ourselves: A Social History of the American Musical Theatre.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
3
Anything Goes: A History of American Musical Theatre.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
4
Changed for Good: A Feminist History of the Broadway Musical.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
5
Stephen Sondheim and the Reinvention of the American Musical.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
6
American Cinderellas on the Broadway Musical Stage: Imagining the Working Girl from Irene to Gypsy.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
7
'The most beautiful sound I ever heard': Liturgy, Religious Imagery and Symbolism in West Side Story.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 87, doi. 10.1080/10486800802547294
- By:
- Publication type:
- Article
8
Putting it Together and Finishing the Hat? Deconstructing the Art of Making Art.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 101, doi. 10.1080/10486800802563804
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- Publication type:
- Article
9
'Do you want to hear a Mammy song?': A Historiography of Show Boat.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 8, doi. 10.1080/10486800802547252
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- Publication type:
- Article
10
Integration and Distance in Musical Theatre: the Case of Sweeney Todd.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 74, doi. 10.1080/10486800802547286
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- Publication type:
- Article
11
'No Theatre Guild Attraction Are We': Kiss Me, Kate and the Politics of the Integrated Musical.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 61, doi. 10.1080/10486800802583091
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- Publication type:
- Article
12
Constructing Camelot: Britain and the New World Musical.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 22, doi. 10.1080/10486800802661665
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- Publication type:
- Article
13
Pretty like the Girl: Gender, Race and Oklahoma!
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 35, doi. 10.1080/10486800802547260
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- Publication type:
- Article
14
Laughter as Materiel: The Mobilization of Comedy in Japan's Fifteen-Year War.
- Published in:
- International History Review, 2004, v. 26, n. 2, p. 300, doi. 10.1080/07075332.2004.9641032
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- Publication type:
- Article
15
Destabilizing the Hollywood Musical: music, masculinity and mayhem.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
16
West Side Story, Cultural Perspectives on an American Musical.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
17
The Chanchada and Celluloid Visions of Brazilian Identity in the Vargas Era (1930–45).
- Published in:
- Journal of Iberian & Latin American Studies, 2000, v. 6, n. 1, p. 63, doi. 10.1080/13507490050020969
- By:
- Publication type:
- Article
18
A Southern Spin on Consensus America: Johnny Mercer Skewers Politics on Broadway.
- Published in:
- Georgia Historical Quarterly, 2013, v. 97, n. 3, p. 322
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- Publication type:
- Article
19
Marc Connelly's "Divine Comedy": Green Pastures Revisited.
- Published in:
- Western Speech, 1966, v. 30, n. 4, p. 216
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- Publication type:
- Article
20
Hard Times: The Adult Musical in 1970s New York City.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
21
MUSICAL STRUCTURE AND MEANING IN ARTHUR SCHNITZLER'S ZWISCHENSPIEL.
- Published in:
- 1973
- By:
- Publication type:
- Literary Criticism
22
Showgirls and stars: Black-cast revues and female performers in Britain 1903-1939.
- Published in:
- Popular Music History, 2006, v. 1, n. 2, p. 167, doi. 10.1558/pomh.v1i2.167
- By:
- Publication type:
- Article
23
West End Broadway: The Golden Age of the American Musical in London. By Adrian Wright.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
24
Changed for Good: A Feminist History of the Broadway Musical. By Stacy Wolf.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
25
THE GREAT WHITE WAY: Race and the Broadway Musical.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
26
Larry Stempel, Showtime: A History of the Broadway Musical Theater.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
27
At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre's and East West Players' adaptations of Pippin.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 23, doi. 10.1386/smt.11.1.23_1
- By:
- Publication type:
- Article
28
Oh, what a beautiful Mormon: Rodgers and Hammerstein, intertextuality and The Book of Mormon.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 39, doi. 10.1386/smt.11.1.39_1
- By:
- Publication type:
- Article
29
'Tomorrow Belongs to Me': The journey of a show tune from Broadway to Rechtsrock.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 5, doi. 10.1386/smt.11.1.5_1
- By:
- Publication type:
- Article
30
The revue: The genre-bending, ever-shifting, spectacular entertainment that was (almost) forgotten.
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 3, doi. 10.1386/smt.7.1.3_1
- By:
- Publication type:
- Article
31
New insecurities, new form, new identity - national identity and raciologies in Eightpence a Mile (1913).
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 9, doi. 10.1386/smt.7.1.9_1
- By:
- Publication type:
- Article
32
WEST SIDE STORY: CULTURAL PERSPECTIVES ON AN AMERICAN MUSICAL.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
33
No one walks alone: An investigation of the veteran and the community in Rodgers and Hammerstein's Carousel.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 287, doi. 10.1386/smt.5.3.287_1
- By:
- Publication type:
- Article
34
Two different roads to new musicals in 2011 London: London Road and Road Show.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 305, doi. 10.1386/smt.5.3.305_1
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- Publication type:
- Article
35
Encores! and the downsizing of the classic American musical.
- Published in:
- Studies in Musical Theatre, 2011, v. 5, n. 2, p. 133, doi. 10.1386/smt.5.2.133_1
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- Publication type:
- Article
36
The Cambridge Companion to the Musical, 2nd ed.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
37
A critical companion to the American stage musical.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
38
Musical theatre: a history.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
39
Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
40
Bernstein meets Broadway: collaborative art in a time of war.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
41
"The Way of the World" and "The Beau Defeated": Strains of Comedy in 1700.
- Published in:
- 2003
- By:
- Publication type:
- Essay
42
The representation of France in the comédies humanistes of the sixteenth century.
- Published in:
- Renaissance Studies, 1995, v. 9, n. 4, p. 349, doi. 10.1111/j.1477-4658.1995.tb00320.x
- By:
- Publication type:
- Article
43
Musical Scenes in Two Seventeenth-Century Versions of El Eneas de Dios (The Aeneas of God) Attributed to Agustín Moreto y Cabaña (1618-1669).
- Published in:
- Bulletin of the Comediantes, 2014, v. 66, n. 1, p. 97, doi. 10.1353/boc.2014.0017
- By:
- Publication type:
- Article
44
THE GREAT WHITE WAY: RACE AND THE BROADWAY MUSICAL.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
45
Compiling West Side Story's Parahistories, 1949-2009.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
46
The American Musical and the Performance of Personal Identity.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
47
"Defying Gravity": Queer Conventions in the "Musical Wicked."
- Published in:
- 2008
- By:
- Publication type:
- Essay
48
LABORLESS LONDON: Comic Form and the Space of the Town in Caroline Covent Garden.
- Published in:
- Journal for Early Modern Cultural Studies, 2005, v. 5, n. 2, p. 94, doi. 10.1353/jem.2005.0018
- By:
- Publication type:
- Article
49
Gilbert and Sullivan: Gender, Genre, Parody.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
50
The Complete Book of 1950s Broadway Musicals.
- Published in:
- 2015
- By:
- Publication type:
- Book Review