Music, Criticism, and the Challenge of History: Shaping Modern Musical Thought in Late Nineteenth-Century Vienna. By Kevin C. Karnes.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
Works matching Musicals -- History %26 criticism
Results: 63
1
2
TOTAL THEATRE AND PARTIAL DRAMA: NOTES ON THE NEW YORK THEATRE, 1965-1966.
- Published in:
- Quarterly Journal of Speech, 1966, v. 52, n. 3, p. 225, doi. 10.1080/00335636609382783
- By:
- Publication type:
- Article
3
West Side Story: Cultural Perspectives on an American Musical by Elizabeth A. Wells.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
4
Reconstructing Lost Musicals.
- Published in:
- Music Reference Services Quarterly, 2006, v. 10, n. 3/4, p. 67, doi. 10.1080/10588160802111162
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- Publication type:
- Article
5
Laughter as Materiel: The Mobilization of Comedy in Japan's Fifteen-Year War.
- Published in:
- International History Review, 2004, v. 26, n. 2, p. 300, doi. 10.1080/07075332.2004.9641032
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- Publication type:
- Article
6
Reassuring Convergence: Online Fandom, Race, and Disney's Notorious Song of the South.
- Published in:
- Cinema Journal, 2010, v. 49, n. 4, p. 25, doi. 10.1353/cj.2010.0016
- By:
- Publication type:
- Article
7
"The Way of the World" and "The Beau Defeated": Strains of Comedy in 1700.
- Published in:
- 2003
- By:
- Publication type:
- Essay
8
Our Musicals, Ourselves: A Social History of the American Musical Theatre.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
9
Marc Connelly's "Divine Comedy": Green Pastures Revisited.
- Published in:
- Western Speech, 1966, v. 30, n. 4, p. 216
- By:
- Publication type:
- Article
10
The Chanchada and Celluloid Visions of Brazilian Identity in the Vargas Era (1930–45).
- Published in:
- Journal of Iberian & Latin American Studies, 2000, v. 6, n. 1, p. 63, doi. 10.1080/13507490050020969
- By:
- Publication type:
- Article
11
THE GREAT WHITE WAY: RACE AND THE BROADWAY MUSICAL.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
12
Compiling West Side Story's Parahistories, 1949-2009.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
13
The American Musical and the Performance of Personal Identity.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
14
"Defying Gravity": Queer Conventions in the "Musical Wicked."
- Published in:
- 2008
- By:
- Publication type:
- Essay
15
Changed for Good: A Feminist History of the Broadway Musical.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
16
The Cambridge Companion to the Musical, 2nd ed.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
17
The Complete Book of 1950s Broadway Musicals.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
18
LABORLESS LONDON: Comic Form and the Space of the Town in Caroline Covent Garden.
- Published in:
- Journal for Early Modern Cultural Studies, 2005, v. 5, n. 2, p. 94, doi. 10.1353/jem.2005.0018
- By:
- Publication type:
- Article
19
Renaissance.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
20
'Il drama di Giovanni Milton': An Eighteenth-Century Italian Musical Adaptation of Milton's A Maske.
- Published in:
- Milton Quarterly, 2017, v. 51, n. 1, p. 23, doi. 10.1111/milt.12192
- By:
- Publication type:
- Article
21
The Transnational Vision of "Miss Saigon": Performing the Orient in a Globalized World.
- Published in:
- MELUS, 2011, v. 36, n. 4, p. 61, doi. 10.1353/mel.2011.0063
- By:
- Publication type:
- Article
22
Hard Times: The Adult Musical in 1970s New York City.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
23
Larry Stempel, Showtime: A History of the Broadway Musical Theater.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
24
At the intersection of Deaf and Asian American performativity in Los Angeles: Deaf West Theatre's and East West Players' adaptations of Pippin.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 23, doi. 10.1386/smt.11.1.23_1
- By:
- Publication type:
- Article
25
Oh, what a beautiful Mormon: Rodgers and Hammerstein, intertextuality and The Book of Mormon.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 39, doi. 10.1386/smt.11.1.39_1
- By:
- Publication type:
- Article
26
'Tomorrow Belongs to Me': The journey of a show tune from Broadway to Rechtsrock.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 1, p. 5, doi. 10.1386/smt.11.1.5_1
- By:
- Publication type:
- Article
27
New insecurities, new form, new identity - national identity and raciologies in Eightpence a Mile (1913).
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 9, doi. 10.1386/smt.7.1.9_1
- By:
- Publication type:
- Article
28
The revue: The genre-bending, ever-shifting, spectacular entertainment that was (almost) forgotten.
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 3, doi. 10.1386/smt.7.1.3_1
- By:
- Publication type:
- Article
29
WEST SIDE STORY: CULTURAL PERSPECTIVES ON AN AMERICAN MUSICAL.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
30
No one walks alone: An investigation of the veteran and the community in Rodgers and Hammerstein's Carousel.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 287, doi. 10.1386/smt.5.3.287_1
- By:
- Publication type:
- Article
31
Two different roads to new musicals in 2011 London: London Road and Road Show.
- Published in:
- Studies in Musical Theatre, 2012, v. 5, n. 3, p. 305, doi. 10.1386/smt.5.3.305_1
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- Publication type:
- Article
32
Encores! and the downsizing of the classic American musical.
- Published in:
- Studies in Musical Theatre, 2011, v. 5, n. 2, p. 133, doi. 10.1386/smt.5.2.133_1
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- Publication type:
- Article
33
Showgirls and stars: Black-cast revues and female performers in Britain 1903-1939.
- Published in:
- Popular Music History, 2006, v. 1, n. 2, p. 167, doi. 10.1558/pomh.v1i2.167
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- Publication type:
- Article
34
Anything Goes: A History of American Musical Theatre.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
35
Changed for Good: A Feminist History of the Broadway Musical.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
36
West End Broadway: The Golden Age of the American Musical in London. By Adrian Wright.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
37
Changed for Good: A Feminist History of the Broadway Musical. By Stacy Wolf.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
38
Shakespeare and the American Musical.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
39
A critical companion to the American stage musical.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
40
Musical theatre: a history.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
41
Singing simpkin and other bawdy jigs: musical comedy on the Shakespearean stage: scripts, music & context.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
42
Bernstein meets Broadway: collaborative art in a time of war.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
43
West Side Story, Cultural Perspectives on an American Musical.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
44
THE GREAT WHITE WAY: Race and the Broadway Musical.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
45
'The most beautiful sound I ever heard': Liturgy, Religious Imagery and Symbolism in West Side Story.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 87, doi. 10.1080/10486800802547294
- By:
- Publication type:
- Article
46
Putting it Together and Finishing the Hat? Deconstructing the Art of Making Art.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 101, doi. 10.1080/10486800802563804
- By:
- Publication type:
- Article
47
'Do you want to hear a Mammy song?': A Historiography of Show Boat.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 8, doi. 10.1080/10486800802547252
- By:
- Publication type:
- Article
48
Pretty like the Girl: Gender, Race and Oklahoma!
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 35, doi. 10.1080/10486800802547260
- By:
- Publication type:
- Article
49
'No Theatre Guild Attraction Are We': Kiss Me, Kate and the Politics of the Integrated Musical.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 61, doi. 10.1080/10486800802583091
- By:
- Publication type:
- Article
50
Integration and Distance in Musical Theatre: the Case of Sweeney Todd.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 1, p. 74, doi. 10.1080/10486800802547286
- By:
- Publication type:
- Article