Works matching Music theorists
Results: 288
Allen Forte's Vision for a Society of Music Theorists.
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- Music Theory Spectrum, 2015, v. 37, n. 1, p. 1, doi. 10.1093/mts/mtv009
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- Article
Working with College Students to Improve Their Improvisation and Composition Skills: A Self-Study with Music Teacher Educators and a Music Theorist.
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- Journal of Music Teacher Education, 2019, v. 28, n. 2, p. 28, doi. 10.1177/1057083718787825
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- Article
DIVERSIFYING MUSIC THEORY.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1
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- Article
Who is Allowed to Be a Music Theorist? Sarah Mary Fitton and Conversations on Harmony (1855).
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- Music Theory Online, 2024, v. 30, n. 4, p. 325, doi. 10.30535/mto.30.4.4
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- Article
THE TWIN LEGACIES OF A SCHOLAR-TEACHER: THE PUBLICATIONS AND DISSERTATION ADVISEES OF ALLEN FORTE.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1
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- Article
IN AND AROUND MUSIC THEORY AND THE ACADEMY: A PERSPECTIVE.
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- Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1
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- Article
Two Apparently Disparate Paragraphs.
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- Music Theory Spectrum, 2012, v. 34, n. 1, p. 25, doi. 10.1525/mts.2012.34.1.25
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- Article
The Babbittian Question.
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- Music Theory Spectrum, 2012, v. 34, n. 1, p. 2, doi. 10.1525/mts.2012.34.1.2
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- Article
"Was Gleichzeitig Klingt": The Schoenberg-Schenker Dispute and the Incompleteness of Music Theory.
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- Music Theory Spectrum, 2010, v. 32, n. 2, p. 165, doi. 10.1525/mts.2010.32.2.165
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"Urban Legends" for Music Theorists.
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- Music Theory Spectrum, 2003, v. 25, n. 1, p. 121, doi. 10.1525/mts.2003.25.1.121
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- Article
Choreographing Perle: An Inter-Disciplinary Interpretation of Perle's String Quartet No. 5.
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- 2008
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- Essay
"Composing with Symmetries": Perle's First Bagatelle for Solo Piano.
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- 2008
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- Essay
George Perle on the Subtleties of Inversional Complementarity: A Note by Mark DeVoto and George Perle.
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- 2008
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- Essay
Interval Cycles and Unisons in George Perle's Sonata a Quattro.
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- 2008
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- Essay
George Perle: The Man and the Musician.
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- Theory & Practice, 2008, v. 33, p. 107
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On George Perle.
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- Theory & Practice, 2008, v. 33, p. 101
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Steve Dibner.
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- Theory & Practice, 2008, v. 33, p. 93
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Patricia Spencer.
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- Theory & Practice, 2008, v. 33, p. 91
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William Bolcom.
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- Theory & Practice, 2008, v. 33, p. 85
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Elliott Carter.
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- Theory & Practice, 2008, v. 33, p. 81
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An Introduction to George Perle.
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- Theory & Practice, 2008, v. 33, p. 65
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Douglas Jarman.
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- Theory & Practice, 2008, v. 33, p. 53
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Lessons with George Perle.
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- Theory & Practice, 2008, v. 33, p. 49
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Sum Squares and Pentagrams: Two New Tools for Perlean Analysis.
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- Theory & Practice, 2007, v. 32, p. 51
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Concepts of Closure in Tonal Music: A Critical Study.
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- Theory & Practice, 2007, v. 32, p. 1
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MUSIC IS NOT A LANGUAGE.
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- 2013
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- Interview
Al-Kindī's braid.
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- Bulletin of the School of Oriental & African Studies, 2006, v. 69, n. 1, p. 1, doi. 10.1017/s0041977x06000012
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- Article
Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934.
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- Musical Quarterly, 2008, v. 91, n. 1/2, p. 8, doi. 10.1093/musqt/gdn026
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Tests of contrasting expressive content between first and second musical themes.
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- Journal of New Music Research, 2019, v. 48, n. 1, p. 21, doi. 10.1080/09298215.2018.1486435
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A Principled Approach to Teaching Music Composition to Children.
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- Research & Issues in Music Education, 2009, v. 7, n. 1, p. 3
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Canon and Its Effect on Tight-Knit Organization within Classical Themes.
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- Integral, 2012, n. 26, p. 1
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2B or not 2B.
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- Integral, 2010, n. 24, p. 1
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Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology.
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- 2008
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- Essay
The Enterprise of Music Semiotics: Narratological Approaches to Franz Liszt's Symphonic Poems.
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- Language & Semiotic Studies, 2016, v. 2, n. 4, p. 153, doi. 10.1515/lass-2016-020409
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WHAT DID JOHANN LUDWIG KREBS LEARN ABOUT ARIAS FROM HIS TEACHER, JOHANN SEBASTIAN BACH?
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- Bach: Journal of the Riemenschneider Bach Institute, 2015, v. 46, n. 2, p. 46, doi. 10.1353/bach.2015.a808465
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TANEYEV'S THEORIES OF MOVEABLE COUNTERPOINT AND THE MUSIC OF J. S. BACH.
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- Bach: Journal of the Riemenschneider Bach Institute, 2015, v. 46, n. 2, p. 22, doi. 10.1353/bach.2015.a808467
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Du poème à la partition et à la performance: l'exemple de 'Clair de lune' et de ses mises en musique au tournant des XIX<sup>e</sup> et XX<sup>e</sup> s.
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- Dix-Neuf, 2013, v. 17, n. 1, p. 78, doi. 10.1179/1478731812Z.00000000026
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- Article
WILLIAM CAPLIN RESPONDS.
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 67, doi. 10.7202/1009286ar
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- Article
CONTEMPLATING CAPLIN:A NOTE FROM THE EDITORS.
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- Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 5, doi. 10.7202/1009281ar
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Johann Sebastian Bach's Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto.
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- Limina, 2015, v. 20, n. 3, p. 1
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THE ORIGIN OF JOHANN MATTHESON'S DAS NEU-EROFFNETE ORCHESTRE: PROGRESSIVE HEARING LOSS VS. ENGLISH EMPIRICISM.
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- XVIII: New Perspectives on the Eighteenth Century, 2010, v. 7, n. 1, p. 41
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- Article
Allen Forte in Music Analysis.
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- Music Analysis, 2007, v. 26, n. 1/2, p. 3, doi. 10.1111/j.1468-2249.2007.00253.x
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‘The Heaviest Weight’: Circularity and Repetition in a Song by Hugo Wolf.
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- Music Analysis, 2006, v. 25, n. 3, p. 289, doi. 10.1111/j.1468-2249.2006.00244.x
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Reading Cage.
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- American Music Review, 2012, v. 42, n. 1, p. 6
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"Something in the Way She Moves"-Metaphors of Musical Motion.
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- Metaphor & Symbol, 2003, v. 18, n. 2, p. 63, doi. 10.1207/S15327868MS1802_1
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Musical Rhythm for Linguists: A Response to Justin London.
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- Empirical Musicology Review, 2012, v. 7, n. 1/2, p. 12, doi. 10.18061/1811/52974
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A Survey of the Impact of COVID-19 on Music Theorists.
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- Music Theory Online, 2024, v. 30, n. 4, p. 36, doi. 10.30535/mto.30.4.5
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History for Theorists.
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- Music Theory Online, 2019, v. 25, n. 3, p. 1, doi. 10.30535/mto.25.3.4
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A Proposal for Open Peer Review.
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- Music Theory Online, 2014, v. 20, n. 1, p. 1, doi. 10.30535/mto.20.1.14
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- Article
"On the System of Stravinsky's Harmony" by Yuri Kholopov: Translation and Commentary.
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- Music Theory Online, 2013, v. 19, n. 2, p. 1, doi. 10.30535/mto.19.2.1
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- Article