Works matching Music theorists

Results: 277

Who is Allowed to Be a Music Theorist? Sarah Mary Fitton and Conversations on Harmony (1855).

Published in:

Music Theory Online, 2024, v. 30, n. 4, p. 325, doi. 10.30535/mto.30.4.4

By:

Venturino, Stephanie

Publication type:

Article

A Survey of the Impact of COVID-19 on Music Theorists.

Published in:

Music Theory Online, 2024, v. 30, n. 4, p. 36, doi. 10.30535/mto.30.4.5

By:

Bourne, Janet;
Lumsden, Rachel;
Bazayev, Inessa

Publication type:

Article

Working with College Students to Improve Their Improvisation and Composition Skills: A Self-Study with Music Teacher Educators and a Music Theorist.

Published in:

Journal of Music Teacher Education, 2019, v. 28, n. 2, p. 28, doi. 10.1177/1057083718787825

By:

Pellegrino, Kristen;
Beavers, Jennifer P.;
Dill, Susan

Publication type:

Article

DIVERSIFYING MUSIC THEORY.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1

By:

Youyoung Kang

Publication type:

Article

Tests of contrasting expressive content between first and second musical themes.

Published in:

Journal of New Music Research, 2019, v. 48, n. 1, p. 21, doi. 10.1080/09298215.2018.1486435

By:

Warrenburg, Lindsay A.;
Huron, David

Publication type:

Article

Du poème à la partition et à la performance: l'exemple de 'Clair de lune' et de ses mises en musique au tournant des XIX<sup>e</sup> et XX<sup>e</sup> s.

Published in:

Dix-Neuf, 2013, v. 17, n. 1, p. 78, doi. 10.1179/1478731812Z.00000000026

By:

Gribenski, Michel

Publication type:

Article

TIMELY/UNTIMELY: THE RHYTHM OF THINGS AND THE TIME OF LIFE.

Published in:

Symposium: Canadian Journal of Continental Philosophy / Revue Canadienne de Philosophie Continentale, 2018, v. 22, n. 2, p. 178

By:

Murchadha, Felix Ó

Publication type:

Article

Are Popular Music Curricula Antiracist?: The CCNY Music Department as a Case Study.

Published in:

Journal of the Society for American Music, 2021, v. 15, n. 4, p. 447, doi. 10.1017/S1752196321000316

By:

Carter, Matthew K.

Publication type:

Article

MUSIC THEORY IN LATE KAFKA.

Published in:

Angelaki: Journal of the Theoretical Humanities, 1998, v. 3, n. 2, p. 169, doi. 10.1080/09697259808571992

By:

Smyth, John Vignaux

Publication type:

Article

Musical Rhythm for Linguists: A Response to Justin London.

Published in:

Empirical Musicology Review, 2012, v. 7, n. 1/2, p. 12, doi. 10.18061/1811/52974

By:

OVERY, KATIE

Publication type:

Article

History for Theorists.

Published in:

Music Theory Online, 2019, v. 25, n. 3, p. 1, doi. 10.30535/mto.25.3.4

By:

Martin, Nathan John

Publication type:

Article

A Proposal for Open Peer Review.

Published in:

Music Theory Online, 2014, v. 20, n. 1, p. 1, doi. 10.30535/mto.20.1.14

By:

Shaffer, Kris P.

Publication type:

Article

"On the System of Stravinsky's Harmony" by Yuri Kholopov: Translation and Commentary.

Published in:

Music Theory Online, 2013, v. 19, n. 2, p. 1, doi. 10.30535/mto.19.2.1

By:

Ewell, Philip A.

Publication type:

Article

Canon and Its Effect on Tight-Knit Organization within Classical Themes.

Published in:

Integral, 2012, n. 26, p. 1

By:

Franck, Peter

Publication type:

Article

2B or not 2B.

Published in:

Integral, 2010, n. 24, p. 1

By:

Brown, Matthew

Publication type:

Article

Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology.

Published in:

2008

By:

Pearce, Trevor

Publication type:

Essay

THE ORIGIN OF JOHANN MATTHESON'S DAS NEU-EROFFNETE ORCHESTRE: PROGRESSIVE HEARING LOSS VS. ENGLISH EMPIRICISM.

Published in:

XVIII: New Perspectives on the Eighteenth Century, 2010, v. 7, n. 1, p. 41

By:

Pearson, Ian D.

Publication type:

Article

Johann Sebastian Bach's Kreuzstab Cantata (BWV 56): Identifying the Emotional Content of the Libretto.

Published in:

Limina, 2015, v. 20, n. 3, p. 1

By:

Corall, Georg

Publication type:

Article

"Urban Legends" for Music Theorists.

Published in:

Music Theory Spectrum, 2003, v. 25, n. 1, p. 121, doi. 10.1525/mts.2003.25.1.121

By:

Kresky, Jeffrey

Publication type:

Article

Choreographing Perle: An Inter-Disciplinary Interpretation of Perle's String Quartet No. 5.

Published in:

2008

By:

Foley, Gretchen C.;
Levine, Susan

Publication type:

Essay

"Composing with Symmetries": Perle's First Bagatelle for Solo Piano.

Published in:

2008

By:

Stoecker, Philip

Publication type:

Essay

George Perle on the Subtleties of Inversional Complementarity: A Note by Mark DeVoto and George Perle.

Published in:: 2008
Publication type:: Essay

Interval Cycles and Unisons in George Perle's Sonata a Quattro.

Published in:

2008

By:

Porter, Charles E.

Publication type:

Essay

Douglas Jarman.

Published in:

Theory & Practice, 2008, v. 33, p. 53

By:

Jarman, Douglas

Publication type:

Article

George Perle: The Man and the Musician.

Published in:

Theory & Practice, 2008, v. 33, p. 107

By:

Smaldone, Edward;
Saylor, Bruce

Publication type:

Article

An Introduction to George Perle.

Published in:

Theory & Practice, 2008, v. 33, p. 65

By:

Rosenhaus, Steven L.

Publication type:

Article

On George Perle.

Published in:

Theory & Practice, 2008, v. 33, p. 101

By:

Botstein, Leon

Publication type:

Article

Steve Dibner.

Published in:

Theory & Practice, 2008, v. 33, p. 93

By:

Dibner, Steve

Publication type:

Article

Patricia Spencer.

Published in:

Theory & Practice, 2008, v. 33, p. 91

By:

Spencer, Patricia

Publication type:

Article

William Bolcom.

Published in:

Theory & Practice, 2008, v. 33, p. 85

By:

Bolcom, William

Publication type:

Article

Elliott Carter.

Published in:

Theory & Practice, 2008, v. 33, p. 81

By:

Carter, Elliott

Publication type:

Article

Lessons with George Perle.

Published in:

Theory & Practice, 2008, v. 33, p. 49

By:

Lansky, Paul

Publication type:

Article

Concepts of Closure in Tonal Music: A Critical Study.

Published in:

Theory & Practice, 2007, v. 32, p. 1

By:

Anson-Cartwright, Mark

Publication type:

Article

Sum Squares and Pentagrams: Two New Tools for Perlean Analysis.

Published in:

Theory & Practice, 2007, v. 32, p. 51

By:

Foley, Gretchen C.

Publication type:

Article

MUSIC IS NOT A LANGUAGE.

Published in:

2013

By:

Medić, Milena

Publication type:

Interview

Edward Elgar: "Modern" or "Modernist?" Construction of an Aesthetic Identity in the British Music Press, 1895-1934.

Published in:

Musical Quarterly, 2008, v. 91, n. 1/2, p. 8, doi. 10.1093/musqt/gdn026

By:

McGuire, Charles Edward

Publication type:

Article

"Something in the Way She Moves"-Metaphors of Musical Motion.

Published in:

Metaphor & Symbol, 2003, v. 18, n. 2, p. 63, doi. 10.1207/S15327868MS1802_1

By:

Johnson, Mark L.;
Larson, Steve

Publication type:

Article

THE TWIN LEGACIES OF A SCHOLAR-TEACHER: THE PUBLICATIONS AND DISSERTATION ADVISEES OF ALLEN FORTE.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1

By:

Berry, David Carson

Publication type:

Article

IN AND AROUND MUSIC THEORY AND THE ACADEMY: A PERSPECTIVE.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1

By:

Maxile Jr., Horace J.

Publication type:

Article

WHAT DID JOHANN LUDWIG KREBS LEARN ABOUT ARIAS FROM HIS TEACHER, JOHANN SEBASTIAN BACH?

Published in:

Bach: Journal of the Riemenschneider Bach Institute, 2015, v. 46, n. 2, p. 46, doi. 10.1353/bach.2015.a808465

By:

Crist, Stephen A.

Publication type:

Article

TANEYEV'S THEORIES OF MOVEABLE COUNTERPOINT AND THE MUSIC OF J. S. BACH.

Published in:

Bach: Journal of the Riemenschneider Bach Institute, 2015, v. 46, n. 2, p. 22, doi. 10.1353/bach.2015.a808467

By:

Collins, Denis

Publication type:

Article

Al-Kindī's braid.

Published in:

Bulletin of the School of Oriental & African Studies, 2006, v. 69, n. 1, p. 1, doi. 10.1017/s0041977x06000012

By:

NO WRIGHT

Publication type:

Article

Allen Forte in Music Analysis.

Published in:

Music Analysis, 2007, v. 26, n. 1/2, p. 3, doi. 10.1111/j.1468-2249.2007.00253.x

By:

whittall, arnold

Publication type:

Article

‘The Heaviest Weight’: Circularity and Repetition in a Song by Hugo Wolf.

Published in:

Music Analysis, 2006, v. 25, n. 3, p. 289, doi. 10.1111/j.1468-2249.2006.00244.x

By:

baileyshea, matthew

Publication type:

Article

Reading Cage.

Published in:

American Music Review, 2012, v. 42, n. 1, p. 6

By:

Brown, Richard H.

Publication type:

Article

A Principled Approach to Teaching Music Composition to Children.

Published in:

Research & Issues in Music Education, 2009, v. 7, n. 1, p. 3

By:

Kaschub, Michele;
Smith, Janice

Publication type:

Article

The Enterprise of Music Semiotics: Narratological Approaches to Franz Liszt's Symphonic Poems.

Published in:

Language & Semiotic Studies, 2016, v. 2, n. 4, p. 153, doi. 10.1515/lass-2016-020409

By:

Annie Yen-Ling Liu

Publication type:

Article

WILLIAM CAPLIN RESPONDS.

Published in:: Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 67, doi. 10.7202/1009286ar
Publication type:: Article

CONTEMPLATING CAPLIN:A NOTE FROM THE EDITORS.

Published in:

Intersections: Canadian Journal of Music / Intersections: Revue Canadienne de Musique, 2010, v. 31, n. 1, p. 5, doi. 10.7202/1009281ar

By:

Wright, James;
Luko, Alexis

Publication type:

Article

FEAR OF MUSIC.

Published in:

Yale Review, 2012, v. 100, n. 2, p. 1, doi. 10.1353/tyr.2012.0048

By:

LONGENBACH, JAMES

Publication type:

Article