Future Shock on the National Mall.
- Published in:
- Journal of Popular Film & Television, 2006, v. 34, n. 2, p. 62
- Publication type:
- Article
Works matching Motion pictures %26 politics
Results: 585
1
2
Movie Lessons: Cultural Politics and the Visible Practices of Schooling.
- Published in:
- Review of Education, Pedagogy & Cultural Studies, 2011, v. 33, n. 2, p. 108, doi. 10.1080/10714413.2011.569455
- By:
- Publication type:
- Article
3
Film and Politics -- and 1975.
- Published in:
- 2006
- By:
- Publication type:
- Editorial
4
The woman between: The European woman in post-war British cinema.
- Published in:
- European Journal of Cultural Studies, 1999, v. 2, n. 2, p. 147, doi. 10.1177/136754949900200201
- By:
- Publication type:
- Article
5
Bulworth and the New American Left.
- Published in:
- Journal of American Culture, 2005, v. 28, n. 3, p. 293, doi. 10.1111/j.1542-734X.2005.00213.x
- By:
- Publication type:
- Article
6
EDITORIAL.
- Published in:
- Framework: The Journal of Cinema & Media, 2014, v. 55, n. 1, p. 5, doi. 10.13110/framework.55.1.0005
- By:
- Publication type:
- Article
7
Neopluralism and globalization: the plural politics of the Motion Picture Association.
- Published in:
- Review of International Political Economy, 2015, v. 22, n. 6, p. 1188, doi. 10.1080/09692290.2015.1038291
- By:
- Publication type:
- Article
8
The P olitics of Hollywood Cinema: Popular Film and Contemporary Political Theory.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
9
Território e virtualidade: quando a "cultura" retorna no cinema.
- Published in:
- Revista FAMECOS - Mídia, Cultura e Tecnologia, 2013, v. 20, n. 2, p. 275, doi. 10.15448/1980-3729.2013.2.14207
- By:
- Publication type:
- Article
10
The Ambiguous Image: Hollywood, Propaganda, and the Spanish Civil War.
- Published in:
- Image, 1989, v. 32, n. 2-4, p. 11
- By:
- Publication type:
- Article
11
The Politics of Hollywood Cinema: Popular Film and Contemporary Political Theory.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
12
Political Theory and Film: From Adorno to Žižek.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
13
‘I am not a camera’: camera consciousness in 1930s Britain and the Spanish Civil War.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
14
Lessons from Brecht.
- Published in:
- Screen, 1974, v. 15, n. 2, p. 103, doi. 10.1093/screen/15.2.103
- By:
- Publication type:
- Article
15
From Shklovsky to Brecht: A Reply.
- Published in:
- Screen, 1974, v. 15, n. 2, p. 82, doi. 10.1093/screen/15.2.82
- By:
- Publication type:
- Article
16
BRITISH POLITICS AND CINEMA'S HISTORICAL DRAMAS, 1929–1938.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
17
Review of Politics in Popular Movies: Rhetorical Takes on Horror, War, Thriller, and Sci-Fi Films.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
18
Play It Again, Uncle Sam.
- Published in:
- Journal of Popular Film & Television, 2009, v. 37, n. 1, p. 2, doi. 10.3200/JPFT.37.1.2-8
- By:
- Publication type:
- Article
19
Contemporary perception of Byzantium in Turkish cinema: the cross-examination of Battal Gazi films with the Battalname.
- Published in:
- Byzantine & Modern Greek Studies, 2013, v. 37, n. 1, p. 81, doi. 10.1179/0307013112Z.00000000020
- By:
- Publication type:
- Article
20
Michael Flynn and Fabiola F. Salek (eds), Screening Torture: Media Representations of State Terror and Political Domination (New York: Columbia University Press, 2012), pp. 315, ISBN 9780231153591 (pb), £20.
- Published in:
- Journal of British Cinema & Television, 2015, v. 12, n. 1, p. 141, doi. 10.3366/jbctv.2015.0251
- By:
- Publication type:
- Article
21
RHAPSODY FOR THE THEATRE: A SHORT PHILOSOPHICAL TREATISE.
- Published in:
- Theatre Survey, 2008, v. 49, n. 2, p. 187, doi. 10.1017/S0040557408000124
- By:
- Publication type:
- Article
22
Moving Pictures? Experimental Evidence of Cinematic Influence on Political Attitudes.
- Published in:
- Social Science Quarterly (Wiley-Blackwell), 2014, v. 95, n. 5, p. 1230, doi. 10.1111/ssqu.12070
- By:
- Publication type:
- Article
23
Foreign policy and the politics of representation: the West and its Others.
- Published in:
- Global Change, Peace & Security, 2011, v. 23, n. 1, p. 31, doi. 10.1080/14781158.2011.540093
- By:
- Publication type:
- Article
24
"That's a hell of a story, Bell:" Denying Agency and Demythifying the West in Pat Garrett and Billy the Kid.
- Published in:
- 2022
- Publication type:
- Film/TV Criticism and Review
25
The Kinetic Icon in the Work of Mourning∗.
- Published in:
- October, 2019, n. 169, p. 87, doi. 10.1162/octo_a_00361
- By:
- Publication type:
- Article
26
The Metabiotic State: Dziga Vertov's "The Eleventh Year."
- Published in:
- October, 2013, n. 145, p. 3, doi. 10.1162/OCTO_a_00146
- By:
- Publication type:
- Article
27
Moscow-Rome-Havana: A Film-Theory Road Map.
- Published in:
- 2012
- By:
- Publication type:
- Essay
28
A Note on "The Open City": Some Comments on Farrell's Review.
- Published in:
- October, 2009, n. 128, p. 84, doi. 10.1162/octo.2009.128.1.84
- By:
- Publication type:
- Article
29
Cinema and the 'Political.'.
- Published in:
- Journal of the Indian Anthropological Society, 2010, v. 45, n. 1, p. 39
- By:
- Publication type:
- Article
30
Caramel connections: A memory box, the box office and Pathaan.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2023, v. 21, n. 1, p. 95, doi. 10.1386/ncin_00043_1
- By:
- Publication type:
- Article
31
The weight of the past: Trauma and testimony in Que bom te ver viva.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
32
Non-affirmative time-images in Nuri Bilge Ceylan's Three Monkeys (2008) and the political aesthetics of New Turkish Cinema.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
33
Of national 'Significance': Politicizing the home movies of the US National Film Registry.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2013, v. 11, n. 2/3, p. 143, doi. 10.1386/ncin.11.2-3.143_1
- By:
- Publication type:
- Article
34
The violence of history in Marco Bechis's Argentina.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
35
Articulations of presence: The explosions and rubble of Philippe Aractingi's Sous les Bombes.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2010, v. 8, n. 2, p. 87, doi. 10.1386/ncin.8.2.87_1
- By:
- Publication type:
- Article
36
Theory by other means: Pasolini's cinema of the unthought.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
37
Kolberg: Goebbels' Wunderwaffe as Counterfactual History.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 125, doi. 10.3167/hrrh2009.350208
- By:
- Publication type:
- Article
38
Accommodating Vichy: The Politics of Marcel Pagnol's La Fille du puisatier.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 84, doi. 10.3167/hrrh2009.350206
- By:
- Publication type:
- Article
39
Kuhle Wampe, Leftist Cinema, and the Politics Film Censorship in Weimar Germany.
- Published in:
- Historical Reflections / Réflexions Historiques, 2009, v. 35, n. 2, p. 40, doi. 10.3167/hrrh2009.350204
- By:
- Publication type:
- Article
40
Imágenes melancólicas. El cine de las revoluciones vencidas.
- Published in:
- Acta Poética, 2017, p. 13, doi. 10.19130/iifl.ap.2017.1.768
- By:
- Publication type:
- Article
41
Transition Cinema: Political Filmmaking and the Argentine Left since 1968.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
42
'Elle est où, ta place?' The Social-Realist Melodramas of Laurent Cantet: Ressources humaines (2000) and Emploi du temps (2001).
- Published in:
- French Cultural Studies, 2004, v. 15, n. 3, p. 235, doi. 10.1177/009715580401500303
- By:
- Publication type:
- Article
43
Consciousness and spirituality in New Romanian Cinema.
- Published in:
- Journal of European Studies, 2018, v. 48, n. 3/4, p. 327, doi. 10.1177/0047244118801234
- By:
- Publication type:
- Article
44
Jean Schmidt: Grandeur and decline of French militant cinema in the 70s.
- Published in:
- Journal of European Studies, 1994, v. 24, n. 3, p. 265, doi. 10.1177/004724419402409503
- By:
- Publication type:
- Article
45
Sex - richtig! Körperpolitik und Gefühiserziehung im Kino des 20. Jahr-hunderts.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
46
In Defense of What? The Battle Between Netflix and the Cannes Film Festival.
- Published in:
- Film Matters, 2020, v. 11, n. 3, p. 32, doi. 10.1386/fm_00098_1
- By:
- Publication type:
- Article
47
Off-Script: Toward a Revolutionary Arab Cinema.
- Published in:
- Film Matters, 2019, v. 10, n. 1, p. 45, doi. 10.1386/fm.10.1.45_1
- By:
- Publication type:
- Article
48
Political Revelations in Detail: The Close-Up in Patricio Guzmán's The Battle of Chile.
- Published in:
- Film Matters, 2018, v. 9, n. 2, p. 69, doi. 10.1386/fm.9.2.69_1
- By:
- Publication type:
- Article
49
Preview of FM 9.2.
- Published in:
- Film Matters, 2018, v. 9, n. 1, p. 192, doi. 10.1386/fm.9.1.192_7
- Publication type:
- Article
50
The Intersection of Politics and Trauma in the Films of Apichatpong Weerasethakul.
- Published in:
- Film Matters, 2017, v. 8, n. 1, p. 35, doi. 10.1386/fm.8.1.35_1
- By:
- Publication type:
- Article