Motion Picture Editing as a Hawkes Process.
- Published in:
- Journal of Data Science, 2023, v. 21, n. 1, p. 43, doi. 10.6339/22-JDS1055
- By:
- Publication type:
- Article
Works matching Motion picture editing
Results: 310
1
2
Legal.
- Published in:
- Cinema Journal, 2006, v. 46, n. 1, p. 143
- Publication type:
- Article
3
Von „Idealer Filmerzeugung” im frühen Kino.
- Published in:
- Technikgeschichte, 2015, v. 82, n. 1, p. 47
- By:
- Publication type:
- Article
4
POET AS FILM EDITOR: AN INTERVIEW WITH ROBERTO PERPIGNANI.
- Published in:
- 2017
- By:
- Publication type:
- Interview
5
VARIOUS...
- Published in:
- Metro, 2004, n. 141, p. 167
- By:
- Publication type:
- Article
6
The Third Division of Production: Post Production.
- Published in:
- TechTrends: Linking Research & Practice to Improve Learning, 2011, v. 55, n. 1, p. 12, doi. 10.1007/s11528-011-0459-y
- By:
- Publication type:
- Article
7
It ain't just what you say but the way that you say it: indexing a DVD.
- Published in:
- Indexer, 2009, v. 27, n. 4, p. 173, doi. 10.3828/indexer.2009.52
- By:
- Publication type:
- Article
8
Finding the Beat: An Analysis of the Rhythmic Elements of Motion Pictures.
- Published in:
- International Journal of Image & Graphics, 2002, v. 2, n. 2, p. 215, doi. 10.1142/S0219467802000573
- By:
- Publication type:
- Article
9
Reconsidering Jean Renoir's La Marseillaise through editor Marguerite Renoir.
- Published in:
- French Screen Studies, 2021, v. 21, n. 1, p. 19, doi. 10.1080/26438941.2020.1741988
- By:
- Publication type:
- Article
10
OpenKinoAI: A Framework for Intelligent Cinematography and Editing of Live Performances.
- Published in:
- Leonardo, 2022, p. 373, doi. 10.1162/leon_a_02226
- By:
- Publication type:
- Article
11
The rapidly shifting paradigm of surgical education.
- Published in:
- Colorectal Disease, 2019, v. 21, n. 10, p. 1111, doi. 10.1111/codi.14743
- By:
- Publication type:
- Article
12
YouTube y los nuevos convencionalismos visuales en base al montaje.
- Published in:
- Revista de Comunicación, 2024, v. 23, n. 1, p. 315, doi. 10.26441/RC23.1-2024-3432
- By:
- Publication type:
- Article
13
Towards assisting the decision‐making process for content creators in cinematic virtual reality through the analysis of movie cuts and their influence on viewers' behavior.
- Published in:
- International Transactions in Operational Research, 2023, v. 30, n. 3, p. 1245, doi. 10.1111/itor.13106
- By:
- Publication type:
- Article
14
How We Learned to Listen to Noise. Theoretical Issues, Practical Problems: Sonic and Media Materiality in Italian Early Sound Cinema (1929-1935).
- Published in:
- New Soundtrack, 2017, v. 7, n. 2, p. 121, doi. 10.3366/sound.2017.0104
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- Publication type:
- Article
15
'The Soundtrack': The School of Sound Summer Workshop at the ifs internationale filmschule köln.
- Published in:
- New Soundtrack, 2013, v. 3, n. 1, p. 81, doi. 10.3366/sound.2013.0037
- By:
- Publication type:
- Article
16
The Electric Ear, Part Two.
- Published in:
- New Soundtrack, 2011, v. 1, n. 2, p. 113, doi. 10.3366/sound.2011.0014
- By:
- Publication type:
- Article
17
Inscription and re-framing: at the editing table of Harun Farocki.
- Published in:
- Journal of Art History / Konsthistorisk Tidskrift, 2004, v. 73, n. 1, p. 15, doi. 10.1080/00233600410027273
- By:
- Publication type:
- Article
18
Besser spät als nie: Die Hamburger Klopstock-Ausgabe vor dem Abschluss.
- Published in:
- Editio (09313079), 2022, v. 36, n. 1, p. 1, doi. 10.1515/editio-2022-0001
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- Publication type:
- Article
19
Editor's Introduction.
- Published in:
- Juniata Voices, 2023, v. 23, p. 140
- By:
- Publication type:
- Article
20
"She's Got Her Own Way of Asserting Herself': Interview with Seyhan Derin.
- Published in:
- 2006
- By:
- Publication type:
- Interview
21
La investigación sobre montaje cinematográfico en Web of Science en communication, film, radio & television, psychology y neurosciences & neurology.
- Published in:
- Arte, Individuo y Sociedad, 2021, v. 33, n. 4, p. 1369, doi. 10.5209/aris.72167
- By:
- Publication type:
- Article
22
The accidental preservationist: an interview with Bill Brand.
- Published in:
- 2003
- By:
- Publication type:
- Interview
23
Lost, found and remade: an interview with archivist and filmmaker Carolyn Faber.
- Published in:
- 2003
- By:
- Publication type:
- Interview
24
The Order of Point of Order.
- Published in:
- Film History, 2001, v. 13, n. 2, p. 200, doi. 10.2979/FIL.2001.13.2.200
- By:
- Publication type:
- Article
25
Introduction: Non-Fiction Film.
- Published in:
- Film History, 2001, v. 13, n. 2, p. 115, doi. 10.2979/FIL.2001.13.2.160
- By:
- Publication type:
- Article
26
'Ylimeno'-transitions in Finnish Films of the 1930s and 1940s.
- Published in:
- Film History, 2001, v. 13, n. 1, p. 37, doi. 10.2979/FIL.2001.13.1.37
- By:
- Publication type:
- Article
27
Fragmentation and assemblage in the Lumière animated pictures.
- Published in:
- Film History, 2001, v. 13, n. 1, p. 76, doi. 10.2979/FIL.2001.13.1.76
- By:
- Publication type:
- Article
28
The Figure Seen from the Rear, Vitagraph, and the Development of Shot/Reverse Shot.
- Published in:
- Film History, 1999, v. 11, n. 3, p. 319
- By:
- Publication type:
- Article
29
Smith versus Melbourne-Cooper: History and Counter-History.
- Published in:
- Film History, 1999, v. 11, n. 3, p. 246
- By:
- Publication type:
- Article
30
Smith the showman: The early years of George Albert Smith.
- Published in:
- Film History, 1998, v. 10, n. 1, p. 8
- By:
- Publication type:
- Article
31
Proposal addressed to the photo-kino section of the Regional Centre Of Political Education (Gubpolitiprosvet).
- Published in:
- Film History, 1996, v. 8, n. 3, p. 366
- By:
- Publication type:
- Article
32
The rediscovery of a Kuleshov experiment: A dossier.
- Published in:
- Film History, 1996, v. 8, n. 3, p. 357
- By:
- Publication type:
- Article
33
The wise and wicked game: re-editing and Soviet film culture of the 1920s.
- Published in:
- Film History, 1996, v. 8, n. 3, p. 327
- By:
- Publication type:
- Article
34
Nacionaliniai vietovaizdžiai: Vileišių rūmų atvejis.
- Published in:
- Acta Academiae Artium Vilnensis, 2019, n. 94, p. 281
- By:
- Publication type:
- Article
35
Teaching Computers to Watch Television: Content-Based Image Retrieval for Content Analysis.
- Published in:
- Social Science Computer Review, 2000, v. 18, n. 3, p. 246, doi. 10.1177/089443930001800302
- By:
- Publication type:
- Article
36
Digital Strain.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2010, v. 15, n. 2, p. 149, doi. 10.1080/0969725X.2010.521410
- By:
- Publication type:
- Article
37
Montaje audiovisual. Teoría, técnica y métodos de control.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
38
FILMPRODUKTION FÜR BIBLIOTHEKEN - NEUER WEG DER INFORMATIONSVERMITTLUNG IM 21. JAHRHUNDERT.
- Published in:
- Mitteilungen der Vereinigung Österreichischer Bibliothekarinnen & Bibliothekare, 2007, v. 60, n. 3, p. 8
- By:
- Publication type:
- Article
39
Film in the Advanced Composition Classroom: A Tapestry of Style.
- Published in:
- Composition Forum, 2015, v. 32, p. 6
- By:
- Publication type:
- Article
40
At War with Ken Burns.
- Published in:
- Sewanee Review, 2010, v. 118, n. 2, p. 259, doi. 10.1353/sew.0.0242
- By:
- Publication type:
- Article
41
Krystof Kieślowski's Inner World: Exploring Film Editing as Sites of Memory.
- Published in:
- Quarterly Review of Film & Video, 2024, v. 41, n. 6, p. 792, doi. 10.1080/10509208.2023.2166777
- By:
- Publication type:
- Article
42
Rules of Digital Attraction: The Lure of the Ghost in Joel Anderson's Lake Mungo.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
43
Matter, Time, and the Digital: Varda's The Gleaners and I.
- Published in:
- Quarterly Review of Film & Video, 2007, v. 24, n. 5, p. 421, doi. 10.1080/10509200500536322
- By:
- Publication type:
- Article
44
The Cinema of the Interstice: Jean-Luc Godard's Prénom Carmen and the Power of Montage.
- Published in:
- Quarterly Review of Film & Video, 2006, v. 23, n. 2, p. 111, doi. 10.1080/10509200590490619
- By:
- Publication type:
- Article
45
SİNEMATOGRAFİNİN BİR DUYGU SANATI OLARAK KULLANIMI: SEVMEK ZAMANI FİLMİ.
- Published in:
- Journal of Akdeniz Sanat, 2023, v. 17, n. 32, p. 203, doi. 10.48069/akdenizsanat.1188316
- By:
- Publication type:
- Article
46
COMPARISON OF EDITING FEATURES IN KAZAKHSTAN AUTHOR'S AND COMMERCIAL CINEMA.
- Published in:
- Central Asian Journal of Art Studies, 2024, v. 9, n. 4, p. 193, doi. 10.47940/cajas.v9i4.937
- By:
- Publication type:
- Article
47
FEATURES OF EDITING IN CINEMA OF THE «NEW KAZAKH WAVE».
- Published in:
- Central Asian Journal of Art Studies, 2024, v. 9, p. 244, doi. 10.47940/cajas.v9i2.886
- By:
- Publication type:
- Article
48
Automation and creativity in AI-driven film editing: the view from the professional documentary sector.
- Published in:
- Communication & Society, 2024, v. 37, n. 3, p. 201, doi. 10.15581/003.37.3.201-218
- By:
- Publication type:
- Article
49
Catmull-Rom curve fitting and interpolation equations.
- Published in:
- International Journal of Mathematical Education in Science & Technology, 2010, v. 41, n. 6, p. 842, doi. 10.1080/0020739X.2010.486449
- By:
- Publication type:
- Article
50
The Art of the Observer: A Personal View of Documentary: DAVID MACDOUGALL, 2022, Manchester, England, Manchester University Press, pp.xii + 239, illus., $30.55 (paper).
- Published in:
- 2024
- By:
- Publication type:
- Product Review