‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
- By:
- Publication type:
- Article
Works matching Monteverdi, Claudio, 1567-1643
Results: 124
1
2
GEHEIMNISUMWITTERT UND GENIAL.
- Published in:
- Gottesdienst und Kirchenmusik, 2010, v. 10, n. 2, p. 16
- By:
- Publication type:
- Article
3
SLEEP, WAKEFULNESS, AND SPACE: VIRGIL, PETRARCH, AND MONTEVERDI.
- Published in:
- 2013
- By:
- Publication type:
- Poetry Review
4
RECORDINGS IN REVIEW.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
5
RECORDINGS IN REVIEW.
- Published in:
- Yale Review, 2011, v. 99, n. 1, p. 190, doi. 10.1353/tyr.2011.0013
- By:
- Publication type:
- Article
6
Performing the Self.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
7
Toward and Beyond Baroque Opera: Luca Ronconi and the Monteverdi Trilogy.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
8
Trisha Brown's L'Orfeo: Postmodern Meets Baroque.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
9
Hamlet and Poppea: Musicking Benjamin's Trauerspiel.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
10
Orfeo's Machines.
- Published in:
- 2008
- By:
- Publication type:
- Essay
11
Monteverdi's Voices: The Construction of Subjectivity.
- Published in:
- 2008
- By:
- Publication type:
- Essay
12
Militat omnis amans: Ovidian elegy in L'incoronazione di Poppea.
- Published in:
- International Journal of the Classical Tradition, 1998, v. 4, n. 3, p. 381, doi. 10.1007/BF02686424
- By:
- Publication type:
- Article
13
THE LIFE AND WORLD OF A SINGER: FINDING MY WAY.
- Published in:
- Philosophy of Music Education Review, 2006, v. 14, n. 1, p. 65, doi. 10.1353/pme.2006.0005
- By:
- Publication type:
- Article
14
Opera, The Writer & The Composer.
- Published in:
- 2013
- By:
- Publication type:
- Essay
15
Monteverdi's Orfeo - Shakespeare's Hamlet: Polycentric composition as the effort to find order in the uncertain times.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2019, v. 55, n. 1, p. 27, doi. 10.4312/mz.55.1.27-41
- By:
- Publication type:
- Article
16
Agonal Elements in the Depiction of War in Monteverdi's Eighth Book of Madrigals.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2012, v. 48, n. 1, p. 5
- By:
- Publication type:
- Article
17
A GRAND 400TH ANNIVERSARY: THE NONTEVERDI VESPERS OF 1610.
- Published in:
- American Recorder, 2010, v. 51, n. 2, p. 11
- By:
- Publication type:
- Article
18
The Cambridge Companion to Monteverdi.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
19
Monteverdi's Last Operas: A Venetian Trilogy. By Ellen Rosand. Berkeley: University of California Press, 2007. [xxiv, 447 p. ISBN 978-0-520-24934-9. $65.].
- Published in:
- 2010
- By:
- Publication type:
- Book Review
20
Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The Changing Status of the Directional Tendency of Root Progressions in Madrigal Cycles from Verdelot to Monteverdi (c. 1530-1638).
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 119, doi. 10.30535/mto.24.4.8
- By:
- Publication type:
- Article
21
Poppea in space: The influence of theatre architecture on recent productions of Monteverdi's L'incoronazione di Poppea.
- Published in:
- Scene (2044-3714), 2016, v. 4, n. 1, p. 5, doi. 10.1386/scene.4.1.5_1
- By:
- Publication type:
- Article
22
'E in rileggendo poi le proprie note': Monteverdi responds to Artusi?
- Published in:
- Renaissance Studies, 2012, v. 26, n. 1, p. 138, doi. 10.1111/j.1477-4658.2011.00793.x
- By:
- Publication type:
- Article
23
Monteverdi's Last Operas: A Venetian Trilogy - by Ellen Rosand.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
24
ANALYTICAL ASPECTS OF THE THREE VERSIONS OF CONFITEBOR TIBI, DOMINE BY CLAUDIO MONTEVERDI.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 297, doi. 10.24193/subbmusica.2023.2.22
- By:
- Publication type:
- Article
25
THE ARSENAL OF MEANS USED BY A CONDUCTOR IN DECODING AN OPERA SCORE.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 257, doi. 10.24193/subbmusica.2023.2.18
- By:
- Publication type:
- Article
26
THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 213, doi. 10.24193/subbmusica.2021.2.14
- By:
- Publication type:
- Article
27
I MECCANISMI RECETIVI DELLA MUSICA ANTICA NELLE TRASCRIZIONI NOVECENTESCHE DELL'ORFEO DI MONTEVERDI.
- Published in:
- Il Saggiatore Musicale, 2010, v. 17, n. 2, p. 197
- By:
- Publication type:
- Article
28
The Renaissance Weekend.
- Published in:
- Sacred Music, 2011, v. 138, n. 1, p. 75
- By:
- Publication type:
- Article
29
Strategies for Opposition, Ambiguity, and "Amarilli" in the Seconda P ratio a Italian Madrigal.
- Published in:
- Integral, 2014, n. 28/29, p. 181
- By:
- Publication type:
- Article
30
L'art Della Danza Ai Tempi Di Claudio Monteverdi A cura di Angelo Chiarle Atti dei convegno internazionale, 6-7, Settembre, 1993 tom. 2. Biblioteca dell'Instituto peri beni musicali in piemonte, 1966.
- Published in:
- 1997
- By:
- Publication type:
- Book Review
31
Recordings.
- Published in:
- 2000
- By:
- Publication type:
- Music Review
32
Recordings.
- Published in:
- 1996
- By:
- Publication type:
- Music Review
33
Some Notes on the First Edition of Monteverdi’s ‘Orfeo’ (1609).
- Published in:
- 2010
- By:
- Publication type:
- Essay
34
The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition.
- Published in:
- Music & Letters, 2010, v. 91, n. 4, p. 568, doi. 10.1093/ml/gcq092
- By:
- Publication type:
- Article
35
CLAUDIO MONTEVERDI AND SACRED MUSIC IN THE HOUSEHOLD OF THE GONZAGA DUKES OF MANTUA, 1590-1612.
- Published in:
- Music & Letters, 2009, v. 90, n. 3, p. 331, doi. 10.1093/ml/gcp050
- By:
- Publication type:
- Article
36
MONTEVERDI, MARENZIO, AND BATTISTA GUARINI'S 'CRUDA AMARILLI'.
- Published in:
- Music & Letters, 2008, v. 89, n. 3, p. 311, doi. 10.1093/ml/gcn004
- By:
- Publication type:
- Article
37
ANOTHER MASS ATTRIBUTABLE TO GIOVANNI ROVETTA.
- Published in:
- Music & Letters, 2007, v. 88, n. 4, p. 589, doi. 10.1093/ml/gcm036
- By:
- Publication type:
- Article
38
Il ritorno d'Ulisse in patria.
- Published in:
- Music & Letters, 2007, v. 88, n. 2, p. 395, doi. 10.1093/ml/gcl152
- By:
- Publication type:
- Article
39
The Third Book of Madrigals for five voices/Fantasias & Almaines for six viols (Book).
- Published in:
- 2001
- By:
- Publication type:
- Book Review
40
Reviews of books.
- Published in:
- 1996
- By:
- Publication type:
- Book Review
41
New light on the genesis of Monteverdi's eighth book of...
- Published in:
- Music & Letters, 1996, v. 77, n. 2, p. 183, doi. 10.1093/ml/77.2.183
- By:
- Publication type:
- Article
42
Proportional notations in Monteverdi's `Orfeo'.
- Published in:
- Music & Letters, 1995, v. 76, n. 2, p. 149, doi. 10.1093/ml/76.2.149
- By:
- Publication type:
- Article
43
Mythical Musical Drama in Monteverdi.
- Published in:
- Arion, 2015, v. 23, n. 2, p. 149, doi. 10.2307/arion.23.2.0149
- By:
- Publication type:
- Article
44
Place, Performance and Identity in Monteverdi's Combattimento di Tancredi e Clorinda.
- Published in:
- Cambridge Opera Journal, 2017, v. 29, n. 2, p. 152, doi. 10.1017/S0954586717000106
- By:
- Publication type:
- Article
45
‘All that Glisters’: Orpheus’s Failure as an Orator and the Academic Philosophy of the Accademia degli Invaghiti.
- Published in:
- Cambridge Opera Journal, 2014, v. 26, n. 3, p. 239, doi. 10.1017/S0954586714000081
- By:
- Publication type:
- Article
46
Seeing the Empress Again On Doubling in L'incoronazione di Poppea.
- Published in:
- Cambridge Opera Journal, 2012, v. 24, n. 3, p. 249, doi. 10.1017/S0954586712000286
- By:
- Publication type:
- Article
47
PROVE GENERALI DI TEATRO MUSICALE IN LAGUNA. IL CONTESTO MUSICALE VENEZIANO DEL PRIMO SEICENTO E IL RUOLO DI MONTEVERDI NELLA NASCITA DEL MELODRAMMA A VENEZIA.
- Published in:
- Venezia Arti: Bollettino del Dipartimento di Storia Delle Arti e Conservazione Dei Beni Artistici, 2008, v. 22/23, p. 84
- By:
- Publication type:
- Article
48
PASTORAL THERAPIES FOR THE HEARTBROKEN IN GUARINI'S PASTOR FIDO AND MONTEVERDI'S BOOK V.
- Published in:
- Quaderni d'italianistica, 2008, v. 29, n. 1, p. 73, doi. 10.33137/q.i..v29i1.8494
- By:
- Publication type:
- Article
49
BAROQUE ON A BUDGET: CONCERTED SACRED MASTERWORKS WITH LIMITED INSTRUMENTATION.
- Published in:
- Choral Journal, 2017, v. 58, n. 3, p. 42
- By:
- Publication type:
- Article
50
Vespro della Beata Vergine (1610 Vespers).
- Published in:
- Choral Journal, 2014, v. 54, n. 8, p. 77
- Publication type:
- Article