Partition lattices in Milton Babbitt's Woodwind Quartet (1953).
- Published in:
- Journal of Mathematics & Music, 2007, v. 1, n. 3, p. 139, doi. 10.1080/17459730701733612
- By:
- Publication type:
- Article
Works matching Milton Babbitt
Results: 39
1
2
Generating Milton Babbitt’s All-Partition Arrays.
- Published in:
- Journal of New Music Research, 2016, v. 45, n. 2, p. 184, doi. 10.1080/09298215.2016.1172646
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- Publication type:
- Article
3
The Enabling Instrument: Milton Babbitt and the RCA Synthesizer.
- Published in:
- Contemporary Music Review, 2020, v. 39, n. 6, p. 776, doi. 10.1080/07494467.2020.1863011
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- Publication type:
- Article
4
Hearing, Studying, and Remembering Milton Babbitt at the CUNY Graduate Center.
- Published in:
- 2012
- By:
- Publication type:
- Essay
5
Between Innocence and Experience: How Analysis Might or Might Not Have Affected My Hearing of Milton Babbitt's Music.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 162, doi. 10.1080/07494467.2021.1991670
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- Publication type:
- Article
6
Playing Babbitt by Ear: How I Composed More Semi-Simple Variations, Intermezzo, and Fugue on a Theme by Milton Babbitt for Piano Four-Hands.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 319, doi. 10.1080/07494467.2021.1989224
- By:
- Publication type:
- Article
7
Generating New Musical Works in the Style of Milton Babbitt.
- Published in:
- Computer Music Journal, 2018, v. 42, n. 1, p. 60, doi. 10.1162/comj_a_00451
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- Publication type:
- Article
8
The Collected Essays of Milton Babbitt - Edited by Stephen Peles, Stephen Dembski, Andrew Mead and Joseph N. Straus.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
9
The Collected Essays of Milton Babbitt.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
10
INTRODUCTION On Milton Babbitt: Progressive Artistic Research, Decorous Pranks, and Pig-Stand Jazz.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 121, doi. 10.1080/07494467.2021.2031066
- By:
- Publication type:
- Article
11
The Private and Public Lives of a Lost Concerto: Milton Babbitt's Concerti for Violin, Orchestra, and Synthesized Sound.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 253, doi. 10.1080/07494467.2021.2018177
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- Publication type:
- Article
12
Pulling a Fast More-Than-One: Milton Babbitt's Time-point Practice.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 347, doi. 10.1080/07494467.2021.1989231
- By:
- Publication type:
- Article
13
`Music for the masses': Milton Babbitt's cold war music theory.
- Published in:
- Musical Quarterly, 1993, v. 77, n. 2, p. 161, doi. 10.1093/mq/77.2.161
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- Publication type:
- Article
14
MILTON BABBITT’İN “THREE COMPOSITION FOR PIANO (1947)” ESERİNE YÖNELİK BİR ANALİZ.
- Published in:
- Inonu University Journal of Culture & Arts, 2024, v. 10, n. 2, p. 13, doi. 10.22252/ijca.1539565
- By:
- Publication type:
- Article
15
Milton Babbitt's E-type All-Combinatorial Hexachord and its Applications to Jazz.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 214, doi. 10.1080/07494467.2021.2017192
- By:
- Publication type:
- Article
16
The Performer in the Music of Milton Babbitt.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 290, doi. 10.1080/07494467.2021.1988419
- By:
- Publication type:
- Article
17
A Conversation with Milton Babbitt and Robert Taub about Performing the West Coast Premiere of Preludes, Interludes, and Postlude.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 278, doi. 10.1080/07494467.2021.1988401
- By:
- Publication type:
- Article
18
Portmantonality and Babbitt's Poetics of Double Entendre.
- Published in:
- Music Theory Online, 2020, v. 26, n. 2, p. 186, doi. 10.30535/mto.26.2.9
- By:
- Publication type:
- Article
19
Les premiers contacts de Jonathan Harvey avec la technologie et la Set Theory, vers une pensée musicale à la fois structuraliste et spiritualiste.
- Published in:
- Nuove Musiche, 2017, v. 3, p. 29, doi. 10.12871/97888333922333
- By:
- Publication type:
- Article
20
Words About Thinking in Music About Music: References in Call It What You Will.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 328, doi. 10.1080/07494467.2021.1989229
- By:
- Publication type:
- Article
21
The Cabinet of Curiosities—The String Quartet in the USA after 1950.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 341, doi. 10.1080/07494467.2013.809238
- By:
- Publication type:
- Article
22
Predicting Babbitt's orderings of time-point classes from array aggregate partitions in None but the Lonely Flute and Around the Horn.
- Published in:
- Journal of Mathematics & Music, 2018, v. 12, n. 1, p. 1, doi. 10.1080/17459737.2017.1406012
- By:
- Publication type:
- Article
23
Musical Irrationality in the Shadow of Pythagoras.
- Published in:
- Contemporary Music Review, 2010, v. 29, n. 4, p. 387, doi. 10.1080/07494467.2010.587316
- By:
- Publication type:
- Article
24
Rethinking Babbitt's 'Serious' Music as Play.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 141, doi. 10.1080/07494467.2021.2017232
- By:
- Publication type:
- Article
25
Hearing Compositional Play in Babbitt's Arrays.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 171, doi. 10.1080/07494467.2021.1993635
- By:
- Publication type:
- Article
26
Empirical Musicology Review: Serialist Claims versus Sonic Reality.
- Published in:
- Empirical Musicology Review, 2010, v. 5, n. 2, p. 36, doi. 10.18061/1811/46748
- By:
- Publication type:
- Article
27
Remarks on “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner.
- Published in:
- Journal of Mathematics & Music, 2015, v. 9, n. 2, p. 173, doi. 10.1080/17459737.2015.1055112
- By:
- Publication type:
- Article
28
Erratum.
- Published in:
- 2018
- Publication type:
- Correction Notice
29
The Columbia--Princeton Electronic Music Center: Educating International Composers.
- Published in:
- Computer Music Journal, 2007, v. 31, n. 2, p. 20, doi. 10.1162/comj.2007.31.2.20
- By:
- Publication type:
- Article
30
Institute News.
- Published in:
- American Music Review, 2011, v. 40, n. 2, p. 2
- By:
- Publication type:
- Article
31
Improvising with Arrays.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 202, doi. 10.1080/07494467.2021.2017156
- By:
- Publication type:
- Article
32
A Discussion of Strategies for recording Babbitt's Composition for Twelve Instruments.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 233, doi. 10.1080/07494467.2021.1992111
- By:
- Publication type:
- Article
33
Playing with Babbitt in the 1980s: Guest Appearances at the New York Philharmonic and Bang on a Can.
- Published in:
- Contemporary Music Review, 2021, v. 40, n. 2/3, p. 338, doi. 10.1080/07494467.2021.1989230
- By:
- Publication type:
- Article
34
Never standing still.
- Published in:
- 2002
- By:
- Publication type:
- Interview
35
An advocate for the piece.
- Published in:
- 2002
- By:
- Publication type:
- Interview
36
List of Works Cited.
- Published in:
- Music Theory Spectrum, 2002, v. 24, n. 2, p. 257, doi. 10.1525/mts.2002.24.2.257
- Publication type:
- Article
37
"ZACHARY TAYLOR IS DEAD AND IN HELL AND I AM GLAD OF IT!".
- Published in:
- Utah Historical Quarterly, 2015, v. 83, n. 2, p. 85, doi. 10.5406/utahhistquar.83.2.0084
- By:
- Publication type:
- Article
38
New hexachordal theorems in metric spaces with a probability measure.
- Published in:
- Mathematical Journal of the University of Padua / Rendiconti del Seminario Matematico della Università di Padova, 2024, v. 152, p. 45, doi. 10.4171/RSMUP/150
- By:
- Publication type:
- Article
39
About Two Tendencies of Modernization of Rhythm: Eastern Europe (Stravinsky, Shostakovich) and Others (Cage, Boulez).
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2016, n. 17, p. 111
- By:
- Publication type:
- Article