Editorial.
- Published in:
- Theatre, Dance & Performance Training, 2017, v. 8, n. 1, p. 1, doi. 10.1080/19443927.2017.1294447
- By:
- Publication type:
- Article
Works matching Meierkhold, V. E. (Vsevolod Emilevich), 1874-1940
Results: 25
1
2
Reports in teaching process.
- Published in:
- Theatre, Dance & Performance Training, 2016, v. 7, n. 2, p. 297, doi. 10.1080/19443927.2016.1210917
- By:
- Publication type:
- Article
3
When He Touches Your Heart... - The Revolutionary Theatre of Vsevolod Meyerhold and the Development of Mikhail Chekhov.
- Published in:
- Contemporary Theatre Review, 1997, v. 7, n. 1, p. 67, doi. 10.1080/10486809708568447
- By:
- Publication type:
- Article
4
Vsevolod Meyerhold: The Picture of Dorian Gray (1915).
- Published in:
- Studies in Russian & Soviet Cinema, 2019, v. 13, n. 1, p. 91, doi. 10.1080/17503132.2019.1557407
- By:
- Publication type:
- Article
5
After Symbolism: Theoretical Aspects of Meyerhold's Early Theatrical Reform.
- Published in:
- Anagnórisis: Revista de Investigación Teatral, 2019, n. 19, p. 6
- By:
- Publication type:
- Article
6
'The Picture of Dorian Gray' painted by Meyerhold.
- Published in:
- Studies in Russian & Soviet Cinema, 2019, v. 13, n. 1, p. 59, doi. 10.1080/17503132.2019.1556429
- By:
- Publication type:
- Article
7
The Life of the Constructivist Theatrical Object.
- Published in:
- 2013
- By:
- Publication type:
- Essay
8
V.E. Meyerhold: The Last Period.
- Published in:
- Contemporary Theatre Review, 1995, v. 4, n. 1, p. 19, doi. 10.1080/10486809508568355
- By:
- Publication type:
- Article
9
Did Meyerhold Influence Brecht? A Comparison of Their Antirealistic Theatrical Aesthetics.
- Published in:
- European Legacy, 2008, v. 13, n. 3, p. 293, doi. 10.1080/10848770802052400
- By:
- Publication type:
- Article
10
Meyerhold and the Revolution: A Reading through Henri Lefebvre's Theories on "Everyday Life".
- Published in:
- Theatre History Studies, 2018, v. 37, p. 7, doi. 10.1353/ths.2018.0002
- By:
- Publication type:
- Article
11
Clockwise-Counterclockwise (The Vowelless Revolution).
- Published in:
- Theatre Journal, 2004, v. 56, n. 2, p. 183, doi. 10.1353/tj.2004.0058
- By:
- Publication type:
- Article
12
One exercise I always return to: the dactyl and the gruppirovka.
- Published in:
- Theatre, Dance & Performance Training, 2024, v. 15, n. 4, p. 699, doi. 10.1080/19443927.2024.2426899
- By:
- Publication type:
- Article
13
Authenticity and Usability, or "Welding the Unweldable": Meyerhold's Refraction of Japanese Theatre.
- Published in:
- Asian Theatre Journal, 2016, v. 33, n. 2, p. 310, doi. 10.1353/atj.2016.0033
- By:
- Publication type:
- Article
14
MEYERYHOLD AND CONSTRUCTIVISM IN THE RUSSIAN THEATRE.
- Published in:
- Quarterly Journal of Speech, 1943, v. 29, n. 2, p. 182, doi. 10.1080/00335634309380868
- By:
- Publication type:
- Article
15
Klassik und Theateravantgarde: V. E. Mejerchol'ds Revizor im Kon text der russischen Klassikerrezeption.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
16
Research. Vol. 1: Autobiographical Materials: Documents 1896-1903 / Lectures: 1918-1920 / Research. Vol. 2: The Fellowship of the New Drama and the Founding of the Studio on Povarskaia Street, Summer 1903-Spring 1905.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
17
PERFORMANCE AS POLEMIC: TAIROV'S 1920 PRINCESS BRAMBILLA AT THE MOSCOW KAMERNY THEATRE.
- Published in:
- Theatre Survey, 2010, v. 51, n. 1, p. 33, doi. 10.1017/S0040557410000219
- By:
- Publication type:
- Article
18
Meyerhold Bound: Montažstroj's Vatrotehna (2.0) and the Barbaric Discipline of the Machine.
- Published in:
- Colloquia Humanistica, 2017, n. 6, p. 131, doi. 10.11649/ch.2017.011
- By:
- Publication type:
- Article
19
Tracing/Training Rebellion.
- Published in:
- Performance Research, 2007, v. 12, n. 4, p. 97, doi. 10.1080/13528160701822692
- By:
- Publication type:
- Article
20
Body as a Machine: Meyerhold Between Politics and Theory.
- Published in:
- Journal of Theatre Criticism & Dramaturgy / Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 2023, n. 37, p. 1, doi. 10.26650/jtcd.2023001
- By:
- Publication type:
- Article
21
One exercise I always return to: games with names.
- Published in:
- Theatre, Dance & Performance Training, 2024, v. 15, n. 4, p. 690, doi. 10.1080/19443927.2024.2426910
- By:
- Publication type:
- Article
22
An explanation and analysis of one principle of Meyerhold’s Biomechanics ‒ tormos.
- Published in:
- Theatre, Dance & Performance Training, 2017, v. 8, n. 1, p. 89, doi. 10.1080/19443927.2016.1214890
- By:
- Publication type:
- Article
23
HILOS DE TEATRO: LA PUESTA EN ESCENA DEL PALACIO DE LOS SOVIETS DE LE CORBUSIER, 1931.
- Published in:
- Revista Proyecto, Progreso, Arquitectura, 2012, p. 68, doi. 10.12795/ppa.2012.i7.05
- By:
- Publication type:
- Article
24
Meyerhold and the Cubists: Perspectives on Painting and Performance by Amy Skinner.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
25
The Ghost Room.
- Published in:
- Contemporary Theatre Review, 2009, v. 19, n. 2, p. 214, doi. 10.1080/10486800902784433
- By:
- Publication type:
- Article