Labienus and Sceva: Two Classical Supporting Characters and Their Early Modern Dramatic Life in Fletcher and Massinger's The False One.
- Published in:
- Early Theatre, 2015, v. 18, n. 1, p. 101, doi. 10.12745/et.18.1.1167
- By:
- Publication type:
- Article
Works matching Massinger, Philip, 1583-1640
Results: 71
1
2
'On Cheating Pictures': Gender and Portrait Miniatures in Philip Massinger's The Picture.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 87, doi. 10.12745/et.10.2.755
- By:
- Publication type:
- Article
3
Making Death a Miracle: Audience and the Genres of Martyrdom in Dekker and Massinger's The Virgin Martyr.
- Published in:
- Early Theatre, 2004, v. 7, n. 2, p. 9, doi. 10.12745/et.7.2.677
- By:
- Publication type:
- Article
4
The English Reception of Oldenbarnevelt's Fall.
- Published in:
- 2014
- By:
- Publication type:
- Essay
5
The dis-orienting orients – a Lacanian reading of Philip Massinger's tragicomedy The Renegado.
- Published in:
- Comedy Studies, 2017, v. 8, n. 1, p. 22, doi. 10.1080/2040610X.2017.1294412
- By:
- Publication type:
- Article
6
DRAMATIC EXTRACTS IN THE INTERREGNUM.
- Published in:
- 2003
- By:
- Publication type:
- Literary Criticism
7
THE SOURCES OF THE VIRGIN MARTYR.
- Published in:
- Review of English Studies, 1991, v. 42, n. 165, p. 17, doi. 10.1093/res/XLII.165.17
- By:
- Publication type:
- Article
8
"You are yourself": Calvinist Dramaturgy and its Discontents in "The Tragedy of Sir John Van Olden Barnavelt."
- Published in:
- 2004
- By:
- Publication type:
- Literary Criticism
9
To Act or Not to Act?: Performing the Passions of Cuckoldry in Philip Massinger's The Roman Actor and The Duke of Milan.
- Published in:
- Textus, 2016, v. 29, n. 2, p. 143
- By:
- Publication type:
- Article
10
'A Womans Government': Caroline Politics in Massinger's The Emperor of the East.
- Published in:
- Neophilologus, 2016, v. 100, n. 1, p. 161, doi. 10.1007/s11061-015-9452-6
- By:
- Publication type:
- Article
11
CATHOLIC MARTYRDOM IN DEKKER AND MASSINGER'S THE VIRGIN MARTIR AND THE EARLY MODERN THREAT OF "TURNING TURK".
- Published in:
- ELH, 2006, v. 73, n. 1, p. 83, doi. 10.1353/elh.2006.0001
- By:
- Publication type:
- Article
12
"Turkish Dames" and "English Mastiffs": The "Turk" and the Female Body in Massinger's The Renegado.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
13
Carthage's Palladium: John Marston's Sophonisba.
- Published in:
- Anglia: Journal of English Philology / Zeitschrift für Englische Philologie, 2025, v. 143, n. 2, p. 263, doi. 10.1515/ang-2025-0021
- By:
- Publication type:
- Article
14
Gold, Land, and Labor: Ideologies of Colonization and Rewriting The Tempest in 1622.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
15
'The True and Naturall Constitution of that Mixed Government': Massinger's The Bondman and the Influence of Dutch Republicanism.
- Published in:
- 2002
- Publication type:
- Literary Criticism
16
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
17
A New Way to Pay Old Debts: Massinger and the RSC.
- Published in:
- 1984
- By:
- Publication type:
- Arts/Entertainment Review
18
After Elizabeth: representations of female rule in Massinger's tragicomedies.
- Published in:
- Renaissance Studies, 2011, v. 25, n. 3, p. 433, doi. 10.1111/j.1477-4658.2010.00698.x
- By:
- Publication type:
- Article
19
A New Way to Please You or, The Old Law.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
20
Believe What You Will.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
21
A Further Note on Semiramis.
- Published in:
- 2005
- By:
- Publication type:
- Essay
22
Bewitching Power: The Virtuosity of Gender in Dekker and Massinger's The Virgin Martyr.
- Published in:
- Religions, 2019, v. 10, n. 11, p. 629, doi. 10.3390/rel10110629
- By:
- Publication type:
- Article
23
The City Madam.
- Published in:
- 2005
- Publication type:
- Book Review
24
"Not to Be Altered": Performance's Efficacy and Audience Reaction in The Roman Actor.
- Published in:
- Comparative Drama, 2012, v. 46, n. 4, p. 517, doi. 10.1353/cdr.2012.0046
- By:
- Publication type:
- Article
25
Slippery Pirates: Generic Conventions and Discursive Instability in John Fletcher and Philip Massinger's Pirate Plays.
- Published in:
- Humanities (2076-0787), 2020, v. 9, n. 1, p. 7, doi. 10.3390/h9010007
- By:
- Publication type:
- Article
26
Dancing in the Shadows: Ritual, Drama and the performance of Baptisms in the Digby Conversion of St. Paul and Philip Massinger's The Renegado.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism
27
Italy in Philip Massinger's The Maid of Honour.
- Published in:
- Ben Jonson Journal, 2022, v. 29, n. 1, p. 76, doi. 10.3366/bjj.2022.0329
- By:
- Publication type:
- Article
28
Tyranny, Incivility, and Republicanism in The City Madam.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
29
The False One by John Fletcher and Philip Massinger.
- Published in:
- 2025
- By:
- Publication type:
- Book Review
30
The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20.
- Published in:
- Early Theatre, 2024, v. 27, n. 1, p. 105, doi. 10.12745/et.27.1.5677
- By:
- Publication type:
- Article
31
An Edition of Jonson’s Entertainment at Britain’s Burse and a New Letter by Collier on Massinger in the Athenaeum (1857).
- Published in:
- Early Theatre, 2023, v. 26, n. 2, p. 101, doi. 10.12745/et.26.2.5265
- By:
- Publication type:
- Article
32
‘My maine hope is, to begin the sport at Millaine’: Italy in Philip Massinger’s The Duke of Milan.
- Published in:
- Early Theatre, 2023, v. 26, n. 1, p. 53, doi. 10.12745/et.26.1.5086
- By:
- Publication type:
- Article
33
Of "Barren Islands" and "Cursèd Gold": Worth, Value, and Womanhood in The Sea Voyage.
- Published in:
- 2012
- By:
- Publication type:
- Essay
34
CATHOLIC PROPHYLACTICS AND ISLAM'S SEXUAL THREAT: Preventing and Undoing Sexual Defilement in The Renegado.
- Published in:
- Journal for Early Modern Cultural Studies, 2009, v. 9, n. 1, p. 62, doi. 10.1353/jem.0.0026
- By:
- Publication type:
- Article
35
EMOTION, DELIBERATION AND POLITICAL AUTHORITY IN PHILIP MASSINGER'S THE ROMAN ACTOR.
- Published in:
- Forum for Modern Language Studies, 2018, v. 54, n. 1, p. 100, doi. 10.1093/fmls/cqx083
- By:
- Publication type:
- Article
36
Editing on Stage: Theatrical Research for a Critical Edition of John Fletcher and Philip Massinger's Love's Cure, or The Martial Maid.
- Published in:
- Shakespeare Bulletin, 2016, v. 34, n. 1, p. 69
- By:
- Publication type:
- Article
37
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
38
The Dearth of the Author: Philip Massinger and the Beaumont and Fletcher Folio.
- Published in:
- Review of English Studies, 2023, v. 74, n. 313, p. 78, doi. 10.1093/res/hgac079
- By:
- Publication type:
- Article
39
THE NAME OF OTHELLO IS NOT THE NAME OF OTHELLO.
- Published in:
- 2016
- By:
- Publication type:
- Essay
40
Massinger's THE ROMAN ACTOR.
- Published in:
- 1982
- By:
- Publication type:
- Literary Criticism
41
THE CITY MADAM, III. i. 46-51.
- Published in:
- 1980
- By:
- Publication type:
- Literary Criticism
42
False Trials in Shakespeare, Massinger, and Ford.
- Published in:
- 2006
- By:
- Publication type:
- Literary Criticism
43
The False One: John Fletcher and Philip Massinger.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
44
Inter-Confessional Negotiations in Thomas Dekker and Philip Massinger's The Virgin Martyr: Truce as Disputation.
- Published in:
- Early Modern Literary Studies, 2022, p. 1
- By:
- Publication type:
- Article
45
Domestic Liminality, The Jamestown Massacre, and The City Madam.
- Published in:
- 2020
- By:
- Publication type:
- Literary Criticism
46
Perkin Warbeck and Massinger.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
47
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
48
"such cures as heaven hath lent me": Tending to Broken Bodies in Philip Massinger's The Renegado.
- Published in:
- 2018
- By:
- Publication type:
- Script/Play
49
Contents.
- Published in:
- 2018
- Publication type:
- Table of Contents
50
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2013
- By:
- Publication type:
- Book Review