Carthage's Palladium: John Marston's Sophonisba.
- Published in:
- Anglia: Journal of English Philology / Zeitschrift für Englische Philologie, 2025, v. 143, n. 2, p. 263, doi. 10.1515/ang-2025-0021
- By:
- Publication type:
- Article
Works matching Massinger, Philip, 1583-1640
Results: 70
1
2
The Dearth of the Author: Philip Massinger and the Beaumont and Fletcher Folio.
- Published in:
- Review of English Studies, 2023, v. 74, n. 313, p. 78, doi. 10.1093/res/hgac079
- By:
- Publication type:
- Article
3
THE NAME OF OTHELLO IS NOT THE NAME OF OTHELLO.
- Published in:
- 2016
- By:
- Publication type:
- Essay
4
DRAMATIC EXTRACTS IN THE INTERREGNUM.
- Published in:
- 2003
- By:
- Publication type:
- Literary Criticism
5
ON THE DATE OF MASSINGER'S THE GREAT DUKE OF FLORENCE.
- Published in:
- Notes & Queries, 1983, v. 30, n. 5, p. 429, doi. 10.1093/nq/30-5-429
- By:
- Publication type:
- Article
6
FURTHER CONNECTIONS OF SIR WARHAM ST. LEGER.
- Published in:
- Notes & Queries, 1983, v. 30, n. 5, p. 422, doi. 10.1093/nq/30-5-422
- By:
- Publication type:
- Article
7
MASSINGER'S BELGARDE.
- Published in:
- Notes & Queries, 1983, v. 30, n. 2, p. 154, doi. 10.1093/notesj/30.2.154-b
- By:
- Publication type:
- Article
8
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
9
"You are yourself": Calvinist Dramaturgy and its Discontents in "The Tragedy of Sir John Van Olden Barnavelt."
- Published in:
- 2004
- By:
- Publication type:
- Literary Criticism
10
Early Seventeenth Century Tragicomedy in Early Twenty-First Century Editions.
- Published in:
- Shakespeare (1745-0918), 2011, v. 7, n. 3, p. 388, doi. 10.1080/17450918.2011.589073
- By:
- Publication type:
- Article
11
The dis-orienting orients – a Lacanian reading of Philip Massinger's tragicomedy The Renegado.
- Published in:
- Comedy Studies, 2017, v. 8, n. 1, p. 22, doi. 10.1080/2040610X.2017.1294412
- By:
- Publication type:
- Article
12
Transgender Reassessments of the Cross-Dressed Page in Shakespeare, Philaster, and The Honest Man's Fortune.
- Published in:
- 2022
- By:
- Publication type:
- Literary Criticism
13
The Roman Actor, Metadrama, Authority, and the Audience.
- Published in:
- SEL: Studies in English Literature (Johns Hopkins), 2010, v. 50, n. 2, p. 445, doi. 10.1353/sel.0.0096
- By:
- Publication type:
- Article
14
The False One: John Fletcher and Philip Massinger.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
15
Inter-Confessional Negotiations in Thomas Dekker and Philip Massinger's The Virgin Martyr: Truce as Disputation.
- Published in:
- Early Modern Literary Studies, 2022, p. 1
- By:
- Publication type:
- Article
16
Domestic Liminality, The Jamestown Massacre, and The City Madam.
- Published in:
- 2020
- By:
- Publication type:
- Literary Criticism
17
Perkin Warbeck and Massinger.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
18
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
19
The Self and the Other in Philip Massinger's "The Renegado, the Gentleman of Venice": A Structural View.
- Published in:
- Theory & Practice in Language Studies (TPLS), 2019, v. 9, n. 1, p. 118, doi. 10.17507/tpls.0901.17
- By:
- Publication type:
- Article
20
THE SOURCES OF THE VIRGIN MARTYR.
- Published in:
- Review of English Studies, 1991, v. 42, n. 165, p. 17, doi. 10.1093/res/XLII.165.17
- By:
- Publication type:
- Article
21
A Further Note on Semiramis.
- Published in:
- 2005
- By:
- Publication type:
- Essay
22
The English Reception of Oldenbarnevelt's Fall.
- Published in:
- 2014
- By:
- Publication type:
- Essay
23
Of "Barren Islands" and "Cursèd Gold": Worth, Value, and Womanhood in The Sea Voyage.
- Published in:
- 2012
- By:
- Publication type:
- Essay
24
CATHOLIC PROPHYLACTICS AND ISLAM'S SEXUAL THREAT: Preventing and Undoing Sexual Defilement in The Renegado.
- Published in:
- Journal for Early Modern Cultural Studies, 2009, v. 9, n. 1, p. 62, doi. 10.1353/jem.0.0026
- By:
- Publication type:
- Article
25
Italy in Philip Massinger's The Maid of Honour.
- Published in:
- Ben Jonson Journal, 2022, v. 29, n. 1, p. 76, doi. 10.3366/bjj.2022.0329
- By:
- Publication type:
- Article
26
Tyranny, Incivility, and Republicanism in The City Madam.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
27
Slippery Pirates: Generic Conventions and Discursive Instability in John Fletcher and Philip Massinger's Pirate Plays.
- Published in:
- Humanities (2076-0787), 2020, v. 9, n. 1, p. 7, doi. 10.3390/h9010007
- By:
- Publication type:
- Article
28
Bewitching Power: The Virtuosity of Gender in Dekker and Massinger's The Virgin Martyr.
- Published in:
- Religions, 2019, v. 10, n. 11, p. 629, doi. 10.3390/rel10110629
- By:
- Publication type:
- Article
29
Editing on Stage: Theatrical Research for a Critical Edition of John Fletcher and Philip Massinger's Love's Cure, or The Martial Maid.
- Published in:
- Shakespeare Bulletin, 2016, v. 34, n. 1, p. 69
- By:
- Publication type:
- Article
30
Staging Spectatorship in the Plays of Philip Massinger.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
31
Gold, Land, and Labor: Ideologies of Colonization and Rewriting The Tempest in 1622.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
32
'The True and Naturall Constitution of that Mixed Government': Massinger's The Bondman and the Influence of Dutch Republicanism.
- Published in:
- 2002
- Publication type:
- Literary Criticism
33
A New Source for Philip Massinger's The Great Duke of Florence (1627).
- Published in:
- Notes & Queries, 2023, v. 70, n. 1, p. 19, doi. 10.1093/notesj/gjad006
- By:
- Publication type:
- Article
34
Influence of Philip Massinger's The Maid of Honour on The Roman Actor.
- Published in:
- Notes & Queries, 2021, v. 68, n. 2, p. 181, doi. 10.1093/notesj/gjab056
- By:
- Publication type:
- Article
35
Echoes From Statius in Massinger's The Roman Actor (1626).
- Published in:
- 2019
- By:
- Publication type:
- Literary Criticism
36
THE SEA VOYAGE AND ACCOUNTS OF FAMINE IN COLONIAL VIRGINIA.
- Published in:
- 2018
- By:
- Publication type:
- Literary Criticism
37
JULIUS CAESAR'S 'JUST CAUSE' IN JOHN FLETCHER AND PHILIP MASSINGER'S THE FALSE ONE.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
38
THE ANONYMOUS CAESAR'S REVENGE AND JOHN FLETCHER AND PHILIP MASSINGER'S THE FALSE ONE.
- Published in:
- 2015
- By:
- Publication type:
- Literary Criticism
39
MASSINGER AND LOPE DE VEGA.
- Published in:
- 2004
- By:
- Publication type:
- Literary Criticism
40
DANIEL LAKIN (LAKYN): PHYSICIAN, TRANSLATOR, AND AUTHOR.
- Published in:
- Notes & Queries, 1987, v. ns-34, n. 3, p. 315
- By:
- Publication type:
- Article
41
ON THE DATE OF MASSINGER'S THE MAID OF HONOUR.
- Published in:
- Notes & Queries, 1986, v. 33, n. 3, p. 391
- By:
- Publication type:
- Article
42
A New Way to Pay Old Debts: Massinger and the RSC.
- Published in:
- 1984
- By:
- Publication type:
- Arts/Entertainment Review
43
"Turkish Dames" and "English Mastiffs": The "Turk" and the Female Body in Massinger's The Renegado.
- Published in:
- 2013
- By:
- Publication type:
- Literary Criticism
44
The City Madam.
- Published in:
- 2005
- Publication type:
- Book Review
45
A New Way to Please You or, The Old Law.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
46
Believe What You Will.
- Published in:
- 2006
- By:
- Publication type:
- Arts/Entertainment Review
47
The Elder Brother, Virgil’s De apibus, and the Chronology of the Plays in the Canon of John Fletcher and His Collaborators, 1617–20.
- Published in:
- Early Theatre, 2024, v. 27, n. 1, p. 105, doi. 10.12745/et.27.1.5677
- By:
- Publication type:
- Article
48
An Edition of Jonson’s Entertainment at Britain’s Burse and a New Letter by Collier on Massinger in the Athenaeum (1857).
- Published in:
- Early Theatre, 2023, v. 26, n. 2, p. 101, doi. 10.12745/et.26.2.5265
- By:
- Publication type:
- Article
49
‘My maine hope is, to begin the sport at Millaine’: Italy in Philip Massinger’s The Duke of Milan.
- Published in:
- Early Theatre, 2023, v. 26, n. 1, p. 53, doi. 10.12745/et.26.1.5086
- By:
- Publication type:
- Article
50
Labienus and Sceva: Two Classical Supporting Characters and Their Early Modern Dramatic Life in Fletcher and Massinger's The False One.
- Published in:
- Early Theatre, 2015, v. 18, n. 1, p. 101, doi. 10.12745/et.18.1.1167
- By:
- Publication type:
- Article